OverDrive מעוניין להשתמש בעוגיות כדי לשמור מידע על המחשב שלך, בכדי לשפר את חוויית המשתמש שלך באתר שלנו. אחת מהעוגיות בהן אנחנו משתמשים היא הכרחית לתפעולם של היבטים מסוימים של האתר וכבר הותקנה. את/ה יכול/ה למחוק ולחסום את כל העוגיות מאתר זה, אבל זה עלול להשפיע על תכונות או שירותים מסוימים של האתר. כדי ללמוד עוד על העוגיות בהן אנחנו משתמשים ועל איך מוחקים אותן, ליחץ/י כאן כדי לראות את מגיניות הפרטיות שלנו.
A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it. In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.
A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it. In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.
בשל מגבלות הוצאה לאור, הספר הזה בפורמט קינדל לא יכול להיות מועבר באופן אלחוטי ויש להורידו ולהעבירו באמצעות USB.
עקב הגבלות המוציא לאור הספריה אינה יכולה לרכוש עותקים נוספים של הכותר, אנו מתנצלים אם יש רשימת המתנה ארוכה. וודא שבדקת עותקים אחרים, מכיוון שיכולות להיות מהדורות אחרות זמינות.
מובאות-
Chapter OneChapter One
Suppose that you and I were sitting in a quiet room overlooking a garden, chatting and sipping at our cups of green tea while we talked about something that had happened a long while ago, and I said to you, "That afternoon when I met so-and-so . . . was the very best afternoon of my life, and also the very worst afternoon." I expect you might put down your teacup and say, "Well, now, which was it? Was it the best or the worst? Because it can't possibly have been both!" Ordinarily I'd have to laugh at myself and agree with you. But the truth is that the afternoon when I met Mr. Tanaka Ichiro really was the best and the worst of my life. He seemed so fascinating to me, even the fish smell on his hands was a kind of perfume. If I had never known him, I'm sure I would not have become a geisha.
I wasn't born and raised to be a Kyoto geisha. I wasn't even born in Kyoto. I'm a fisherman's daughter from a little town called Yoroido on the Sea of Japan. In all my life I've never told more than a handful of people anything at all about Yoroido, or about the house in which I grew up, or about my mother and father, or my older sister — and certainly not about how I became a geisha, or what it was like to be one. Most people would much rather carry on with their fantasies that my mother and grandmother were geisha, and that I began my training in dance when I was weaned from the breast, and so on. As a matter of fact, one day many years ago I was pouring a cup of sake for a man who happened to mention that he had been in Yoroido only the previous week. Well, I felt as a bird must feel when it has flown across the ocean and comes upon a creature that knows its nest. I was so shocked I couldn't stop myself from saying:
"Yoroido! Why, that's where I grew up!"
This poor man! His face went through the most remarkable series of changes. He tried his best to smile, though it didn't come out well because he couldn't get the look of shock off his face.
"Yoroido?" he said. "You can't mean it."
I long ago developed a very practiced smile, which I call my "Noh smile" because it resembles a Noh mask whose features are frozen. Its advantage is that men can interpret it however they want; you can imagine how often I've relied on it. I decided I'd better use it just then, and of course it worked. He let out all his breath and tossed down the cup of sake I'd poured for him before giving an enormous laugh I'm sure was prompted more by relief than anything else.
"The very idea!" he said, with another big laugh. "You, growing up in a dump like Yoroido. That's like making tea in a bucket!" And when he'd laughed again, he said to me, "That's why you're so much fun, Sayuri-san. Sometimes you almost make me believe your little jokes are real."
I don't much like thinking of myself as a cup of tea made in a bucket, but I suppose in a way it must be true. After all, I did grow up in Yoroido, and no one would suggest it's a glamorous spot. Hardly anyone ever visits it. As for the people who live there, they never have occasion to leave. You're probably wondering how I came to leave it myself. That's where my story begins.
* * *
In our little fishing village of Yoroido, I lived in what I called a "tipsy house." It stood near a cliff where the wind off the ocean was always blowing. As a child it seemed to me as if the ocean had caught a terrible cold, because it was always wheezing and there would be spells when it let out a huge sneeze — which is to say there was a burst of wind with a tremendous spray. I...
על המחבר-
Arthur Golden was born in Chattanooga, Tennessee, and was educated at Harvard College, where he received a degree in art history, specializing in Japanese art. In 1980 he earned an M.A. in Japanese history from Columbia University, where he also learned Mandarin Chinese. Following a summer at Beijing University, he worked in Tokyo, and, after returning to the United States, earned an M.A. in English from Boston University. He resides in Brookline, Massachusetts, with his wife and two children.
ביקורות-
Starred review from September 22, 1997 The life of a famous Kyoto geisha--from her painful apprenticeship in the early 1930s through the years of her prime and her later career in Manhattan--is rendered with stunning clarity in this fully imagined first novel. Golden effortlessly spins the tale as the dictated autobiography of quick-witted Chiyo Sakamoto, the daughter of a poor fisherman, who attains the pinnacle of geisha success. In the process, Golden evokes the spectrum of traditional Japanese society. Sold as a child by her financially desperate father, Chiyo is placed in a house for geisha as the personal maid to Hatsumomo, one of Kyoto's most sought-after geisha. There she is trained in the arts of dance, singing and the tea ceremony. Hatsumomo, however, threatened by Chiyo's beauty, treats her with unrestrained cruelty. Chiyo's position is one of indentured servitude: she may not leave until she has repaid all of her living expenses and even her original purchase cost. After many vicissitudes, Chiyo is transformed into a celebrated geisha called Sayuri; many men offer to be her danna (high-paying boyfriend), an honor that--defying Western expectations--does not include sex unless the geisha chooses so. Despite legions of admirers however, Chiyo/Sayuri secretly pines for an unattainable man. Golden splendidly renders the superficiality of geisha culture: the word geisha translates to "artist" or "artisan," and the women spend hours painting on porcelain make-up, caring for their beautifully hued silk kimonos and honing clever conversational skills. Counter to everything geisha are taught, Chiyo learns that her own feelings do matter, and honoring them results in a well-earned, intelligent and satisfyingly happy ending. Foreign rights sold in 11 countries; Random House audio; author tour.
October 10, 2005 Arthur Golden's 1997 tale appealed to director Marshall (Chicago ) for the same reasons it attracted millions of readers: because it "not only peers into the fascinating and forbidden world of a geisha's life in 1930s Japan, but also tells the emotional tale of one particular girl's journey." This accompanying volume to the forthcoming film based on the book will certainly enchant fans. In his introduction, Golden recalls how "curious" it was for him to walk around a full-scale geisha district of the 1930s built on a field in California and know that such a detailed set grew out of his grueling experience writing the novel. A history of the geisha comes next, and then a portfolio of images from the film, some quite striking (such as the one of geisha practicing movements with fans, hair down, relaxed in their dressing robes and lit from behind). The book's final portion is devoted to the making of the film, with archival images of geisha, a concept illustration of a cherry-blossom-viewing party and notes on how, for example, the structural surfaces of the buildings on the set were sandblasted to add texture and age.
Washington Post Book World
"Astonishing . . . breathtaking . . . You are seduced completely."
The New Yorker
"Captivating, minutely imagined . . . a novel that refuses to stay shut."
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Knopf Doubleday Publishing Group
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