מאת Lisa Unger
Charged with relentless intensity and kinetic action, and playing out with unnerving suspense on the streets of New York and London, Sliver of Truth delves deep into the shadowy world of Ridley Jones, a terrified but determined young woman at once hunting down a ghost from her past and running for her life.
Charged with relentless intensity and kinetic action, and playing out with unnerving suspense on the streets of New York and London, Sliver of Truth delves deep into the shadowy world of Ridley Jones, a terrified but determined young woman at once hunting down a ghost from her past and running for her life.
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Chapter One
1
I'm running but I can't run much farther. The pain in my side already has me limping; there's fire in my lungs. I can't hear his footfalls. But I know he's not far away. I know now that he's been right beside me all my life in one way or another. I'm the light; he's the shadow. We've coexisted without ever meeting. If I'd been a good girl, the girl I was raised to be, I never would have known him. But it's too late for regrets.
I'm on Hart Island in the Bronx, a place known as Potter's Field. It's the city cemetery for the unknown and indigent—a grim and frightening place. How we've all wound up here is a long story, but I know the story will end here—maybe just for some, maybe for all of us. A tall abandoned building that seems to sag upon itself looms ahead of me. It's a darker night than I have ever known, in more ways than one. The sliver of moon is hidden behind a thick cloud cover. It's hard to see but I watch as he disappears through a door that hangs crooked on its hinges. I follow.
"Ridley!" The call comes from behind me. But I don't answer. I just keep moving until I am standing at the entrance to the building. I hesitate there, looking at the crooked, sighing structure and wondering if it's not too late to turn around.
Then I see him, up ahead of me. I call out but he doesn't answer me, just turns and slowly starts to move away. I follow. If I valued my life and my sanity, I'd let him get away and hope he did the same for me. We could go back to the way things have been. He dwelling in a world I never even knew existed, me going about my very ordinary life, writing magazine articles, seeing movies, having drinks with friends.
Fear and rage duke it out in my chest. Hatred has a taste and a texture; it burns like bile in my throat. For a moment, I hear the voice of someone I loved: Ridley, you can release the hatred and walk away. It's nothing more than a single choice. We can both do it. We don't need all the answers to live our lives. It doesn't have to be like this. A few minutes later, he was gone.
I know now that those words were lies. Hatred doesn't release. Walking away is not one of my choices. Maybe it never was. Maybe I've been in the path of this freight train all my life, lashed to the tracks, too weak, too foolish, too stubborn to even try to save myself.
As I enter the building, I think I might hear the rumble of boat engines. I feel a distant flutter of hope and wonder if help is coming. I hear my name again and look behind me to see a man who has become my only friend moving unsteadily toward me. He is injured and I know it will take him a while to reach me. I think for a second that I should go to him, help him. But inside I hear movement and the groaning of an unstable structure. My breathing comes shallow and quick. I step deeper inside.
"Stop running, you coward!" I yell into the huge darkness. My voice resonates in the deserted space. "Let me see your face."
My voice bounces off the surfaces around me again. I don't sound scared and heartbroken, but I am. I sound strong and sure. I take the gun from the waist of my jeans. The metal is warm from my skin. In my hand, it feels solid and righteous. This is the second time in my life I've held a gun with the intent to use it. I don't like it any better than the first time, but I'm more confident now, know that I can fire if pressed.
He steps out from the shadows, seems to move silently, to glide like the ghost that he is. I take a step toward him and then stop, raise my gun. I still can't see his face. A milky light has started to shine through the gaping holes in the ceiling as the moon moves through...
על המחבר-
- Lisa Unger is an award-winning New York Times and international bestselling author. Her novels have sold over 1 million copies in the U.S. and have been translated into 26 different languages.
ביקורות-
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Starred review from October 23, 2006
Bestseller Unger's sensational second thriller (after Beautiful Lies
) puts her in the same league as such genre masters as Peter Straub and Peter Abrahams. From the cryptic opening section, which ends with a New York Times
reporter finding her husband bleeding to death, Unger grabs the reader by the throat and doesn't let go. Meanwhile, the FBI informs Ridley Jones, a magazine writer, that her late uncle, Max Smiley (who's really her biological father), is still alive and being sought by assorted international players on all sides of the law. Rapidly finding that little in her life is what it seems, Jones is horrified to be confronted with evidence indicating that Smiley is a misogynistic monster of the first order, who may have played a role in the murder of the reporter's husband. Unger's gifts for dialogue and pacing set this far above the standard novel of suspense and will leave many anxiously awaiting her third book. 10-city author tour. -
December 1, 2006
Freelance journalist Ridley Jones stops by the photo lab to pick up her pictures and is taken in for questioning by FBI agents on her way home. It seems that a mysterious figure is hovering in the background in several of her photos, and Special Agent Dylan Grace believes that the figure is Ridley's Uncle Max, whom she thought was dead. In Unger's follow-up to "Beautiful Lies", Ridley must face the fact that her beloved uncle may not only be alive but that he wasn't the man she believed him to be. The FBI wants her to lead its agents to him, but she doesn't completely trust anyone now, including her boyfriend, Jake, who informs her that Max was part of a vicious crime ring. Determined to discover the truth in the web of lies surrounding her, Ridley decides to do some investigating on her own and encounters danger and deception at every turn. A fast-paced story that readers will find difficult to put down; recommended. [See Prepub Alert, "LJ" 9/15/06.]Linda Oliver, MLIS, Colorado SpringsCopyright 2006 Library Journal, LLC Used with permission.
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Starred review from November 15, 2006
Unger's popular debut, " Beautiful Lies" " ("2006), introduced readers to Ridley Jones, a New York freelance writer who rescues a toddler who wanders onto a busy Manhattan street. The press attention Ridley's heroic act attracts brings to the surface a series of startling truths, which Ridley's adoptive parents have kept from her all her life. (They gained custody of Ridley through Project Rescue, an organization with links to organized crime.) Ridley's late, beloved uncle Max, it seems, was really her father, a complicated man with a dark, twisted side. In this sizzling sequel, a shadowy figure in a trio of photos prompts Ridley to wonder whether Max is indeed dead. Unger's plot bursts from the starting gate and never lets up, as Ridley pieces together the puzzle that is her past. Just a footstep or two behind her is rogue FBI agent Dylan Grace, who has his own distressing motivations for wanting to know Max's whereabouts. The deeper Ridley digs, the more she doubts herself and the "uncle" she thought she knew. But Ridley (who suggests a more serious version of Janet Evanovich's self-deprecating Stephanie Plum) is never deterred: "Sometimes there is only one choice in the pursuit of the truth; sometimes turning away just isn't an option."(Reprinted with permission of Booklist, copyright 2006, American Library Association.) -
Starred review from February 26, 2007
Ridley Jones thought her faux uncle Max (who was actually her father) was long dead. But apparently, no one else did; not the FBI, the Armenian mob, the woman who identified Max's corpse, or Jones's boyfriend, Jake. Each want Max for different reasons, and Jones becomes the tool with which they hope to bring him out into the open. In an effort to figure everything out, Jones recruits contacts, but it seems every time she does, they end up dead. Unger's second novel featuring Jones packs a lot of action, humor and drama. Jenna Lamia improves these elements in this first-person novel with a light, smooth voice that fits with Jones personality. Within the first hour, Lamia's soft tone reverberates with attitude or sincerity depending on the context, while her ability to inject personality into the narrative aspects of the story makes it all the more enjoyable. She tackles accents, gender differentials and sarcasm with great ease, leaving listeners to lose themselves in Unger's tale of intrigue. Simultaneous release with the Crown hardcover (Reviews, Oct. 23). - New York Daily News "Double feints and triple suspense plays . . . make Sliver of Truth compulsive reading."
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