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הסתר הודעה

  ניווט ראשי
The Book Thief
תמונה של  The Book Thief
The Book Thief
מאת Markus Zusak
DON'T MISS BRIDGE OF CLAY, MARKUS ZUSAK'S FIRST NOVEL SINCE THE BOOK THIEF.

The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul.

Nominated as one of America's best-loved novels by PBS's The Great American Read.
When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.

"The kind of book that can be life-changing." —The New York Times

"Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank." —USA Today
DON'T MISS BRIDGE OF CLAY, MARKUS ZUSAK'S FIRST NOVEL SINCE THE BOOK THIEF.

The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul.

Nominated as one of America's best-loved novels by PBS's The Great American Read.
When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.

"The kind of book that can be life-changing." —The New York Times

"Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank." —USA Today
פורמטים זמינים-
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שפות:-
עותקים-
  • זמין:
    0
  • עותקים בספריה:
    2
רמות-
  • רמת ATOS:
    5.1
  • מדדLexile :
    730
  • רמת עניין:
    UG
  • קושי טקסט:
    7 - 12

מומלץ(ים) עבורך

 
פרסים-
מובאות-
  • From the book

    DEATH AND CHOCOLATE


    First the colors.
    Then the humans.
    That's usually how I see things.
    Or at least, how I try.


    ***HERE IS A SMALL FACT ***
    You are going to die.


    I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.


    ***Reaction to the ***
    AFOREMENTIONED fact
    Does this worry you?
    I urge you—don't be afraid.
    I'm nothing if not fair.


    —Of course, an introduction.
    A beginning.
    Where are my manners?
    I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
    At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps.
    The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
    Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see—the whole spectrum. A billion or so flavors, none of them quite the same, and a sky to slowly suck on. It takes the edge off the stress. It helps me relax.


    ***A SMALL THEORY ***
    People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations, with each passing moment.
    A single hour can consist of thousands of different colors.
    Waxy yellows, cloud-spat blues. Murky darknesses.
    In my line of work, I make it a point to notice them.


    As I've been alluding to, my one saving grace is distraction. It keeps me sane. It helps me cope, considering the length of time I've been performing this job. The trouble is, who could ever replace me? Who could step in while I take a break in your stock-standard resort-style vacation destination, whether it be tropical or of the ski trip variety? The answer, of course, is nobody, which has prompted me to make a conscious, deliberate decision—to make distraction my vacation. Needless to say, I vacation in increments. In colors.
    Still, it's possible that you might be asking, why does he even need a vacation? What does he need distraction from?
    Which brings me to my next point.
    It's the leftover humans.
    The survivors.
    They're the ones I can't stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprise. They have punctured hearts. They have beaten lungs.
    Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. It's the story of one of those perpetual survivors—an expert at being left behind.
    It's just a small story really, about, among other things:
    * A girl
    * Some words
    * An accordionist
    * Some fanatical Germans
    * A Jewish fist fighter
    * And quite a lot of...
על המחבר-
  • Markus Zusak is the author of I Am the Messenger, winner of the Children's Book Council Book of the Year in Australia, Fighting Ruben Wolfe, an ALA Best Book for Young Adults, and Getting the Girl. The author lives in Sydney, Australia.
ביקורות-
  • AudioFile Magazine This powerful Holocaust story is for mature, sophisticated teens and adults. Set in Nazi Germany, narrated by Death, it is 9-year-old Liesel Meminger's story. Death watches as she steals the first of 14 books at her brother's funeral, sensing they will feed her soul even before she knows how to read. Allan Corduner gives Death a strong personality with a dispassionate voice that will grip the listener; by turns sardonic, compassionate, with a dark humor, he takes no pride in being part of man's deadly cruelty to man. Corduner gives Death a voice we rarely imagine for him, as fearful of humans as we are of him, and an unwillingly participant in man's cruel, deadly events. N.E.M. (c) AudioFile 2006, Portland, Maine
  • Publisher's Weekly

    Starred review from November 13, 2006
    Corduner uses considerable zeal and a talent for accents to navigate Zusak's compelling, challenging novel set in Nazi Germany. Death serves as knowing narrator for the tale, which is framed much like a lengthy flashback. The storytelling aspects of this structure include asides to the listener, and lots of foreshadowing about what eventually happens to the various lead characters—appealing features for listeners. But Corduner seems to most enjoy embracing the heart of things here—the rather small and ordinary saga of 10-year-old Liesel Meminger, who has been given over to a foster family following her mother's branding as a "Kommunist" and the death of her younger brother. Under her foster parents' care, she learns how to read, how to keep terrifying secrets and how to hone her skills as a book thief, a practice that keeps her sane and feeds her newfound love of words. With quick vocal strokes, Corduner paints vivid, provocative portraits of Germans and Jews under unfathomable duress and the ripple effect such circumstances have on their lives. Ages 12-up.

  • Publisher's Weekly

    Starred review from January 30, 2006
    This hefty volume is an achievement—a challenging book in both length and subject, and best suited to sophisticated older readers. The narrator is Death himself, a companionable if sarcastic fellow, who travels the globe "handing souls to the conveyor belt of eternity." Death keeps plenty busy during the course of this WWII tale, even though Zusak (I Am the Messenger
    ) works in miniature, focusing on the lives of ordinary Germans in a small town outside Munich. Liesel Meminger, the book thief, is nine when she pockets The Gravedigger's Handbook
    , found in a snowy cemetery after her little brother's funeral. Liesel's father—a "Kommunist"—is already missing when her mother hands her into the care of the Hubermanns. Rosa Hubermann has a sharp tongue, but Hans has eyes "made of kindness." He helps Liesel overcome her nightmares by teaching her to read late at night. Hans is haunted himself, by the Jewish soldier who saved his life during WWI. His promise to repay that debt comes due when the man's son, Max, shows up on his doorstep. This "small story," as Death calls it, threads together gem-like scenes of the fates of families in this tight community, and is punctuated by Max's affecting, primitive artwork rendered on painted-over pages from Mein Kampf
    . Death also directly addresses readers in frequent asides; Zusak's playfulness with language leavens the horror and makes the theme even more resonant—words can save your life. As a storyteller, Death has a bad habit of forecasting ("I'm spoiling the ending," he admits halfway through his tale). It's a measure of how successfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them. Ages 12-up.

  • USA Today

    "Brilliant and hugely ambitious...Some will argue that a book so difficult and sad may not be appropriate for teenage readers...Adults will probably like it (this one did), but it's a great young-adult novel...It's the kind of book that can be life-changing, because without ever denying the essential amorality and randomness of the natural order, The Book Thief offers us a believable hard-won hope...The hope we see in Liesel is unassailable, the kind you can hang on to in the midst of poverty and war and violence. Young readers need such alternatives to ideological rigidity, and such explorations of how stories matter. And so, come to think of it, do adults." -New York Times, May 14, 2006
    "The Book Thief is unsettling and unsentimental, yet ultimately poetic. Its grimness and tragedy run through the reader's mind like a black-and-white movie, bereft of the colors of life. Zusak may not have lived under Nazi domination, but The Book Thief deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank and Elie Wiesel's Night. It seems poised to become a classic."

  • Time Magazine "Zusak doesn't sugarcoat anything, but he makes his ostensibly gloomy subject bearable the same way Kurt Vonnegut did in Slaughterhouse-Five: with grim, darkly consoling humor."
  • New York Times - School Library Journal, Starred
    "The Book Thief will be appreciated for Mr. Zusak's audacity, also on display in his earlier I Am the Messenger. It will be widely read and admired because it tells a story in which books become treasures. And because there's no arguing with a sentiment like that."
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The Book Thief
The Book Thief
Markus Zusak
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