Guy Francon ended with a flourish, raising his right arm in a sweeping salute; informal, but with an air, that gay, swaggering air which Guy Francon could always permit himself. The huge hall before him came to life in applause and approval.

A sea of faces, young, perspiring and eager, had been raised solemnly — for forty-five minutes — to the platform where Guy Francon had held forth as the speaker at the commencement exercises of the Stanton Institute of Technology, Guy Francon who had brought his own person from New York for the occasion; Guy Francon, of the illustrious firm of Francon & Heyer, vice-president of the Architects' Guild of America, member of the American Academy of Arts and Letters, member of the National Fine Arts Commission, Secretary of the Arts and Crafts League of New York, chairman of the Society for Architectural Enlightenment of the U.S.A.; Guy Francon, knight of the Legion of Honor of France, decorated by the governments of Great Britain, Belgium, Monaco and Siam; Guy Francon, Stanton's greatest alumnus, who had designed the famous Frink National Bank Building of New York City, on the top of which, twenty-five floors above the pavements, there burned in a miniature replica of the Hadrian Mausoleum a wind-blown torch made of glass and the best General Electric bulbs.

Guy Francon descended from the platform, fully conscious of his timing and movements. He was of medium height and not too heavy, with just an unfortunate tendency to stoutness. Nobody, he knew, would give him his real age, which was fifty-one. His face bore not a wrinkle nor a single straight line; it was an artful composition in globes, circles, arcs and ellipses, with bright little eyes twinkling wittily. His clothes displayed an artist's infinite attention to details. He wished, as he descended the steps, that this were a co-educational school.

The hall before him, he thought, was a splendid specimen of architecture, made a bit stuffy today by the crowd and by the neglected problem of ventilation. But it boasted green marble dados, Corinthian columns of cast iron painted gold, and garlands of gilded fruit on the walls; the pineapples particularly, thought Guy Francon, had stood the test of years very well. It is, thought Guy Francon, touching; it was I who built this annex and this very hall, twenty years ago; and here I am.

The hall was packed with bodies and faces, so tightly that one could not distinguish at a glance which faces belonged to which bodies. It was like a soft, shivering aspic made of mixed arms, shoulders, chests and stomachs. One of the heads, pale, dark haired and beautiful, belonged to Peter Keating.

He sat, well in...