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הסתר הודעה

  ניווט ראשי
The Silent Wife
תמונה של  The Silent Wife
The Silent Wife
A Novel

Soon to be a major motion picture starring Nicole Kidman, fans of The Girl on the Train and Gone Girl will love The Silent Wife
"I gobbled it down in one sitting." – Anne Lamott, People

Jodi and Todd are at a bad place in their marriage. Much is at stake, including the affluent life they lead in their beautiful waterfront condo in Chicago, as she, the killer, and he, the victim, rush haplessly toward the main event. He is a committed cheater. She lives and breathes denial. He exists in dual worlds. She likes to settle scores. He decides to play for keeps. She has nothing left to lose. Told in alternating voices, The Silent Wife is about a marriage in the throes of dissolution, a couple headed for catastrophe, concessions that can't be made, and promises that won't be kept. Expertly plotted and reminiscent of Gone Girl and These Things Hidden, The Silent Wife ensnares the reader from page one and does not let go.




From the Trade Paperback edition.

Soon to be a major motion picture starring Nicole Kidman, fans of The Girl on the Train and Gone Girl will love The Silent Wife
"I gobbled it down in one sitting." – Anne Lamott, People

Jodi and Todd are at a bad place in their marriage. Much is at stake, including the affluent life they lead in their beautiful waterfront condo in Chicago, as she, the killer, and he, the victim, rush haplessly toward the main event. He is a committed cheater. She lives and breathes denial. He exists in dual worlds. She likes to settle scores. He decides to play for keeps. She has nothing left to lose. Told in alternating voices, The Silent Wife is about a marriage in the throes of dissolution, a couple headed for catastrophe, concessions that can't be made, and promises that won't be kept. Expertly plotted and reminiscent of Gone Girl and These Things Hidden, The Silent Wife ensnares the reader from page one and does not let go.




From the Trade Paperback edition.
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  • From the book

    Chapter 1

    HER

    It's early September. Jodi Brett is in her kitchen, making dinner. Thanks to the open plan of the condo, she has an unobstructed view through the living room to its east-facing windows and beyond to a vista of lake and sky, cast by the evening light in a uniform blue. A thinly drawn line of a darker hue, the horizon, appears very near at hand, almost touchable. She likes this delineating arc, the feeling it gives her of being encircled. The sense of containment is what she loves most about living here, in her aerie on the twenty-seventh ?oor.

    At forty-?ve, Jodi still sees herself as a young woman. She does not have her eye on the future but lives very much in the moment, keeping her focus on the everyday. She assumes, without having thought about it, that things will go on inde?nitely in their imperfect yet entirely acceptable way. In other words, she is deeply unaware that her life is now peaking, that her youthful resilience—which her twenty-year marriage to Todd Gilbert has been slowly eroding—is approaching a ?nal stage of disintegration, that her notions about who she is and how she ought to conduct herself are far less stable than she supposes, given that a few short months are all it will take to make a killer out of her.

    If you told her this she would not believe you. Murder is barely a word in her vocabulary, a concept without meaning, the subject of stories in the news having to do with people she doesn't know and will never meet. Domestic violence she ?nds especially implausible, that everyday friction in a family setting could escalate to such a degree. There are reasons for this incomprehension, even aside from her own habit of self-control: She is no idealist, believes in taking the bad with the good, does not pick ?ghts, and is not easily baited.

    The dog, a golden retriever with a silky blond coat, sits at her feet as she works at the cutting board. Every now and then she throws him a slice of raw carrot, which he catches in his mouth and joyfully grinds up with his molars. This vegetable toss is a long-standing predinner ritual, one that she and the dog have enjoyed from the time she brought him home as a roly-poly pup to take Todd's mind o? his yearning for progeny, which sprang up, seemingly overnight, around the time he turned forty. She named the dog Freud in anticipation of the fun she could poke at his namesake, the misogynist whom she was forced to take seriously at university. Freud passing gas, Freud

    eating garbage, Freud chasing his tail. The dog is endlessly good-natured and doesn't mind in the least being an object of fun.

    Trimming vegetables and chopping herbs, she throws herself bodily into the work. She likes the intensity of cooking—the readiness of the gas ?ame, the timer marking o? the minutes, the immediacy of the result. She's aware of the silence beyond the kitchen, everything rushing to the point in time when she'll hear his key in the lock, an event that she anticipates with pleasure. She can still feel that making dinner for Todd is an occasion, can still marvel at the stroke of fate that brought him into her life, a matter of rank chance that did not seem to favor a further acquaintance, much less a future of appetizing meals, lovingly prepared.

    It came to pass on a rainy morning in spring. Busy with her graduate studies in psychology, waiting tables at night, overworked, exhausted, she was moving house, driving north on State Street in a rental van loaded with her household goods. As she prepared to change lanes from right to left she might have looked over her shoulder or maybe not. She found the van awkward, didn't have a feel for it, and on top...

ביקורות-
  • Publisher's Weekly

    Starred review from April 1, 2013
    Canadian author Harrison’s first novel is a smart, nuanced portrait of a dying marriage. Psychotherapist Jodi Brett is content with her tidy, tranquil existence—cooking for her husband, Todd Gilbert; walking the dog; seeing a few clients out of their gorgeous Chicago condo—while headstrong Todd works as a professional renovator. As Jodi sees it, they complement each other, and she doesn’t mind pretending to disregard Todd’s indiscretions (which he clumsily attempts to cover up) in exchange. Accepting the peccadillos of her adulterous husband is one thing, but when Todd takes his infidelity to the next level and tells her that he’s leaving her, the existence she’s clung to so dearly is destroyed. And Jodi will do anything to take it back. And she does. Harrison (Zodicat Speaks and three other nonfiction titles) breathes life into Adlerian psychology, and weaves theory into a heart-pounding thriller that will keep you up at night. Agent: Samantha Haywood, Transatlantic Literary Agency (Canada).

  • Kirkus

    April 1, 2013
    Harrison's first novel tells the story of a couple splitting apart, with alternating chapters featuring the viewpoints of the main characters. Jodi Brett and her longtime companion, Todd Gilbert, have been in a satisfying 20-year relationship. Jodi, a psychotherapist, works out of their expensive Chicago condominium, seeing two clients a day during the week and spending the remainder of her time taking classes in flower arranging, walking their golden retriever, Freud, and preparing gourmet meals. Todd, who worked his way up in independent development by flipping properties, had an unhappy childhood. Their comfortable life, marred only by his occasional straying eye, seems to suit them both, at least until he catches sight of Natasha. The daughter of an old friend, Natasha is no longer a pimply teenager with black nail polish and garishly dyed hair. Instead, she has turned into a curvaceous coed who becomes involved in a tempestuous relationship with Todd, the man Jodi thought would always be there for her. Now, Natasha is demanding that Todd leave Jodi and seems determined to make that happen, even if she has to resort to a few nasty tricks of her own. But Jodi isn't through with Todd, nor is she ready to roll over and play dead: In fact, if anything, she's prepared to make sure someone else meets that fate if that's what it takes to stop the events that threaten to disrupt her carefully ordered existence. Harrison, who in real life is also a psychotherapist, writes a neat atmospheric tale that examines life from both characters' points of view but sometimes works a bit too hard to cram extraneous detail into the story, particularly when it comes to psychotherapy and Jodi's present clients. While readers can probably get over a few mentions of Jodi's work, the Q-and-A style rendition of her own therapy and references to different schools of psychological thought may make readers' eyes glaze. Harrison pens a good, basic story stretched thin by unnecessary and distracting detail.

    COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    April 15, 2013

    Jodi has led a quietly ordered and opulent life with her partner, Todd, for the past 20 years. She considers herself to be a flexible and understanding better half, who reacts to Todd's indiscretions by cooking him his favorite meal to remind him of their stable home life. A psychiatrist, she perceives an insurmountable difference between herself and her clients, whom she thinks would benefit from accepting the low points of their lives along with the high ones. But the events that Todd is about to set in motion will test Jodi's limits to a harrowing degree and cause a secret that she buried long ago to resurface. Told in the alternating voices of Jodi and Todd, Harrison's novel is the story of what happens when the life we've worked so hard to achieve is exposed as an illusion. VERDICT Reminiscent of Gillian Flynn's Gone Girl, Harrison's (Zodicat Speaks) fiction debut is at once coolly detached and heartbreakingly accurate. Sure to be a hit with psychological-thriller fans.--Caitlin Bronner, St. Joseph's Coll. Lib., Brooklyn, NY

    Copyright 2013 Library Journal, LLC Used with permission.

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The Silent Wife
The Silent Wife
A Novel
A. S. A. Harrison
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