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  ניווט ראשי
Mexican Gothic
תמונה של  Mexican Gothic
Mexican Gothic
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.   
 
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post
“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”Nerdist
“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”Entertainment Weekly
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.   
 
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post
“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”Nerdist
“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”Entertainment Weekly
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  • From the cover 1

    The parties at the Tuñóns’ house always ended unquestionably late, and since the hosts enjoyed costume parties in particular, it was not unusual to see Chinas Poblanas with their folkloric skirts and ribbons in their hair arrive in the company of a harlequin or a cowboy. Their chauffeurs, rather than waiting outside the Tuñóns’ house in vain, had systematized the nights. They would head off to eat tacos at a street stand or even visit a maid who worked in one of the nearby homes, a courtship as delicate as a Victorian melodrama. Some of the chauffeurs would cluster together, sharing cigarettes and stories. A couple took naps. After all, they knew full well that no one was going to abandon that party until after one a.m.

    So the couple stepping out of the party at ten p.m. therefore broke convention. What’s worse, the man’s driver had left to fetch himself dinner and could not be found. The young man looked distressed, trying to determine how to proceed. He had worn a papier-­mâché horse’s head, a choice that now came back to haunt him as they’d have to make the journey through the city with this cumbersome prop. Noemí had warned him she wanted to win the costume contest, placing ahead of Laura Quezada and her beau, and thus he’d made an effort that now seemed misplaced, since his companion did not dress as she had said she would.

    Noemí Taboada had promised she’d rent a jockey outfit, complete with a riding crop. It was supposed to be a clever and slightly scandalous choice, since she’d heard Laura was going to attend as Eve, with a snake wrapped around her neck. In the end, Noemí changed her mind. The jockey costume was ugly and scratched her skin. So instead she wore a green gown with white appliqué flowers and didn’t bother to tell her date about the switch.

    “What now?”

    “Three blocks from here there’s a big avenue. We can find a taxi there,” she told Hugo. “Say, do you have a cigarette?”

    “Cigarette? I don’t even know where I put my wallet,” Hugo replied, palming his jacket with one hand. “Besides, don’t you always carry cigarettes in your purse? I would think you’re cheap and can’t buy your own if I didn’t know any better.”

    “It’s so much more fun when a gentleman offers a lady a cigarette.”

    “I can’t even offer you a mint tonight. Do you think I might have left my wallet back at the house?”

    She did not reply. Hugo was having a difficult time carrying the horse’s head under his arm. He almost dropped it when they reached the avenue. Noemí raised a slender arm and hailed a taxi. Once they were inside the car, Hugo was able to put the horse’s head down on the seat.

    “You could have told me I didn’t have to bring this thing after all,” he muttered, noticing the smile on the driver’s face and assuming he was having fun at his expense.

    “You look adorable when you’re irritated,” she replied, opening her handbag and finding her cigarettes.

    Hugo also looked like a younger Pedro Infante, which was a great deal of his appeal. As for the rest—­personality, social status, and intelligence—­Noemí had not paused to think too much about all of that. When she wanted something she simply wanted it, and lately she had wanted Hugo, though now that his attention had been procured she was likely to dismiss him.

    When they arrived at her house, Hugo reached out to...
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  • Publisher's Weekly

    April 6, 2020
    Moreno-Garcia’s energetic romp through the gothic genre (after Gods of Jade and Shadow) is delightfully bonkers. In the 1950s, Noemí, a flirtatious socialite and college student, travels from Mexico City to rescue her cousin Catalina from the nightmarish High Place, a remote Mexican mountain villa. Catalina has recently married the chilly, imperiously seductive Virgil Doyle, heir to a now defunct British silver mining operation. Beset by mysterious fevers, Catalina has written to her uncle, Noemí’s father, telling him, “This house is sick with rot, stinks of decay, brims with every single evil and cruel sentiment.” Noemí clashes with Virgil’s father, Howard—who subscribes to theories of eugenics—along with a set of oddly robotic British servants. Beset by horrifying dreams and visions, and unsettled by a peculiar fungus that grows everywhere, Noemí soon fears for her own life as well as Catalina’s. In a novel that owes a considerable debt to the nightmarish horror and ornate language of H.P. Lovecraft, the situations in which Noemí attempts to prevail get wilder and stranger with every chapter, as High Place starts exhibiting a mind of its own, and Noemi learns that Howard is far older than he appears to be. Readers who find the usual country house mystery too tame and languid won’t have that problem here.

  • AudioFile Magazine Frankie Corzo's velvety voice puts listeners under her spell as she narrates this horror audiobook. Noem� Taboada is a clever 22-year-old anthropology student buzzing between parties in 1950s Mexico City. She is quite put out when her father sends her to the countryside to check on her recently married cousin, Catalina, whose in-laws built their fortune with an ill-fated mine. Corzo conveys Noem�'s initial alarm at the many restrictions and pervasive ethnocentrism of the English family ensconced in their isolated mansion, High Place. Later, her concern about Catalina's--and her own--deteriorating mental state grows. Listeners share Noem�'s developing terror as she unravels the many mysteries of High Place and its enigmatic inhabitants. A suspenseful and atmospheric narration makes this an audiobook listeners won't soon forget. E.E.C. © AudioFile 2020, Portland, Maine
  • Library Journal

    Starred review from October 1, 2020

    Set in the 1950s, Nebula Award-nominated Moreno-Garcia's (Untamed Shore) take on gothic suspense and horror is one wild ride, but it also highlights important issues of our times, including racism, classism, and sexism. After receiving a concerning letter from her cousin Catalina, Noem�, a vivacious, urbane college student, travels from her Mexico City home to High Place, the isolated, chilly mountain villa and family estate of Noemi's new husband, Virgil Doyle. The mold-infested, creepy manor house may have been grand in its day, but its ghastly state now matches that of the family's dying patriarch, Howard Doyle, Virgil's father. The family's status and wealth came from operating a silver mine where they exploited the Indigenous laborers, whom the family consider to be inferior because of their non-European ancestry. With Catalina bedridden from her mysterious illness, Noem� is left to explore the villa and nearby town to try to make sense of Catalina's predicament and the Doyle family's role in it. She enlists the help of outcast son Francis, but the strange pull of the house has a strong grip on him, and soon Noem� finds herself struggling against it as well. Frankie Corzo's silky voice and atmospheric narration perfectly reflect Noem�'s growing horror as she learns the secrets of High Place and its disturbed inhabitants. VERDICT Recommended for horror and thriller fans who like some edginess to their stories; also, the brave, smart Noem� is a protagonist who'll thrill YA listeners (as long as they are mature enough for a few racy bits!)--Beth Farrell, Cleveland State Univ. Law Lib.

    Copyright 2020 Library Journal, LLC Used with permission.

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Mexican Gothic
Mexican Gothic
Silvia Moreno-Garcia
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