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#1 NATIONAL BESTSELLER • In this “thoroughly gripping” (New York Times) continuation of the Girl with the Dragon Tattoo series, Lisbeth Salander lies in critical condition in a Swedish hospital, a bullet in her head. But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. • Also known as the Millennium series
In the next installment of the Millennium series, with the help of Mikael Blomkvist, Salander will need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge—against the man who tried to kill her and against the corrupt government institutions that nearly destroyed her life. Look for the latest book in the Girl with the Dragon Tattoo series, The Girl in the Eagle's Talons, coming soon!
#1 NATIONAL BESTSELLER • In this “thoroughly gripping” (New York Times) continuation of the Girl with the Dragon Tattoo series, Lisbeth Salander lies in critical condition in a Swedish hospital, a bullet in her head. But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. • Also known as the Millennium series
In the next installment of the Millennium series, with the help of Mikael Blomkvist, Salander will need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge—against the man who tried to kill her and against the corrupt government institutions that nearly destroyed her life. Look for the latest book in the Girl with the Dragon Tattoo series, The Girl in the Eagle's Talons, coming soon!
בשל מגבלות הוצאה לאור, הספר הזה בפורמט קינדל לא יכול להיות מועבר באופן אלחוטי ויש להורידו ולהעבירו באמצעות USB.
עקב הגבלות המוציא לאור הספריה אינה יכולה לרכוש עותקים נוספים של הכותר, אנו מתנצלים אם יש רשימת המתנה ארוכה. וודא שבדקת עותקים אחרים, מכיוון שיכולות להיות מהדורות אחרות זמינות.
Dr. Jonasson was woken by a nurse five minutes before the helicopter was expected to land. It was just before 1:30 in the morning.
"What?" he said, confused.
"Rescue Service helicopter coming in. Two patients. An injured man and a younger woman. The woman has gunshot wounds."
"All right," Jonasson said wearily.
Although he had slept for only half an hour, he felt groggy. He was on the night shift in the ER at Sahlgrenska hospital in Göteborg. It had been a strenuous evening.
By 12:30 the steady flow of emergency cases had eased off. He had made a round to check on the state of his patients and then gone back to the staff bedroom to try to rest for a while. He was on duty until 6:00, and seldom got the chance to sleep even if no emergency patients came in. But this time he had fallen asleep almost as soon as he turned out the light.
Jonasson saw lightning out over the sea. He knew that the helicopter was coming in the nick of time. All of a sudden a heavy downpour lashed at the window. The storm had moved in over Göteborg.
He heard the sound of the chopper and watched as it banked through the storm squalls down towards the helipad. For a second he held his breath when the pilot seemed to have difficulty controlling the aircraft. Then it vanished from his field of vision and he heard the engine slowing to land. He took a hasty swallow of his tea and set down the cup.
Jonasson met the emergency team in the admissions area. The other doctor on duty took on the first patient who was wheeled in-an elderly man with his head bandaged, apparently with a serious wound to the face. Jonasson was left with the second patient, the woman who had been shot. He did a quick visual examination: it looked like she was a teenager, very dirty and bloody, and severely wounded. He lifted the blanket that the Rescue Service had wrapped around her body and saw that the wounds to her hip and shoulder were bandaged with duct tape, which he considered a pretty clever idea. The tape kept bacteria out and blood in. One bullet had entered her hip and gone straight through the muscle tissue. He gently raised her shoulder and located the entry wound in her back. There was no exit wound: the round was still inside her shoulder. He hoped it had not penetrated her lung, and since he did not see any blood in the woman's mouth he concluded that probably it had not.
"Radiology," he told the nurse in attendance. That was all he needed to say.
Then he cut away the bandage that the emergency team had wrapped around her skull. He froze when he saw another entry wound. The woman had been shot in the head, and there was no exit wound there either.
Jonasson paused for a second, looking down at the girl. He felt dejected. He often described his job as being like that of a goalkeeper. Every day people came to his place of work in varying conditions but with one objective: to get help.
Jonasson was the goalkeeper who stood between the patient and Fonus Funeral Service. His job was to decide what to do. If he made the wrong decision, the patient might die or perhaps wake up disabled for life. Most often he made the right decision, because the vast majority of injured people had an obvious and specific problem. A stab wound to the lung or a crushing injury after a car crash were both particular and recognizable problems that could be dealt with. The survival of the patient depended on the extent of the damage and on Jonasson's skill.
There were two kinds of injury that he hated. One was a serious burn case, because no matter what measures he took the burns would almost inevitably result in...
על המחבר-
STEIG LARSSON,who lived in Sweden, was the editor in chief of the magazine Expo and a leading expert on antidemocratic, right-wing extremist and Nazi organizations. He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest.
ביקורות-
March 29, 2010 The exhilarating conclusion to bestseller Larsson's Millennium trilogy (after The Girl Who Played with Fire ) finds Lisbeth Salander, the brilliant computer hacker who was shot in the head in the final pages of Fire , alive, though still the prime suspect in three murders in Stockholm. While she convalesces under armed guard, journalist Mikael Blomkvist works to unravel the decades-old coverup surrounding the man who shot Salander: her father, Alexander Zalachenko, a Soviet intelligence defector and longtime secret asset to Säpo, Sweden's security police. Estranged throughout Fire , Blomkvist and Salander communicate primarily online, but their lack of physical interaction in no way diminishes the intensity of their unconventional relationship. Though Larsson (1954–2004) tends toward narrative excess, his was an undeniably powerful voice in crime fiction that will be sorely missed. 500,000 first printing.
June 28, 2010 Simon Vance isn't about to change anything that worked so well in his renditions of the first two-thirds of the Millennium trilogy. But as the late author planned, the books form a coming-of-age story, albeit an unconventional one, in which the rough-edged computer genius Lisbeth Salander moves from aggressively antisocial behavior toward self-awareness and happiness. Much of that happens in this book, and Vance follows Larsson's lead, subtly decreasing Salander's stridency, even as she is forced to combat an awesome array of villains. Vance has no problem vocally distinguishing each of the bad guys, along with the heroic team of police and journalists led by Salander's co-protagonist, magazine writer Mikael Blomkvist. He even manages to help listeners identify a Stockholm telephone directory's worth of Swedish names. Vance wrings every ounce of suspense out of the prose, and there is one shocking confrontation near the end that allows him to pull out all the stops. A Knopf hardcover (Reviews, Mar. 21).
Michiko Kakutani, New York Times
"A thoroughly gripping read . . . Lisbeth Salander, Stieg Larsson's fierce pixie of a heroine, is one of the most original characters in a thriller to come along in a while--a gamin, Audrey Hepburn look-alike but with tattoos and piercings, the take-no-prisoners attitude of Lara Croft and the cool, unsentimental intellect of Mr. Spock . . . Owes less to the Silence of the Lambs horror genre than to something by John le Carré."
Kirkus Reviews
"Fast-paced enough to make those Jason Bourne films seem like Regency dramas."
The Economist
"Larsson's vivid characters, the depth of the detail across the three books, the powerfully imaginative plot, and the sheer verve of the writing make the trilogy a masterpiece of its genre."
Booklist
"There are few characters as formidable as Lisbeth Salander in contemporary fiction of any kind . . . She dominates the stage like Lear . . . She will be sorely missed."
Times (UK)
"Larsson's work is original, inventive, shocking, disturbing, and challenging . . . His novels have brought a much needed freshness into the world of crime fiction."
Evening Standard
"Fans will not be disappointed: this is another roller-coaster ride that keeps you reading far too late into the night."
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