מאת Ocean Vuong
The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong
How else do we return to ourselves but to fold
The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong
How else do we return to ourselves but to fold
The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
ביקורות-
-
Starred review from March 21, 2022
Vuong’s powerful follow-up to Night Sky with Exit Wounds does more than demonstrate poetic growth: it deepens and extends an overarching project with 27 new poems that reckon with loss and impermanence. Braiding past and present, Vuong’s speakers contextualize personal traumas within larger systems of dehumanization. Gold becomes a key visual motif for capitalist tendencies: “There is sunlight here, golden enough to take to the bank” and “Because everyone knows yellow pain, pressed into American letters, turns to gold.” His skillful technique is evident in elegies such as “Dear Rose,” which describes a mother’s life punctuated by poignant asides (“are you reading this dear/ reader are you my mom yet/ I cannot find her without you”). “Dear T” offers a meditation on the artistic process: “look—a bit of ink on the pad/ & we’re running down the street again/ after the thunderstorm/ platelets still plenty// in veins beneath your cheek.” Yet there’s a new, biting insouciance and self-awareness in Vuong’s voice, “Oh no. The sadness is intensifying. How rude,” turning his trademark epigrammatic flair to darkly humorous effect: “Because when a man & a man/ walk hand in hand into a bar/ the joke’s on us.” This fantastic book will reward fans while winning this distinctive poet new ones. -
Award-winning bestselling author Ocean Vuong narrates a profoundly visceral collection of poetry in which he unfurls his life after the death of his mother. His voice establishes a heartfelt cadence that fills each poem. He evokes a sense of neediness, as well as sad normalcy, through a heavy tone and moderately slow pace. Then there are poems--like "Dear Peter,'' for example--that reveal themselves like a headlong story, with barely any pauses. In those, Vuong's staccato, breathy narration suggests feelings of desperation. He speaks as if his life depends on every word. This work offers a story within a story. Vuong is telling listeners about a particular kind of survival--one that requires moving through and past tragedies. T.E.C. © AudioFile 2022, Portland, Maine
-
September 1, 2022
Vuong (On Earth We're Briefly Gorgeous) offers a new collection of poetry that shows him wrestling with grief after the death of his mother. Vuong's poetry juxtaposes being in a state of grief while also attempting to move past it. This collection explores themes of family, loss, and growing up in America during a time of war. The author narrates this deeply personal collection of poetry, providing depth to each of the poems. The listener is let into his world of personal loss and grief, the search for identity, and what it means to grow up as "other" in America. Vuong also deftly links his own grief and pain with that of society at large, connecting current events. In poems featuring lost loves, car accidents, and deaths, one can hear the pain and the struggle in the writing. However, the listener is also left with a sense of hope that things will get better. VERDICT This is a timely collection of poetry and will make a great addition to any library collection.--Elyssa Everling
Copyright 2022 Library Journal, LLC Used with permission.
