April 25, 2011
Riggs's atmospheric first novel concerns 16-year-old Jacob, a tightly wound but otherwise ordinary teenager who is "unusually susceptible to nightmares, night terrors, the Creeps, the Willies, and Seeing Things That Aren't Really There." When Jacob's grandfather, Abe, a WWII veteran, is savagely murdered, Jacob has a nervous breakdown, in part because he believes that his grandfather was killed by a monster that only they could see. On his psychiatrist's advice, Jacob and his father travel from their home in Florida to Cairnholm Island off the coast of Wales, which, during the war, housed Miss Peregrine's Home for Peculiar Children. Abe, a Jewish refugee from the Nazis, lived there before enlisting, and the mysteries of his life and death lead Jacob back to that institution. Nearly 50 unsettling vintage photographs appear throughout, forming the framework of this dark but empowering tale, as Riggs creates supernatural backstories and identities for those pictured in them (a boy crawling with bees, a girl with untamed hair carrying a chicken). It's an enjoyable, eccentric read, distinguished by well-developed characters, a believable Welsh setting, and some very creepy monsters. Ages 12–up.

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs. The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true--but Jacob discovers that he has unwittingly exposed the sheltered "peculiar spirits" (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs--gathered at flea markets and from collectors--nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob's overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel. A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14) COPYRIGHT(1) Kirkus Reviews, ALL RIGHTS RESERVED.

May 15, 2011

Sixteen-year-old Jacob Portman no longer believes the stories his grandfather told him when he was a little boy. These are obviously fairy tales about children with mysterious abilities, such as a girl who could levitate and a boy with bees inside him, and not real memories from his grandfather's childhood. Grandpa's sepia-toned photographs of his strange friends also seem fake to Jacob. However, when he gets a chance to visit the island where the stories took place, he can't resist delving into his grandfather's past. Could these odd children really have existed? VERDICT An original work that defies categorization, this first novel should appeal to readers who like quirky fantasies. Suitable for both adults and a YA audience. Riggs includes many vintage photographs that add a critical touch of the peculiar to his unusual tale.--Laurel Bliss, San Diego State Univ. Lib.

Copyright 2011 Library Journal, LLC Used with permission.

June 1, 2011

Gr 8 Up-Sixteen-year-old Jacob, traumatized by his grandfather's sudden, violent death, travels with his father to a remote island off the coast of Wales to find the orphanage where his grandfather was sent to live to escape Nazi persecution in Poland. When he arrives, he finds much more than he bargained for: the children from his grandfather's stories are still at the orphanage, living in a time loop in 1940. The monsters that killed Jacob's grandfather are hunting for "peculiar" children, those with special talents, and the group at the orphanage is in danger. Jacob must face the possibility that he, too, has certain traits that the monsters are after and that he is being stalked by adults he trusted. This complex and suspenseful story incorporates eerie photographs of children with seemingly impossible attributes and abilities, many of whom appear as characters in the story. The mysterious photographs add to the bizarre and slightly creepy tone of the book. Jacob is a strong and believable character, though only a few of the secondary characters are fully realized. The pacing of the story is good, alternating action sequences with Jacob's discoveries of his grandfather's long-hidden secrets. Readers will find this book unique and intriguing.-Misti Tidman, formerly at Boyd County Public Library, Ashland, KY

Copyright 2011 School Library Journal, LLC Used with permission.

May 15, 2011
On the brink of his sixteenth birthday, something terrible happens to Jacobsomething so terrible that it splits his life into two parts: Before and After. Before, he was an ordinary young man with a peculiar but doting grandfather. After, he discovers he isnt so ordinary after all. Nor are the peculiar children he meets at Miss Peregrines home. Riggs debut uses the framework of a horror novel to tell a more far-reaching tale with symbolic overtones of the Holocaust. Though the authors skill does not always match his ambitionhis pacing is particularly unevenhis premise is clever, and Jacob and the children are intriguing characters. The book is made even more intriguing by the inclusion of a number of period photographs that seem almost Victorian in character and that expand the oddness of the proceedings. An open ending suggests the possibility of a sequel.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)