מאת Janet Stevens
With color, irony, and sensitivity, Pulitzer Prize winner Annie Dillard illuminates the dedication, absurdity, and daring that is the writer's life. As it probes and exposes, examines and analyzes,The Writing Lifeoffers deeper insight into one of the most mysterious of professions.
A gregarious recluse, Dillard has passed many days, weeks, and months in remote locations doing something she claims to hate: writing. The act of writing is quite the undertaking, as the author struggles to decide whether she has found her subject, hit a dead end, or come up with a truly inspired bit of literature. Here, on top of providing a glimpse into her own life and writing experiences, Dillard offers wisdom to aspiring and established writers, urging them to maintain their passion and commitment to the work.
With color, irony, and sensitivity, Pulitzer Prize winner Annie Dillard illuminates the dedication, absurdity, and daring that is the writer's life. As it probes and exposes, examines and analyzes,The Writing Lifeoffers deeper insight into one of the most mysterious of professions.
A gregarious recluse, Dillard has passed many days, weeks, and months in remote locations doing something she claims to hate: writing. The act of writing is quite the undertaking, as the author struggles to decide whether she has found her subject, hit a dead end, or come up with a truly inspired bit of literature. Here, on top of providing a glimpse into her own life and writing experiences, Dillard offers wisdom to aspiring and established writers, urging them to maintain their passion and commitment to the work.
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Pulitzer Prize-winning author Annie Dillard (PILGRIM AT TINKER CREEK and AN AMERICAN CHILDHOOD) whimsically explores the process of writing, delving fearlessly into the subconscious and offering practical wisdom. Tavia Gilbert delivers Dillard's poetic treatise, giving an exclamatory tone to the author's observations as well as the quotes from other writers. Gilbert imparts Dillard's examination of the creative process and the heights and depths of an author's daily struggle with words in a way that exalts. Dillard's wry prose is conveyed as a daisy chain of metaphors and quotes that reveal one writer's techniques for coping with anxiety and producing consistently. The work doesn't present as a cohesive whole, but Gilbert's conversational style and honest fervor make the best of it. A.W. (c) AudioFile 2011, Portland, Maine
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September 1, 1989
``Every morning,'' writes Dillard, ``you enter your study . . . and slide your desk and chair into the middle of the air . . . your work is to keep cranking the flywheel that turns the gears that spin the belt in the engine of belief that keeps you and your desk in midair.'' In this collection of short essays, the author of Pilgrim at Tinker Creek and An American Childhood probes the sorcery that levitates her own writing, discussing with clear eye and wry wit how, where and why she writes. Dillard invokes the places that have helped to inspire her craft: the ``cinderblock cell over a parking lot'' where she completed Pilgrim ; the freezing cabin on Puget Sound where she chopped firewood every day before tackling her current work-in-progress, literary criticism. She recalls the day her typewriter erupted in a shower of fire and soot, and an epic ride with a fearless stunt pilot who conducted himself with reckless imagination and superb craft, like ``any fine artist.'' Self-aware but never self-absorbed, these luminous meditations examine an extraordinary writing life. QPBC alternate; Writer's Digest Book Club alternate. -
September 24, 1990
``In this collection of short essays, the author of Pilgrim at Tinker Creek and An American Childhood probes the sorcery that levitates her own writing, discussing with clear eye and wry wit how, where and why she writes,'' said PW . - New York Times Book Review "Annie Dillard is a wonderful writer, and The Writing Life is full of joys."
