מאת Douglas Stuart
WINNER OF THE BOOKER PRIZE
WINNER OF 'BOOK OF THE YEAR' AND 'DEBUT OF THE YEAR' AT THE BRITISH BOOK AWARDS
THE MILLION-COPY BESTSELLER
'An amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize
'Douglas Stuart has written a first novel of rare and lasting beauty.' – The Observer
'Shuggie Bain means so much to me. It is such a powerfully written story . . . I love a heartbreak book but there is so much love within this one, particularly between Shuggie and his mother Agnes.' – Dua Lipa
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life, dreaming of greater things. But Agnes is abandoned by her philandering husband, and as she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves.
It is her son Shuggie who holds out hope the longest. Shuggie is different, he is clearly no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. For readers of A Little Life and Angela's Ashes, it is a heartbreaking novel by a brilliant writer with a powerful and important story to tell.
'A heartbreaking novel' – The Times
'Tender and unsentimental . . . The Billy Elliot-ish character of Shuggie . . . leaps off the page.' – Daily Mail
WINNER OF THE BOOKER PRIZE
WINNER OF 'BOOK OF THE YEAR' AND 'DEBUT OF THE YEAR' AT THE BRITISH BOOK AWARDS
THE MILLION-COPY BESTSELLER
'An amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize
'Douglas Stuart has written a first novel of rare and lasting beauty.' – The Observer
'Shuggie Bain means so much to me. It is such a powerfully written story . . . I love a heartbreak book but there is so much love within this one, particularly between Shuggie and his mother Agnes.' – Dua Lipa
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life, dreaming of greater things. But Agnes is abandoned by her philandering husband, and as she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves.
It is her son Shuggie who holds out hope the longest. Shuggie is different, he is clearly no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. For readers of A Little Life and Angela's Ashes, it is a heartbreaking novel by a brilliant writer with a powerful and important story to tell.
'A heartbreaking novel' – The Times
'Tender and unsentimental . . . The Billy Elliot-ish character of Shuggie . . . leaps off the page.' – Daily Mail
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November 18, 2019
Stuart’s harrowing debut follows a family ravaged by addiction in Glasgow during the Thatcher era. Agnes Bain yearns to move Shug, her taxi-driving, “selfish animal” of a second husband, and three children out of the tiny apartment they share with her parents in Glasgow in 1981. Shug secures them a council flat, but when they arrive he leaves them in a flurry of violence, blaming Agnes’s drinking. While Agnes’s daughter, Catherine, escapes the misery of Agnes’s alcoholism and the family’s extreme poverty by finding a husband, and her older son, Leek, retreats into making art, Hugh (nicknamed “Shuggie” after his absent father) assumes responsibility for Agnes’s safety and happiness. As the years pass, Shuggie suffers cruelty over his effeminate personality and endures sexual violence. He eventually accepts that he’s gay; meanwhile, Agnes finds some hope by entering A.A., landing a job, and dating another taxi driver named Eugene, but she later backslides. As Shuggie and his mother attempt to improve their lives, they are bound not just by one another but also to the U.K.’s dire economic conditions. While the languid pace could have benefited from condensing, there are flashes of deep feeling that cut through the darkness. This bleak if overlong book will resonate with readers. Agent: Anna Stein, ICM Partners.
