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BOOKER PRIZE NOMINEE • A NEW YORKER AND NPR BEST BOOK OF THE YEAR • GMA BUZZ PICK • A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times). Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician. When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola’s lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.
BOOKER PRIZE NOMINEE • A NEW YORKER AND NPR BEST BOOK OF THE YEAR • GMA BUZZ PICK • A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times). Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician. When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola’s lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.
בשל מגבלות הוצאה לאור, הספר הזה בפורמט קינדל לא יכול להיות מועבר באופן אלחוטי ויש להורידו ולהעבירו באמצעות USB.
עקב הגבלות המוציא לאור הספריה אינה יכולה לרכוש עותקים נוספים של הכותר, אנו מתנצלים אם יש רשימת המתנה ארוכה. וודא שבדקת עותקים אחרים, מכיוון שיכולות להיות מהדורות אחרות זמינות.
מובאות-
From the cover
Eniọlá decided to pretend it was just water. A single melting hailstone. Mist or dew. It could also be some good thing: a solitary raindrop fallen from the sky, lone precursor to a deluge. The first rains of the year would mean he could finally eat an àgbálùmọ̀. The fruit seller whose stall was next to his school had had a basket of àgbálùmọ̀ for sale yesterday, but Ẹniọlá had not bought any from her, and he’d convinced himself this was because his mother often said they caused cramps if eaten before the first rainfall. But if this liquid was rain, then in a few days he could lick an àgbálùmọ̀’s sweet and sticky juice from his fingers, chew the fibrous flesh into gum, crack open the seeds and gift his sister seedlings that she’d halve into stick-on earrings. He tried to pretend it was just rain, but it did not feel like water.
He could sense, though his eyes were downcast, that the dozen or so men who clustered around the newspaper vendor’s table were staring at him. They were all quiet, stone-still. Like disobedient children transformed into rocks by an evil wizard in one of those stories his father used to tell.
When he was a child, Ẹniọlá would shut his eyes whenever he got into trouble, certain that he was not visible to anyone he could not see. Although he knew closing his eyes now and hoping he would vanish was as stupid as believing that people could become stones, he squeezed them shut anyway. And, of course, he did not vanish. He was not that lucky. The newspaper vendor’s rickety table was still right in front of him, close enough for his thighs to brush the newspapers that covered its surface. The vendor, whom Ẹniọlá called Ẹ̀gbọ́n Abbey, was still standing next to him, and the hand he’d pressed into Ẹniọlá’s shoulder just before he cleared his throat and spat in his face was still in place.
Ẹniọlá traced a finger up his nose, inching towards the wet weight of phlegm. Stunned into silence that something so unexpected had rippled through their routine, all the men, even Ẹ̀gbọ́n Abbey, seemed to be holding their breath, waiting for more. Not even one person was taunting Chelsea fans about the way Tottenham crushed their team last night. Nobody was arguing about that open letter the journalist-politician had written about other politicians who bathed in human blood to protect themselves from evil spirits. The men had all gone quiet when the vendor’s phlegm struck Ẹniọlá’s face. And now these men who gathered here every morning to argue about the headlines were watching to see what Ẹniọlá would do. They wanted him to hit the vendor, yell insults, cry or, better yet, clear his own throat, pool phlegm in his mouth and spit in Ẹ̀gbọ́n Abbey’s face. Ẹniọlá’s finger travelled all the way to his forehead; he had been too slow. The phlegm had already dribbled down the side of his nose, leaving a damp and sticky trail across his cheek. Flicking the glob away was out of the question now.
Something pushed against his cheek. He flinched, lurching forward into the newspaper stand. Around him, a few people muttered sorry as he gripped the table’s edge to stop himself from falling. One of the men had been pushing a blue handkerchief against his face.
“Hin ṣé, sir,” Ẹniọlá said as he took...
ביקורות-
Starred review from December 12, 2022 Adébáyọ̀ follows up Stay with Me with this bright and distinctive tragedy set in modern Nigeria. Ẹniọlá, a teenager whose father has lost his job, can no longer pay the tuition at the private school that he’d hoped would enable him to rise from poverty. Wúràọlá is a doctor from a wealthy and politically connected family. She’s overworked in an underfunded hospital, and courted by well-bred Kúnlé, whose mood shifts and possessiveness unnerve her. Ẹniọlá takes an apprenticeship with a tailor, but after he is beaten at school for the unpaid fees, his mother insists Ẹniọlá and his little sister accompany her to beg for money. Things spiral out of control when Ẹniọlá’s parents decide to pay his sister’s tuition with the proceeds but not his. He takes his revenge by joining a gang working for the vengeful politician Fẹ̀sọ̀jaiyé. Wúràọlá, meanwhile, becomes engaged to Kúnlé despite her misgivings, and though her parents are ecstatic, he slaps her at a party. Kúnlé’s father is running against Fẹ̀sọ̀jaiyé, and the story’s violent denouement is as devastating as it is inevitable. Pitch-perfect details provide a sense of the characters’ lives—the red dust caked on Ẹniọlá’s white socks from long walks to school, the soft headscarf worn by Wúràọlá’s mother that “barely whispered”—and as the characters are pushed to the brink, Adébáyọ̀ delivers a searing indictment of the country’s corruption and gender inequalities. This packs a powerful punch. Agent: Kathy Robbins, in association with Clare Alexander of Aitken Alexander Associates.
Narrated by Bab�j�d� Oy�k�nl� and O․re․ Apampa, Ad�b�y�․'s second novel (following Stay with Me) explores Nigeria's social inequalities and growing economic precarity through the lives of two protagonists from opposite ends of the social and financial spectrum. W�r�o․l�, a resident doctor, comes from a wealthy family with political connections. She is pressured to conform to a patriarchal society's expectation of women, where a good marriage to a good family matters more than one's dreams and aspirations. Sixteen-year-old E․ni�․la's family struggles financially when his father loses his teaching job; eventually, E․ni�․la and his younger sister, B�so․l�, turn to the streets for money. When E․ni�․la decides to join a gang working for a political opponent of W�r�o․l�'s father-in-law, Ad�b�y�․'s deft hand in storytelling is evident as E․ni�․la and W�r�o․l�'s paths cross with devastating consequences. Oy�k�nl� and Apampa convey the rhythm of the book, speaking with accurate Yoruban accents and providing vivid characterizations that bring additional depth to this already compelling story. VERDICT Ad�b�y�․'s skill is apparent as she navigates W�r�o․l�'s and E․ni�․la's contrasting worlds, connecting the two through the choices they make and the tragedy that engulfs them both.--Enica Davis
Copyright 2023 Library Journal, LLC Used with permission.
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Babajide Oyekunie and Ore Apampa capture the intersecting lives in this novel set in modern-day Nigeria. Eniola is a good-looking boy who hopes to turn around his family's fortunes by working for a rising politician. Wuraola is a young, female doctor from an affluent family whose father also has political aspirations. The story is told in alternating chapters. Oyekunie softly delivers the voice of Eniola, capturing the hardships endured by a teen who is interested in education whose father can't afford to send him to school. Apampa is the weary Wuraola, who is overlooking red flags to appease her family and avoid becoming a spinster. This is an engaging listen, though many will want to be aware that there are scenes of domestic violence. M.R. © AudioFile 2023, Portland, Maine
