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AN INSTANT NEW YORK TIMES BESTSELLER "[An] immersive saga. . . . A celebration of family and a paean to the power of storytelling.”—People, "Book of the Week" "Trigiani conveys the beauty of Italy, the hardships of war, the taste of family recipes, and the enduring love of family."—Library Journal (starred) “The beauty of any book by Adriana Trigiani is her ability to interweave life and fiction. . . . Don’t miss your chance to take this unforgettable journey with the Cabrelli women!” —Lisa Wingate, Book of the Month From “a master of visual and palpable detail” (The Washington Post), comes a lush, immersive novel about three generations of Tuscan artisans with one remarkable secret. Epic in scope and resplendent with the glorious themes of identity and belonging, The Good Left Undone unfolds in breathtaking turns.
Matelda, the Cabrelli family’s matriarch, has always been brusque and opinionated. Now, as she faces the end of her life, she is determined to share a long-held secret with her family about her own mother’s great love story: with her childhood friend, Silvio, and with dashing Scottish sea captain John Lawrie McVicars, the father Matelda never knew. . . .
In the halcyon past, Domenica Cabrelli thrives in the coastal town of Viareggio until her beloved home becomes unsafe when Italy teeters on the brink of World War II. Her journey takes her from the rocky shores of Marseille to the mystical beauty of Scotland to the dangers of wartime Liverpool—where Italian Scots are imprisoned without cause—as Domenica experiences love, loss, and grief while she longs for home. A hundred years later, her daughter, Matelda, and her granddaughter, Anina, face the same big questions about life and their family’s legacy, while Matelda contemplates what is worth fighting for. But Matelda is running out of time, and the two timelines intersect and weave together in unexpected and heartbreaking ways that lead the family to shocking revelations and, ultimately, redemption.
AN INSTANT NEW YORK TIMES BESTSELLER "[An] immersive saga. . . . A celebration of family and a paean to the power of storytelling.”—People, "Book of the Week" "Trigiani conveys the beauty of Italy, the hardships of war, the taste of family recipes, and the enduring love of family."—Library Journal (starred) “The beauty of any book by Adriana Trigiani is her ability to interweave life and fiction. . . . Don’t miss your chance to take this unforgettable journey with the Cabrelli women!” —Lisa Wingate, Book of the Month From “a master of visual and palpable detail” (The Washington Post), comes a lush, immersive novel about three generations of Tuscan artisans with one remarkable secret. Epic in scope and resplendent with the glorious themes of identity and belonging, The Good Left Undone unfolds in breathtaking turns.
Matelda, the Cabrelli family’s matriarch, has always been brusque and opinionated. Now, as she faces the end of her life, she is determined to share a long-held secret with her family about her own mother’s great love story: with her childhood friend, Silvio, and with dashing Scottish sea captain John Lawrie McVicars, the father Matelda never knew. . . .
In the halcyon past, Domenica Cabrelli thrives in the coastal town of Viareggio until her beloved home becomes unsafe when Italy teeters on the brink of World War II. Her journey takes her from the rocky shores of Marseille to the mystical beauty of Scotland to the dangers of wartime Liverpool—where Italian Scots are imprisoned without cause—as Domenica experiences love, loss, and grief while she longs for home. A hundred years later, her daughter, Matelda, and her granddaughter, Anina, face the same big questions about life and their family’s legacy, while Matelda contemplates what is worth fighting for. But Matelda is running out of time, and the two timelines intersect and weave together in unexpected and heartbreaking ways that lead the family to shocking revelations and, ultimately, redemption.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
CHAPTER 2
The village of Viareggio was set on the shores of the Liguarian Sea, on the cusp of Il Tirreno Mare, south of the Gulf of Genoaand north of the Amalfi coast. The candy-colored villas with a view of the sea were shaded by a grove of pine trees with tall, spindly trunks topped by bouffants of green foliage. Viareggio Beach unfurled on the west coast of Italy like a rope of emeralds.
The scents of charred eucalyptus wood and sulfur lingered inthe air as Matelda climbed the rickety steps to the boardwalk. Carnevale had officially ended the night before when the fireworks turned to ash in the black sky. The last of the tourists had left the beach before sunrise. The pink Ferris wheel was still. The carousel horses were frozen in midair. The only sound she heard was the flap of the tarps over the empty vendor stands.
Alone on the boardwalk, Matelda leaned against the railing, where she observed curls of smoke from the abandoned firepits onthe beach drifting up to the heavens like offerings. The overcast sky blurred into the horizon, where it became one with the silver sea. She heard the blare of a foghorn as a sleek ocean liner appeared in the distance, rippling the surf in streaks of foam. The graceful ship glided past, pulling the banner of daybreak over the water. All her life, Matelda waited for the great ships and considered spotting one good luck. She couldn’t remember where she learned it; it was something she always knew.
Come back, Matelda thought as the white ship with a maroon hull and midnight blue trim sailed south. Too late. The ship was on its way to somewhere warm. Matelda was done with winter. It would not be long until the turquoise waves returned under a cloudless sky in springtime. How she looked forward to walks on the beach when the weather was warm.
Matelda typically took a short stroll after church in the morning to shop for the day’s meals, and a long walk in the afternoon to think. These rituals had shaped her days in the last chapter of her life, after she retired from her book keeping position at Cabrelli Jewelers. Matelda took the time to get her house in order. She didn’t want to leave her children with the stacks of paperwork and rooms of furniture her parents had left behind after they died. She wanted to prepare her children for the inevitable as best she could.
Perhaps Matelda felt blessed having dodged the virus that had hobbled Bergamo to the north—after all, a virus that targets the elderly certainly had her number. She was sanguine about the situation because she had no choice. Fate was a wrecking ball. She didn’t know when it would swing through to do its damage; she was only certain, from experience, that it would.
The habit of examining her conscience, instilled by the nuns when she was a child, hadn’t left her. Matelda reflected on past hurts done to her and took stock of those she had perpetrated on others. Toscans might live in the moment, but the past lived in them. Even if that weren’t true, there were reminders tucked in every corner of her hometown. She knew Viareggio and its people as well as she knew her own body; in a sense, they were one.
The mood turned grim in the village as the revelry of Carnevale ended and Lent began. The next forty days would be a somber time of reflection, fasting, and penance. Lent had felt like it lasted an eternity when she was a girl. Easter Sunday could not come soon enough. The day of relief. “You cannot have the joy of Easter Sunday without the agony of Good Friday,” her mother reminded them. “No cross, no crown,” she’d say in a dialect only her children...
Au sujet de l’auteur-
Adriana Trigiani is the New York Times bestselling author of twenty books of fiction and nonfiction, including The Shoemaker’s Wife. Her books have been published in thirty-eight languages around the world. She is an award-winning playwright, television writer/producer, and filmmaker. Among her screen credits, Trigiani wrote and directed the major motion picture adaptation of her debut novel, Big Stone Gap. Adriana grew up in the Blue Ridge Mountains of Virginia, where she co-founded the Origin Project. Trigiani is proud to serve on the New York State Council on the Arts. She lives in New York City with her family.
Critiques-
February 14, 2022 This sweeping epic from Trigiani (Tony’s Wife) follows three generations of the Tuscan Cabrelli clan as they deal with war, heartbreak, and family secrets. Octogenarian Matelda Roffo, knowing her days are numbered, reveals to her children and grandchildren the truth about her mother Domenica’s seldom-discussed first marriage to the Scottish sea captain John Lawrie McVicars. Flashback to 1939 when Domenica, while practicing as a nurse, recommends birth control to a patient, angering a local priest who forces her to leave her hometown. She ends up working at a hospital in France, where she meets McVicars while treating his neck wounds. The looming war takes McVicars away, but the two run into each other in Glasgow, Scotland, a year later and decide to marry. Tragedy strikes and Domenica returns to Tuscany to make a life for herself and her newborn Matelda. In the present, Matelda’s revelations send ripples across the family and change the trajectory of her granddaughter’s life. Some of the many subplots about minor characters distract from the emotional core of the story, but Trigiani’s lush descriptions and trademark acute attention to family dynamics more than compensate. This saga of family and legacy is one to savor. Suzanne Gluck, William Morris Endeavor.
Starred review from September 1, 2022
Trigiani (All the Stars in the Heavens) transports listeners to the Italian coastline, the Scottish Lowlands, and Marseille, France, in a family saga. Cabrelli family matriarch Matelda is near the end of a long life. Her granddaughter Anina is figuring out where life should take her, and after Matelda's hospital stay, she is determined to hear her grandmother's story. What unfolds is the story of love found, love lost, and the courage to love again as listeners are swept from one country to another and back to Italy leading up to World War II, the war and its fallout. Listeners learn about how "Britalians" were treated during the war, how a family began again after the conflict's end, and how to move forward from the past. Narrators Carlotta Brentan, Lisa Flanagan, Edoardo Ballerini, and Deepti Gupta bring to life the beauty, tears, love, and emotion that Trigani breathes into the characters. VERDICT This audiobook is not to be missed for longtime Trigiani fans and those who appreciate dual-timeline historical fiction.--Stephanie Charlefour
Copyright 2022 Library Journal, LLC Used with permission.
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