Bittersweet (Oprah's Book Club)

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Bittersweet (Oprah's Book Club)

How Sorrow and Longing Make Us Whole

de Susan Cain

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#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • Sadness is your superpower. In her new masterpiece, the author of the bestselling phenomenon Quiet explores the power of the bittersweet personality, revealing a misunderstood side of mental health and creativity while offering a roadmap to facing grief in order to live life to the fullest.
“Bittersweet grabs you by the heart and doesn’t let go.”—BRENÉ BROWN, author of Atlas of the Heart

“Susan Cain has described and validated my existence once again!”—GLENNON DOYLE, author of Untamed
“The perfect cure for toxic positivity.”—ADAM GRANT, author of Think Again

LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Wall Street Journal, Mashable
Bittersweetness is a tendency to states of longing, poignancy, and sorrow; an acute awareness of passing time; and a curiously piercing joy at the beauty of the world. It recognizes that light and dark, birth and death—bitter and sweet—are forever paired.

If you’ve ever wondered why you like sad music . . .
If you find comfort or inspiration in a rainy day . . .
If you react intensely to music, art, nature, and beauty . . .

Then you probably identify with the bittersweet state of mind.

With Quiet, Susan Cain urged our society to cultivate space for the undervalued, indispensable introverts among us, thereby revealing an untapped power hidden in plain sight. Now she employs the same mix of research, storytelling, and memoir to explore why we experience sorrow and longing, and how embracing the bittersweetness at the heart of life is the true path to creativity, connection, and transcendence.

Cain shows how a bittersweet state of mind is the quiet force that helps us transcend our personal and collective pain, whether from a death or breakup, addiction or illness. If we don’t acknowledge our own heartache, she says, we can end up inflicting it on others via abuse, domination, or neglect. But if we realize that all humans know—or will know—loss and suffering, we can turn toward one another.

At a time of profound discord and personal anxiety, Bittersweet brings us together in deep and unexpected ways.
*Includes a downloadable PDF containing a Bittersweet quiz from the book

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From the cover CHAPTER 1

What is sadness good for?

Before you know kindness as the deepest thing inside,

you must know sorrow as the other deepest thing.

—NAOMI SHIHAB NYE

In 2010, celebrated Pixar director Pete Docter decided to make an animated film about the wild and woolly emotions of an eleven-year-old girl named Riley. He knew the rough outlines of the story he wanted to tell. The film would open with Riley, uprooted from her Minnesota hometown and plunked down in a new house and school in San Francisco, while also caught in the emotional storm of incoming adolescence.

So far, so good. But Docter faced a creative puzzle. He wanted to depict Riley’s feelings as lovable animated characters running a control center in her brain, shaping her memories and daily life. But which feelings? Psychologists told him that we have up to twenty-seven different emotions. But you can’t tell a good story about so many different characters. Docter needed to narrow it down, and to pick one emotion as the main protagonist.

He considered a few different emotions for the starring role, then decided to place Fear at the center of the movie, alongside Joy; partly, he says, because Fear is funny. He considered Sadness, but this seemed unappealing. Docter had grown up in Minnesota, where, he told me, the sanguine norms were clear: “The idea that you’d cry in front of people was very uncool.”

But three years into the development of the film—with the dialogue already done, the movie partially animated, the gags with Fear already in place, some of them “quite inspired”—he realized that something was wrong. Docter was scheduled to screen the film-in-progress for Pixar’s executive team. And he was sure it was a failure. The third act didn’t work. According to the film’s narrative arc, Joy should have learned a great lesson. But Fear had nothing to teach her.

At that point in his career, Docter had enjoyed two mega-successes—Up and Monsters, Inc. But he started to feel sure that these hits were flukes.

“I don’t know what I’m doing,” he thought. “I should just quit.”

His mind spun into dark daydreams of a post-Pixar future in which he’d lost not only his job but also his career. He went into preemptive mourning. The thought of living outside his treasured community of creatives and business mavericks made him feel he was drowning—in Sadness. And the more despondent he grew, the more he realized how much he loved his colleagues.

Which led to his epiphany: The real reason for his emotions—for all our emotions—is to connect us. And Sadness, of all the emotions, was the ultimate bonding agent.

“I suddenly had an idea that we needed to get Fear out of there,” he recalls now, “and Sadness connected with Joy.” The only problem was, he had to convince John Lasseter, who ran Pixar at the time, to place Sadness at the heart of the movie. And he was worried that this would be a tough sell.

Docter tells me this story as we sit in the airy, light-filled atrium designed by Steve Jobs for Pixar’s Emeryville, California, campus. We’re surrounded by larger-than-life sculptures of Pixar characters—the Parr family from The Incredibles, Buzz from Toy Story, all of them striking poses by sky-high glass windows. Docter enjoys cult status at Pixar. Earlier that day, I’d led an executive session on harnessing the talents of introverted filmmakers, and a few minutes into the proceedings, Docter had bounded into the conference room, instantly lighting...

Au sujet de l’auteur-

Named one of the top ten influencers in the world by LinkedIn, Susan Cain is a renowned speaker and author of the award-winning books Quiet Power, Quiet Journal, and Quiet: The Power of Introverts in a World That Can’t Stop Talking. Translated into more than forty languages, Quiet has appeared on many best-of lists, spent more than seven years on the New York Times bestseller list, and was named the #1 best book of the year by Fast Company, which also named Cain one of its Most Creative People in Business. Her TED Talk on the power of introverts has been viewed over forty million times.

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Susan Cain does a spectacular job of communicating her argument that sorrow and pain can enhance beauty and contribute to creativity. Cain's voice is beautiful, full of empathy and expression. Her timing is impeccable and even a bit musical--which seems totally appropriate for the idea that sad music can be moving and cathartic for both singer and listener, a recurring theme. In addition to academic and religious research, Cain shares her own stories of loss and love involving a complicated bond with her mother and the deaths of her brother and father to Covid-19 early in the pandemic. In the end, we'd all be healthier and happier if we acknowledged our sadness and negative emotions instead of trying to banish those feelings as unworthy. A.B. © AudioFile 2022, Portland, Maine
January 31, 2022
Business consultant Cain (Quiet) returns with an eye-opening take on the underestimated virtues of melancholy. She suggests that bittersweetness—“a tendency to states of longing, poignancy, and sorrow; an acute awareness of passing time; and a curiously piercing joy at the beauty of the world”—affords the opportunity to channel “pain into creativity, transcendence, and love,” as exemplified by musicians and other artists. Cain handily traverses fields as diverse as neuroscience, popular music, religion, and business management to find instances of the transformation of pain and longing into fulfillment: the music of Leonard Cohen, for example, is “a transcendence delivery system,” and in Michigan, a hospital billing department’s culture of caring for distressed or bereaved employees resulted in collecting bills faster. Though Cain’s panoramic scope covers some familiar ground (U.S. culture’s “tyranny of positivity” has been critiqued before), this ambitious work impresses in its dexterous integration of disparate thought traditions into a cohesive, moving, and insightful whole. Like a more intuitive Malcolm Gladwell, Cain delivers a deeply felt study of the profound uses of sorrow and melancholy, a perfect manual for coping with tough times. Agent: Richard Pine, InkWell Management

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