Chapter One
There are two reasons why a writer would end a sentence with the word "stop" written entirely in capital letters stop. The first is if the writer were writing a telegram, which is a coded message sent through an electrical wire stop. In a telegram, the word "stop" in all capital letters is the code for the end of a sentence stop. But there is another reason why a writer would end a sentence with "stop" written entirely in capital letters, and that is to warn readers that the book they are reading is so utterly wretched that if they have begun reading it, the best thing to do would be to stop stop. This particular book, for instance, describes an especially unhappy time in the dreadful lives of Violet, Klaus, and Sunny Baudelaire, and if you have any sense at all you will shut this book immediately, drag it up a tall mountain, and throw it off the very top stop. There is no earthly reason why you should read even one more word about the misfortune, treachery, and woe that are in store for the three Baudelaire children, any more than you should run into the street and throw yourself under the wheels of a bus stop. This "stop" -- ended sentence is your very last chance to pretend the "stop" warning is a stop sign, and to stop the flood of despair that awaits you in this book, the heart-stopping horror that begins in the very next sentence, by obeying the "stop" and stopping stop.
The Baudelaire orphans stopped. It was early in the morning, and the three children had been walking for hours across the flat and unfamiliar landscape. They were thirsty, lost, and exhausted, which are three good reasons to end a long walk, but they were also frightened, desperate, and not far from people who wanted to hurt them, which are three good reasons to continue. The siblings had abandoned all conversation hours ago, saving every last bit of their energy to put one foot in front of the other, but now they knew they had to stop, if only for a moment, and talk about what to do next.
The children were standing in front of the Last Chance General Store -- the only building they had encountered since they began their long and frantic nighttime walk. The outside of the store was covered with faded posters advertising what was sold, and by the eerie light of the half-moon, the Baudelaires could see that fresh limes, plastic knives, canned meat, white envelopes, mango-flavored candy, red wine, leather wallets, fashion magazines, goldfish bowls, sleeping bags, roasted figs, cardboard boxes, controversial vitamins, and many other things were available inside the store. Nowhere on the building, however, was there a poster advertising help, which is really what the Baudelaires needed.
"I think we should go inside," said Violet, taking a ribbon out of her pocket to tie up her hair. Violet, the eldest Baudelaire, was probably the finest fourteen-year-old inventor in the world, and she always tied her hair up in a ribbon when she had to solve a problem, and right now she was trying to invent a solution for the biggest problem she and her siblings had ever faced. "Perhaps there's somebody in there who can help us in some way."
"But perhaps there's somebody in there who has seen our pictures in the newspaper," said Klaus, the middle Baudelaire, who had recently spent his thirteenth birthday in a filthy jail cell. Klaus had a real knack for remembering nearly every word of nearly all of the thousands of books he had read, and he frowned as he remembered something untrue he had recently read about himself in the newspaper. "If they read The Daily Punctilio," he continued, "perhaps they believe all those terrible things about us. Then they won't help us at all."
"Agery!" Sunny said. Sunny was a baby...