Winner of the Pulitzer Prize in Fiction
Winner of the William Dean Howells Medal
Shortlisted for the Man Booker Prize
Over One Year on the New York Times Bestseller List
A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
Winner of the Pulitzer Prize in Fiction
Winner of the William Dean Howells Medal
Shortlisted for the Man Booker Prize
Over One Year on the New York Times Bestseller List
A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
Reviews-
-
November 15, 2017
A National Book Award winner, Pulitzer Prize finalist, and three-time National Book Critics Circle finalist, big-issues author Powers here focuses on the environment, particularly on trees and the recent Timber Wars centered in the Pacific Northwest, as a disparate group of characters are brought together to save the last of the country's virgin forests. Among them: a scientist who learns that trees can communicate, a Vietnam War air force loadmaster saved after he's shot from the sky by falling into a banyan tree, and a partied-out young woman sent back from the dead. With a six-city tour.
Copyright 2017 Library Journal, LLC Used with permission.
-
February 1, 2018
Powers' (Orfeo, 2014, etc.) 12th novel is a masterpiece of operatic proportions, involving nine central characters and more than half a century of American life.In this work, Powers takes on the subject of nature, or our relationship to nature, as filtered through the lens of environmental activism, although at its heart the book is after more existential concerns. As is the case with much of Powers' fiction, it takes shape slowly--first in a pastiche of narratives establishing the characters (a psychologist, an undergraduate who died briefly but was revived, a paraplegic computer game designer, a homeless vet), and then in the kaleidoscopic ways these individuals come together and break apart. "We all travel the Milky Way together, trees and men," Powers writes, quoting the naturalist John Muir. "In every walk with nature one receives far more than he seeks." The idea is important because what Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves. Nick, for instance, continues a project begun by his grandfather to take repeated photographs of a single chestnut tree, "one a month for seventy-six years." Pat, a visionary botanist, discovers how trees communicate with one another only to be discredited and then, a generation later, reaffirmed. What links the characters is survival--the survival of both trees and human beings. The bulk of the action unfolds during the timber wars of the late 1990s, as the characters coalesce on the Pacific coast to save old-growth sequoia from logging concerns. For Powers, however, political or environmental activism becomes a filter through which to consider the connectedness of all things--not only the human lives he portrays in often painfully intricate dimensions, but also the biosphere, both virtual and natural. "The world starts here," Powers insists. "This is the merest beginning. Life can do anything. You have no idea."A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naive.COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.
-
February 19, 2018
Occupying the same thematic terrain as Annie Proulx’s Barkskins, the latest from Powers (Orfeo) is an impassioned but unsatisfying paean to the wonder of trees. Set primarily on the West Coast, the story revolves around nine characters, separated by age and geography, whose “lives have long been connected, deep underground.” Among these are a wheelchair-bound computer game designer; a scientist who uncovers the forest’s hidden communication systems; a psychologist studying the personality types of environmental activists; and a young woman who, after being electrocuted, hears voices urging her to save old-growth forests from logging. All are seduced by the majesty of trees and express their arboreal love in different ways: through scholarship, activism, art, and even violent resistance. Some of the prose soars, as when a redwood trunk shoots upward in a “russet, leathery apotheosis,” while some lands with a thud: “We’re cashing in a billion years of planetary savings bonds and blowing it on assorted bling.” Powers’s best works are thrilling accounts of characters blossoming as they pursue their intellectual passions; here, few of the earnest figures come alive on the page. While it teems with people, information, and ideas, the novel feels curiously barren. -
February 1, 2018
Standing as silent witnesses to our interweaving genealogies, cyclical wars, and collapsing empires, trees contain our collective history in addition to our climate record. Here, the acclaimed Powers (Orfeo The Time of Our Singing) employs literary dendrochronology to weave the stories of nine strangers connected through their collective action in preventing a forest from falling to industrial harvesting and ruination. From a chestnut in Iowa to a banyan in Vietnam, trees function as a central theme for each character's backstory. As a corollary, foliage becomes a multivalent symbol of family struggle, divine intervention, and community. Just as Douglas firs connect their underground root structures to provide mutual support and protection, each character moves across disparate landscapes to find him- or herself joined in solidarity against an unstoppable force of environmental destruction. VERDICT Whereas Powers dissected the human brain's mysterious capacity to prescind subject from object in his National Book Award-winning The Echo Makers, here he pens a deep meditation on the irreparable psychic damage that manifests in our unmitigated separation from nature.--Joshua Finnell, Colgate Univ., Hamilton, NY
Copyright 2018 Library Journal, LLC Used with permission.
- Emilia Clarke Should be mandatory reading the world over.
- citation from the Pulitzer Prize in Fiction An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them.
- Bill McKibben This book is beyond special.... It's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.
- Thomas McGuane The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer.
- Geraldine Brooks The best novels change the way you see. Richard Powers's The Overstory does this. Haunting.
- Robert Macfarlane, author of Underland A towering achievement by a major writer.
- Ron Charles;The Washington Post This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.... Remarkable.
- Nathaniel Rich;The Atlantic Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks's term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers's ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.
- Barbara Kingsolver;The New York Times Book Review Monumental... The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.... A gigantic fable of genuine truths.
- Michael Upchurch;The Boston Globe A big, ambitious epic.... Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book—the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure—are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers's prose, which persuades you on the very first page that you're hearing the voices of trees as they chide our species.
