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“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World
“I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.
“If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World
“I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.
“If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Ursula K. Le Guin was born in Berkeley, California, in 1929. Among her honors are a National Book Award, five Hugo and five Nebula Awards, the Kafka Award, a Pushcart Prize, and the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. She lived in Portland, Oregon, until her death in 2018. Visit the author at www.ursulakleguin.com.
Reviews-
January 30, 1990 ``Chronologically arranged, these 33 talks and essays and 17 reviews of books and films, dating from 1976 through 1987, eloquently record Le Guin's responses to ethical and political climates, the transforming effect of certain literary ideas and the changes of a supple, disciplined mind,'' reported PW.
February 1, 1989 Chronologically arranged, these 33 talks and essays and 17 reviews of books and films, dating from 1976 through 1987, record Le Guin's responses to ethical and political climates, the transforming effect of certain literary ideas and the changes of a supple, disciplined mind. Aiming ``to subvert as much as possible without hurting anybody's feelings,'' the noted science fiction writer eloquently discusses feminism, social responsibility, literature and travel. We read her deeply considered views on abortion, menopause, motherhood, family planning; censorship, criticism, myth in contemporary life, women writers, the reciprocity of prose and poetry, the language of power; the advantages and pleasures of travel by Amtrak; heroism in Scott and Amundsen; the ideas of Doris Lessing and Italo Calvino; and how science fiction addresses the issue of nuclear war.
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