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The Hammer of Eden
Cover of The Hammer of Eden
The Hammer of Eden
A Novel
NEW YORK TIMES BESTSELLER
 
The FBI doesn’t believe it. The Governor wants the problem to disappear. But agent Judy Maddox knows the threat is real: An extreme group of eco-terrorists has the means and the know-how to set off a massive earthquake of epic proportions. For California, time is running out.
 
Now Maddox is scrambling to hunt down a petty criminal turned cult leader turned homicidal mastermind. Because she knows that the dying has already begun. And things will only get worse when the earth violently shifts, bolts, and shakes down to its very core.
NEW YORK TIMES BESTSELLER
 
The FBI doesn’t believe it. The Governor wants the problem to disappear. But agent Judy Maddox knows the threat is real: An extreme group of eco-terrorists has the means and the know-how to set off a massive earthquake of epic proportions. For California, time is running out.
 
Now Maddox is scrambling to hunt down a petty criminal turned cult leader turned homicidal mastermind. Because she knows that the dying has already begun. And things will only get worse when the earth violently shifts, bolts, and shakes down to its very core.
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Excerpts-
  • Excerpt from Chapter 1 Excerpt from Chapter 1

    A man called Priest pulled his cowboy hat down at the front and peered across the flat, dusty desert of South Texas.

    The low dull green bushes of thorny mesquite and sagebrush stretched in every direction as far as he could see. In front of him, a ridged and rutted track ten feet wide had been driven through the vegetation. These tracks were called senderos by the Hispanic bulldozer drivers who cut them in brutally straight lines. On one side, at precise fifty-yard intervals, bright pink plastic marker flags fluttered on short wire poles. A truck moved slowly along the sendero.

    Priest had to steal the truck.

    He had stolen his first vehicle at the age of eleven, a brand-new snow white 1961 Lincoln Continental parked, with the keys in the dash, outside the Roxy Theatre on South Broadway in Los Angeles. Priest, who was called Ricky in those days, could hardly see over the steering wheel. He had been so scared he almost wet himself, but he drove it ten blocks and handed the keys proudly to Jimmy "Pigface" Riley, who gave him five bucks, then took his girl for a drive and crashed the car on the Pacific Coast Highway. That was how Ricky became a member of the Pigface Gang.

    But this truck was not just a vehicle.

    As he watched, the powerful machinery behind the driver's cabin slowly lowered a massive steel plate, six feet square, to the ground. There was a pause, then he heard a low-pitched rumble. A cloud of dust rose around the truck as the plate began to pound the earth rhythmically. He felt the ground shake beneath his feet.

    This was a seismic vibrator, a machine for sending shock waves through the earth's crust. Priest had never had much education, except in stealing cars, but he was the smartest person he had ever met, and he understood how the vibrator worked. It was similar to radar and sonar. The shock waves were reflected off features in the earth—such as rock or liquid—and they bounced back to the surface, where they were picked up by listening devices called geophones, or jugs.

    Priest worked on the jug team. They had planted more than a thousand geophones at precisely measured intervals in a grid a mile square. Every time the vibrator shook, the reflections were picked up by the jugs and recorded by a supervisor working in a trailer known as the doghouse. All this data would later be fed into a supercomputer in Houston to produce a three-dimensional map of what was under the earth's surface. The map would be sold to an oil company.

    The vibrations rose in pitch, making a noise like the mighty engines of an ocean liner gathering speed; then the sound stopped abruptly. Priest ran along the sendero to the truck, screwing up his eyes against the billowing dust. He opened the door and clambered up into the cabin. A stocky black-haired man of about thirty was at the wheel. "Hey, Mario," Priest said as he slid into the seat alongside the driver.

    "Hey, Ricky."

    Richard Granger was the name on Priest's commercial driving license (class B). The license was forged, but the name was real.

    He was carrying a carton of Marlboro cigarettes, the brand Mario smoked. He tossed the carton onto the dash. "Here, I brought you something."

    "Hey, man, you don't need to buy me no cigarettes."

    "I'm always bummin' your smokes." He picked up the open pack on the dash, shook one out, and put it in his mouth.

    Mario smiled. "Why don't you just buy your own cigarettes?"

    "Hell, no, I can't afford to smoke."

    "You're crazy, man." Mario...

About the Author-
  • Ken Follett burst into the book world with Eye of the Needle, an award-winning thriller and international bestseller. After several more successful thrillers, he surprised everyone with The Pillars of the Earth and its long-awaited sequel, World Without End, a national and international bestseller. Follett’s new, magnificent historical epic, the Century Trilogy, includes the bestselling Fall of GiantsWinter of the World, and Edge of Eternity. He lives in England with his wife, Barbara.
Reviews-
  • Publisher's Weekly

    September 28, 1998
    After 20 years of writing bestselling novels, Follett is enough of a pro to produce a reliable page-turner from a flimsy premise--as he does here. His working out of how a rural, socially radical California commune moves not heaven but earth to stave off the loss of their land to a government dam and the ensuing flood is smartly paced if nearly devoid of inspiration. What distinguishes it is not the communards' weapon, a stolen seismic vibrator generally used by oil companies to sound for liquid gold but also handy for starting earthquakes. Nor is it the mechanical progression of the plot, as the radicals, calling themselves the Hammer of Eden, escalate threats and consequent quakes in order to blackmail the state into halting the dam until the finale finds them about to devastate San Francisco. Nor is it the by-the-book chase of the terrorists by a headstrong female FBI agent who might have walked onstage from any of a dozen other thrillers. What does--other than its efficient telling--raise the novel above mundanity is the depth of characterization of its villains, a Follett forte since his splendid debut in Eye of the Needle. Follett devotes many pages to backstory, creating in Priest, once a smalltime hood and now the commune's leader, in Star, his hippie earth-woman, and in Melanie, a bitter young beauty who throws in with the commune, fully realized outcasts, crazed and desperate idealists whose actions are as believable as they are heinous. All else in the novel, including the perfunctory prose, serve only to push the story quickly through its paces, but Follett's troupe of lost souls makes it dance to a memorable, mournful tune. Agent, Al Zuckerman; major ad/promo; simultaneous Random House audio and large-print edition.

  • Los Angeles Times "A model of how a thriller ought to be written. Follett keeps it crisp and rachets up the tension. . . . Time speeds up as the danger escalates."
  • Newark Star-Ledger "Follett does a first-class job of creating a fictional universe and then inviting the reader to live in it. His substantial research pays off as well, because he writes about the world of earthquakes with the same authority he displays when discussing the technical aspects of the FBI's inner workings."
  • Orlando Sentinel "Amazing . . . Hollywood could have some fun with The Hammer of Eden."
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The Hammer of Eden
A Novel
Ken Follett
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