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Rules of Civility
Cover of Rules of Civility
Rules of Civility
A Novel
A sophisticated and entertaining debut novel about an irresistible young woman with an uncommon sense of purpose.
Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising twenty-five-year- old named Katey Kontent. Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.
The story opens on New Year's Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle. Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne'er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface. Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.
Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy.
A sophisticated and entertaining debut novel about an irresistible young woman with an uncommon sense of purpose.
Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising twenty-five-year- old named Katey Kontent. Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.
The story opens on New Year's Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle. Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne'er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface. Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.
Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy.
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Excerpts-
  • From the cover It was the last night of 1937.

    With no better plans or prospects, my roommate Eve had dragged me back to The Hotspot, a wishfully named nightclub in Greenwich Village that was four feet underground.

    From a look around the club, you couldn’t tell that it was New Year’s Eve. There were no hats or streamers; no paper trumpets. At the back of the club, looming over a small empty dance floor, a jazz quartet was playing loved-me-and-left-me standards without a vocalist. The saxophonist, a mournful giant with skin as black as motor oil, had apparently lost his way in the labyrinth of one of his long, lonely solos. While the bass player, a coffee-and-cream mulatto with a small deferential mustache, was being careful not to hurry him. Boom, boom, boom, he went, at half the pace of a heartbeat.

    The spare clientele were almost as downbeat as the band. No one was in their finery. There were a few couples here and there, but no romance. Anyone in love or money was around the corner at Café Society dancing to swing. In another twenty years all the world would be sitting in basement clubs like this one, listening to antisocial soloists explore their inner malaise; but on the last night of 1937, if you were watching a quartet it was because you couldn’t afford to see the whole ensemble, or because you had no good reason to ring in the new year.

    We found it all very comforting.

    We didn’t really understand what we were listening to, but we could tell that it had its advantages. It wasn’t going to raise our hopes or spoil them. It had a semblance of rhythm and a surfeit of sincerity; it was just enough of an excuse to get us out of our room and we treated it accordingly, both of us wearing comfortable flats and a simple black dress. Though under her little number, I noted that Eve was wearing the best of her stolen lingerie.

    Eve Ross . . .

    Eve was one of those surprising beauties from the American Midwest.

    In New York it becomes so easy to assume that the city’s most alluring women have flown in from Paris or Milan. But they’re just a minority. A much larger covey hails from the stalwart states that begin with the letter I—like Iowa and Indiana and Illinois. Bred with just the right amount of fresh air, roughhousing, and ignorance, these primitive blondes set out from the cornfields looking like starlight with limbs. Every morning in early spring one of them skips off her porch with a sandwich wrapped in cellophane ready to flag down the first Greyhound headed to Manhattan—this city where all things beautiful are welcomed and measured and, if not immediately adopted, then at least tried on for size.

    One of the great advantages that the midwestern girls had was that you couldn’t tell them apart. You can always tell a rich New York girl from a poor one. And you can tell a rich Boston girl from a poor one. After all, that’s what accents and manners are there for. But to the native New Yorker, the midwestern girls all looked and sounded the same. Sure, the girls from the various classes were raised in different houses and went to different schools, but they shared enough midwestern humility that the gradations of their wealth and privilege were obscure to us. Or maybe their differences (readily apparent in Des Moines) were just dwarfed by the scale of our socioeconomic strata—that thousand-layered glacial formation that spans from an ashcan on the Bowery to a penthouse in paradise. Either way, to us they all looked like hayseeds: unblemished, wide-eyed, and God-fearing, if not exactly free of sin.

    Hailing from somewhere at the upper end of Indiana’s economic...

About the Author-
  • Born and raised in the Boston area, Amor Towles graduated from Yale College and received an MA in English from Stanford University. His first novel, Rules of Civility, published in 2011, was a New York Times bestseller and was named by The Wall Street Journal as one of the best books of 2011. His second novel, A Gentleman in Moscow, published in 2016, was also a New York Times bestseller and was named as one of the best books of 2016 by the Chicago TribuneThe Washington PostThe Philadelphia Inquirer, the San Francisco Chronicle, and NPR. Both novels have been translated into over fifteen languages. Having worked as an investment professional for over twenty years, Mr. Towles now devotes himself full time to writing in Manhattan, where he lives with his wife and two children.
Reviews-
  • AudioFile Magazine In the setup for this wonderfully told story, Katey Kontent attends a retrospective of Walker Evans photographs in the 1960s. There, amid Depression-era portraits of New Yorkers riding the subway, she is stopped by a picture of a man down on his luck. She says to her prosperous husband, "It's Tinker Gray." Soon we are in a vintage world ourselves, so impeccably does Amor Towles re-create Katey's New York of 1938 as she remembers who she was then, who Tinker was to her, and, finally, what his Evans portrait really means. Rebecca Lowman has an unusually beautiful voice and inhabits and distinguishes her characters so smoothly that she seems to disappear into the story, a gift to the listener. This production is a total pleasure. B.G. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine
  • Publisher's Weekly

    Starred review from March 14, 2011
    In his smashing debut, Towles details the intriguing life of Katherine Kontent and how her world is upended by the fateful events of 1938. Kate and her roommate, Evelyn Ross, have moved to Manhattan for its culture and the chance to class up their lives with glamour—be it with jazz musicians, trust fund lotharios, or any man with a hint of charm who will pay for dinner and drinks. Both Kate and Evelyn are enamored of sophisticated Tinker Grey, who they meet in a jazz club; he appears to be another handsome, moneyed gent, but as the women vie for his affection, a tragic event may seal a burgeoning romance's fate. New York's wealthy class is thick with snobbery, unexpected largesse, pettiness, jealousies, and an unmistakable sense of who belongs and who does not, but it's the undercurrent of unease—as with Towles's depiction of how the upper class can use its money and influence to manipulate others' lives in profoundly unsavory ways—that gives his vision depth and complexity. His first effort is remarkable for its strong narrative, original characters and a voice influenced by Fitzgerald and Capote, but clearly true to itself.


  • Praise for Rules of Civility

    "An irresistible and astonishingly assured debut about working class-women and world-weary WASPs in 1930s New York...in the crisp, noirish prose of the era, Towles portrays complex relationships in a...

    Praise for Rules of Civility

    "An irresistible and astonishingly assured debut about working class-women and world-weary WASPs in 1930s New York...in the crisp, noirish prose of the era, Towles portrays complex relationships in a city that is at once melting pot and elitist enclave – and a thoroughly modern heroine who fearlessly claims her place in it." O, the Oprah Magazine


    "With this snappy period piece, Towles resurrects the cinematic black-and-white Manhattan of the golden age...[his] characters are youthful Americans in tricky times, trying to create authentic lives." The New York Times Book Review


    "This very good first novel about striving and surviving in Depression-era Manhattan deserves attention...The great strength of Rules of Civility is in the sharp, sure-handed evocation of Manhattan in the late '30s." Wall Street Journal


    "Put on some Billie Holiday, pour a dry martini and immerse yourself in the eventful life of Katey Kontent...[Towles] clearly knows the privileged world he's writing about, as well as the vivid, sometimes reckless characters who inhabit it." People


    "[A] wonderful debut novel...Towles [plays] with some of the great themes of love and class, luck and fated encounters that animated Wharton's novels." The Chicago Tribune


    "Glittering...filled with snappy dialogue, sharp observations and an array of terrifically drawn characters...Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change." —NPR.org


    "Glamorous Gotham in one to relish...a book that enchants on first reading and only improves on the second." The Philadelphia Inquirer

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