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Velvet Was the Night
Cover of Velvet Was the Night
Velvet Was the Night
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GOOD MORNING AMERICA BUZZ PICK • From the New York Times bestselling author of Mexican Gothic comes a simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they’re both desperate to find.
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, The Boston Globe, New York Public Library, Milwaukee Journal Sentinel, BookPage, She Reads, Library Journal • “An adrenalized, darkly romantic journey.”—The Washington Post
Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents. 
Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul.  
Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir, where life is cheap and the price of truth is high.
GOOD MORNING AMERICA BUZZ PICK • From the New York Times bestselling author of Mexican Gothic comes a simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they’re both desperate to find.
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, The Boston Globe, New York Public Library, Milwaukee Journal Sentinel, BookPage, She Reads, Library Journal • “An adrenalized, darkly romantic journey.”—The Washington Post
Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents. 
Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul.  
Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir, where life is cheap and the price of truth is high.
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  • From the cover

    1

    June 10, 1971

    He didn’t like beating people.

    El Elvis realized this was ironic considering his line of work. Imagine that: a thug who wanted to hold his punches. Then again, life is full of such ironies. Consider Ritchie Valens, who was afraid of flying and died the first time he set foot on an airplane. Damn shame that, and the other dudes who died, Buddy Holly and “The Big Bopper” Richardson; they weren’t half bad either. Or there was that playwright Aeschylus. He was afraid of being killed inside his house, and then he steps outside and wham, an eagle tosses a tortoise at him, cracking his head open. Murdered, right there in the most stupid way possible.

    Often life doesn’t make sense, and if Elvis had a motto it was that: life’s a mess. That’s probably why he loved music and factoids. They helped him construct a more organized world. When he wasn’t listening to his records, he was poring over the dictionary, trying to memorize a new word, or plowing through one of those almanacs full of stats.

    No, sir. Elvis wasn’t like some of the perverts he worked with, who got excited smashing a dude’s kidneys. He would have been happy solving crosswords and sipping coffee like their boss, El Mago, and maybe one day he would be an accomplished man of that sort, but for now there was work to be done, and this time Elvis was actually eager to beat a few motherf***ers up.

    He hadn’t developed a sudden taste for blood and cracking bones, no, but El Güero had been at him again.

    El Güero was a policeman before he joined up with Elvis’s group, and that made him cocky, made him want to throw his weight around. In practice being a poli meant shit because El Mago was the egalitarian sort who didn’t care where his recruits came from—­ex-­cops, ex-­military, porros, and juvenile delinquents were welcome as long as they worked right. But the thing was El Güero was twenty-­five, getting long in the tooth, and that was making him anxious. Soon enough he’d have to move on.

    The chief requirement of a Hawk was he needed to look like a student so he could inform on the activities of the annoying reds infesting the universities—­Trotskos, Maoists, Espartacos; there were so many flavors of dissidents Elvis could barely keep track of all their organizations—­and also, if necessary, f*** up a few of them. Sure, there were important fossils, like El Fish, who was twenty­seven. But El Fish had been in one political shenanigan or another since he was a wee first-­year chemistry student; he was as professional as porros got. El Güero hadn’t achieved nearly as much. Elvis had just turned twenty-­one, and El Güero felt the weight of his age and eyed the younger man with distrust, suspecting El Mago was going to pick El Elvis for a plum position.

    Lately El Güero had been making snide remarks about how Elvis was a marshmallow, how he never went on any of the heavy assignments and instead he was picking locks and taking pictures. Elvis did what El Mago asked, and if El Mago wanted him to pick the locks and snap photos, who was Elvis to protest? But that didn’t sway El Güero, who had taken to impugning Elvis’s masculinity in veiled and irritating ways.

    “A man who spends so much time running a comb through his hair isn’t a man at all,” El Güero would say. “The real Elvis Presley is a hip-­shaking girlie-­man.”

    “What you getting at?” Elvis asked, and El Güero smiled. “What you...

About the Author-
  • Silvia Moreno-Garcia is the New York Times bestselling author of the critically acclaimed speculative novels Mexican Gothic, Gods of Jade and Shadow, Signal to Noise, Certain Dark Things, and The Beautiful Ones, as well as the crime novel Untamed Shore. She has edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (aka Cthulhu's Daughters). She lives in Vancouver, British Columbia.
Reviews-
  • Publisher's Weekly

    Starred review from June 21, 2021
    This seductive neo-noir thriller from bestseller Moreno-Garcia (Mexican Gothic) draws on the real-life efforts of the Mexican government to suppress political dissent in the 1970s. Maite, a 30-year-old secretary in Mexico City who feels life has passed her by, escapes from routine by reading the magazine Secret Romance, oblivious to the political upheaval around her. When her beautiful art student neighbor, Leonora, disappears, Maite, with the help of Rubén, Leonora’s former lover, begins a search that takes her into the world of student radicals. Meanwhile, 21-year-old Elvis, muscle for a clandestine, government-funded shock troop employed to suppress student protests, longs for something more and wishes to escape his old life. When Elvis’s boss assigns him to track down Leonora, his search crosses that of Maite, with whom he becomes fascinated. As the two get closer to discovering the reason behind Leonora’s disappearance, they uncover secrets that shadowy forces, both domestic and foreign, will kill to protect. This is a rich novel with an engrossing plot, distinctive characters, and a pleasing touch of romance. Readers won’t be able to put it down. Agent: Eddie Schneider, JABberwocky Literary.

  • AudioFile Magazine Narrator Gisela Ch�pe successfully juggles the many characters and subplots in this exciting, odd (in a good way) mystery set in 1970s Mexico. The government underwrites a group of thugs to do whatever's necessary to keep down student protests and civil unrest. While Elvis is an enforcer, Ch�pe's performance makes clear how his inner life conflicts with his work. Ch�pe also delivers a perfect Maite, a bored 30-year-old secretary with a Walter Mitty dream life inspired by her favorite magazine, SECRET ROMANCE. Maite agrees to cat sit for a neighbor, but the neighbor, Leonora, never returns. Then Maite's life takes a thrilling turn as not-so-nice men show up searching for Leonora. An artful narration by Ch�pe and an ingeniously plotted thriller by Moreno-Garcia (MEXICAN GOTHIC) make this prime listening. S.J.H. Winner of AudioFIle Earphones Award © AudioFile 2021, Portland, Maine
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Velvet Was the Night
Velvet Was the Night
Silvia Moreno-Garcia
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