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From BRIAN K. VAUGHAN, #1 New York Times bestselling writer of SAGA and THE PRIVATE EYE, and CLIFF CHIANG, legendary artist of Wonder Woman, comes the first volume of an all-new ongoing adventure. In the early hours after Halloween of 1988, four 2-yearold newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smashhit series about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-5.
From BRIAN K. VAUGHAN, #1 New York Times bestselling writer of SAGA and THE PRIVATE EYE, and CLIFF CHIANG, legendary artist of Wonder Woman, comes the first volume of an all-new ongoing adventure. In the early hours after Halloween of 1988, four 2-yearold newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smashhit series about nostalgia, first jobs, and the last days of childhood. Collects PAPER GIRLS #1-5.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
April 11, 2016 Like some great 1980s teen sci-fi/horror cult classic, this aggressively awesome new series from Vaughan (Saga) and Chiang (Wonder Woman) throws alien invasion and time travel plots together and steeps the whole thing in suburban angst and attitude. It’s Halloween night, 1988, in a drowsy Ohio neighborhood, and Erin Tieng has just joined up with three of her fellow 12-year-old papergirls on bicycles. Riding the quiet streets like the world’s mildest gang, they try to get their routes done without too much hassle from cops or loser guys in Freddie Kruger costumes. But complications arise, including mummy-like scavengers lurching around the dark streets and a wormhole over a football field that’s disgorging flying dinosaurs with laser spear–wielding riders. Vaughan’s spiky writing and Chiang’s vivid, dramatically skewed art make for a potent mix, particularly in the darkly comic dream sequences that punctuate the action. This is that rare period series that lets its references (Dukakis, MacGyver) slip seamlessly into the action.
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