"If you consider yourself an Atwood fan and have only read her novels: Get your act together. You’ve been missing out.” —The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers
Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.
The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after.
Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.
"If you consider yourself an Atwood fan and have only read her novels: Get your act together. You’ve been missing out.” —The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers
Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.
The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after.
Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.
Reviews-
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October 1, 2022
Featuring a knockout 15 stories, seven focused on a married couple across decades, international star Atwood's Old Babes in the Wood examines love and relationships, loss and memory in her first collection since 2014's Stone Mattress. In Ten Planets, award-winning Mexican author Herrera conjoins sf, noir, and the meditative aspects of Jorge Luis Borges's Fictions and Italo Calvino's Cosmicomics in short-short stories whose subjects range from sentient objects to a bacterium that gains consciousness after its host ingests a psychotropic drug (30,000-copy first printing). From Macarthur Fellow/Pulitzer Prize finalist Link, White Cat, Black Dog offers seven reimagined fairytales that illuminate the contemporary world, with stories including a woman in poor health stranded at an airport and a billionaire putting his sons through absurd tasks to see which should be his heir.
Copyright 2022 Library Journal, LLC Used with permission.
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February 15, 2023
The celebrated author's first collection of short fiction since Stone Mattress (2014). Atwood is, of course, one of the most celebrated Anglophone writers working today. She has been nominated for the Booker Prize six times and has won it twice--for The Blind Assassin (2000) and The Testaments (2019). The Handmaid's Tale (1985) is a groundbreaking work of science fiction that should be on anybody's list of the best--or, at least, most important--books of the 20th century. Her new collection of short stories is a mixed bag. The first section is a series of interconnected narratives centered around married couple Tig and Nell. "First Aid" begins with Nell coming home to find a trail of blood leading from an open front door into the kitchen. It ends up being a sweetly melancholy meditation on living in a world designed to kill us. "Two Scorched Men"--Nell's account of getting to know two World War II veterans who are friends while she's in France--is a fine story but an odd fit with the preceding work. In "Morte de Smudgie," Nell rewrites Tennyson's elegy for King Arthur for her dead cat, and the less said about this, the better. The middle section of this book is a hodgepodge of pieces that feel like experiments, exercises, and false starts. It's hard to escape the feeling that they are gathered here simply to fill enough pages to make a book of reasonable length while the Hulu series based on Atwood's greatest work is still in production--or while the author is still semi-internet famous for creating a Twitter flap about gender. This is too bad because, when Atwood returns to Nell and Tig, she offers a powerfully affecting quartet of stories in which Nell navigates widowhood--the best of these is the eponymous story that first appeared in the New Yorker. Honest and artful depictions of aging and loss--plus some other stuff.COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from March 6, 2023
Atwood (The Handmaid’s Tale) explores love and loss in this brilliant collection that mixes fantastical stories about the afterlife with realism. “Metempsychosis: Or, The Journey of the Soul,” an amusing story of reincarnation, follows a narrator whose soul has jumped “directly from snail to human, with no guppies, basking sharks, whales, beetles, turtles, alligators, skunks, naked mole rats, aardvarks, elephants, or orangutans in between.” “The Dead Interview” features an imaginary interview between Atwood and George Orwell, while in “Wooden Box,” the narrator copes with the death of a longtime partner. Among the entries with a more realist bent are the linked stories that explore the strong bond between Nell and Tig after decades of marriage of. In “First Aid,” Nell and Tig take a course from an emergency responder, which leads them to realize they’d prefer “the illusion of safety” rather than face the facts of mortality. “Better to march along through the golden autumn woods, not very well prepared, poking icy ponds with your hiking pole, snacking on chocolate, sitting on frozen logs, peeling hard-boiled eggs with cold fingers as the early snow sifts down and the day darkens,” Atwood writes, evoking the magic of everyday life. She’s writing at the top of her considerable powers here. -
Starred review from February 15, 2023
As Atwood's wry title suggests, women, aging, and nature are at play in this bountiful short-story collection. Half of the 15 tales, most appearing for the first time, star Nell and Tig, two independent spirits enamored of books, remote places, adventurous hikes, good food, and each other. Long married, they're now deploying humor and strategic evasions to contend with the diabolical diminishments of age. These are love stories spiked with shrewd observations and vivid memories as Nell watches Tig gradually lose his robustness, ultimately leaving her to navigate confounding new terrain. Houses and objects are redolent with the couple's different temperaments and mutual adoration; incidents are at once profound and absurd. "Grieving takes strange forms," Atwood writes, and, indeed, she examines the surprises of grief with acuity, wit, and intimacy in stories pithy and sustained. A particularly complex and haunting tale, "A Dusty Lunch," spotlights Tig's father, Canada's youngest brigadier during WWII. Astute, flinty, and deft, Atwood portrays longtime women friends in bantering camaraderie and an "evil mother" who may or may not be a witch, tells a dystopian tale of a virus-ruled future, and, in the title story, brings Nell and her sister, Lizzie, to their family's old, very rustic cabin. Atwood is, once again, exacting, mischievous, funny, insightful, virtuoso, and spellbinding.HIGH-DEMAND BACKSTORY: Atwood's legions of avid readers will pounce on her first short-story collection since Stone Mattress (2014).COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.
