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Greyhound (Movie Tie-In)
Cover of Greyhound (Movie Tie-In)
Greyhound (Movie Tie-In)
A Novel
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Soon to be the major motion picture Greyhound, a WWII naval thriller of "high and glittering excitement" (New York Times) from the author of the legendary Hornblower series
The mission of Commander George Krause of the United States Navy is to protect a convoy of thirty-seven merchant ships making their way across the icy North Atlantic from America to England. There, they will deliver desperately needed supplies, but only if they can make it through the wolfpack of German submarines that awaits and outnumbers them in the perilous seas. For forty eight hours, Krause will play a desperate cat and mouse game against the submarines, combating exhaustion, hunger, and thirst to protect fifty million dollars' worth of cargo and the lives of three thousand men. Originally published as The Good Shepherd and acclaimed as one of the best novels of the year upon publication in 1955, this novel is a riveting classic of WWII and naval warfare from one of the 20th century's masters of sea stories.
Soon to be the major motion picture Greyhound, a WWII naval thriller of "high and glittering excitement" (New York Times) from the author of the legendary Hornblower series
The mission of Commander George Krause of the United States Navy is to protect a convoy of thirty-seven merchant ships making their way across the icy North Atlantic from America to England. There, they will deliver desperately needed supplies, but only if they can make it through the wolfpack of German submarines that awaits and outnumbers them in the perilous seas. For forty eight hours, Krause will play a desperate cat and mouse game against the submarines, combating exhaustion, hunger, and thirst to protect fifty million dollars' worth of cargo and the lives of three thousand men. Originally published as The Good Shepherd and acclaimed as one of the best novels of the year upon publication in 1955, this novel is a riveting classic of WWII and naval warfare from one of the 20th century's masters of sea stories.
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    Chapter I

    In that hour after dawn the horizon did not seem far away. The line where the watery sky met the gray sea was not well defined; it was as if the cheerless clouds grew denser out towards that circle until at the final meeting, all the way round, there was not an abrupt transition, but a simple mingling of twin elements. So the area confined under that low sky was not a large one. Beyond the circle, in every direction, the sea extended for a thousand miles, and beneath it the water was two miles deep; neither figure was easily to be grasped by the imagination, although acceptable as an academic fact. Two long miles below lay the sea bottom, darker than the center of the longest and darkest tunnel ever built by man, under pressures greater than any ever built up in factory or laboratory, a world unknown and unexplored, to be visited not by men but perhaps by their dead bodies encased in and made part of the iron coffins of their crushed-in ships. And the big ships, to insignificant man so huge and so solid, sank to that sea bottom, to the immemorial ooze in the darkness and cold, with no more ado or stir than would be caused comparatively by specks of dust falling on a ballroom floor.

    On the surface the limited area enclosed by the near horizon bore many ships. The long gray rollers from the northeast swept in endless succession across the area, each demonstrating its unlimited power. To each one as it arrived the ships made obeisance, rolling far over, and then heaving up their bows, mounting towards the sky, next rolling far over the other way, bows down, sterns up, slithering down the long slope before beginning the next roll and the next pitch, the next rise and the next fall; there were many ships in many lines and many columns, and by looking at the ships the course and position of each wave could be traced diagonally across line and column-ships here rising on the crest and there sinking in the trough until the mastheads only were visible, ships here rolling far to port and ships there rolling far to starboard, towards each other and away, as long as patience could endure to watch.

    And the ships were diversified like their motions-big ships and small, samson posts and cargo booms, freighters and tankers, new ships and old. Yet they all seemed to be animated by one will, all heading doggedly to the east, their transient washes all parallel; furthermore, if they were watched for any length of time it would be seen that at long irregular intervals they changed their direction a few degrees to port or a few degrees to starboard, rear ships following their leaders. But despite these variations of course it would soon be apparent to the observer that the resultant general direction of travel of this mass of ships was eastward, doggedly and steadily, so that with every hour that passed they had covered a few of the thousand miles that lay between them and their easterly goal, whatever it might be. The same spirit animated each ship.

    Nevertheless, continuous observation would also reveal that the animating spirit was not infallible, that these ships were not faultless machines. Hardly one of those alterations of course failed to produce a crisis somewhere among those thirty-seven ships. That might have been expected by the experienced observer even if each ship had been a mere machine not subject to human direction, because every ship was different from her neighbors; each reacted slightly differently at the application of the rudder, each was influenced in a different way by the waves which met her from dead ahead, or on the bow, or on the beam, and each was variously influenced by the wind. With ships hardly half a mile apart in one...

About the Author-
  • C. S. Forester was born in Cairo in 1899. After studying medicine, he rose to fame with tales of naval warfare. On the outbreak of World War II he worked for the British Ministry of Information in America writing propaganda. His most notable works were the twelve Horatio Hornblower books, depicting a Royal Navy officer during the Napoleonic era, and The African Queen. His novels A Ship of the Line and Flying Colours were jointly awarded the 1938 James Tait Black Memorial Prize for fiction. He died in 1966.
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Greyhound (Movie Tie-In)
Greyhound (Movie Tie-In)
A Novel
C. S. Forester
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