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READ WITH JENNA’S MAY BOOK CLUB PICK • A MOST ANTICIPATED BOOK • From the award-winning author of Goodbye, Vitamin: How far would you go to shape your own destiny? An exhilarating novel of American identity that spans three generations in one family and asks: What makes us who we are? And how inevitable are our futures? "Mesmerizing"—Brit Bennett • "A page turner.”—Ha Jin • “Gorgeous, heartfelt, soaring, philosophical and deft"—Andrew Sean Greer • "Traverses time with verve and feeling."—Raven Leilani Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?
READ WITH JENNA’S MAY BOOK CLUB PICK • A MOST ANTICIPATED BOOK • From the award-winning author of Goodbye, Vitamin: How far would you go to shape your own destiny? An exhilarating novel of American identity that spans three generations in one family and asks: What makes us who we are? And how inevitable are our futures? "Mesmerizing"—Brit Bennett • "A page turner.”—Ha Jin • “Gorgeous, heartfelt, soaring, philosophical and deft"—Andrew Sean Greer • "Traverses time with verve and feeling."—Raven Leilani Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the cover
BEIJING, 1966
She isn’t afraid, but he is. They stand, in the darkness, before a glass case of old things. A Ming dynasty inkstone. A chrysanthemum carved from horn. A Song painting stamped with ruby-red collector’s seals. And on a silk pillow, so slight it could be missed: an ancient lotus seed with a legend behind it.
The story goes like this: One night, long ago, a dragon emerged from the sky and dropped this seed into the emperor’s open hand. His advisors huddled near to examine it. What fortune! they remarked. This seed would grant the emperor his greatest wish. Unfortunately, he died that night, while contemplating his options. He might have asked for immortality.
She takes a hammer from her knapsack. With all her strength, she strikes the glass. It makes a beautifully clear sound as it shatters. Quickly, the two get to work, securing the relics. It is an attempt to spare them from the Red Guards’ destruction—an act of protest, small, against a movement she’s no match for.
The seed is unspectacular, so old it resembles a stone. Yet she’s aware it contains an entire future: roots, stems, leaves, blooms, to seeds once more—encoded, like she is. Her heart pumps blood, her lungs take in air, she sleeps, wakes, eats, excretes. Will her life be long or short? What has she chosen, she wonders, and what has chosen her? She likes the fragrance of gardenias, but not the scent of lipstick. She doesn’t mind the rain. She is in love, which feels, to her, at once easy and hard, elemental and ungraspable—like vanishing and eternity at the same time. She wants to ask of every person she meets: Is it this way for you?
“Hurry,” her companion says.
A door slams, loudly. Someone is here. The footsteps draw closer. They flee.
Outside, she opens her fist. On her bleeding palm rests a stolen seed. The story is fiction. And yet: Why shouldn’t the wish be hers?
Reviews-
February 26, 2024 Khong returns (after Goodbye, Vitamin) with an impressive family drama. It opens in 1999 with 22-year-old narrator Lily, the daughter of Chinese immigrants, scraping by in New York City on an unpaid internship. When she meets über-wealthy and über-handsome Matthew it feels like a fairy tale, but a sense of imbalance between them remains as their relationship develops. Khong then fast-forwards to 2021, when Lily and Matthew’s son, Nick, is a teenager. Lily and Matthew are no longer together or even in contact, though it’s unclear why. Disconnected from his family history, Nick struggles to understand his identity. He reconnects with Matthew but finds the dynamic strained and ultimately relocates to San Francisco, where he crosses paths with his maternal grandmother, May, who narrates the novel’s third section, set in 1960s China. Young, ambitious May (then called Mei Ling) attends Peking University on the eve of the Cultural Revolution. Khong is both a perceptive prose stylist and an accomplished storyteller, and she shines brightest when portraying differing cultural styles of parental love (“It wasn’t American,” Nick thinks at one point, “for to love as much as she did”). Khong reaches new heights with this fully-fledged outing. Agent: Marya Spence, Janklow & Nesbit Assoc.
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