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The final novel by the acclaimed writer places heroine Anne Elliot, a woman of integrity and deep emotion, against the brutality and hypocrisy of Regency England.
The final novel by the acclaimed writer places heroine Anne Elliot, a woman of integrity and deep emotion, against the brutality and hypocrisy of Regency England.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Jane Austen (1775-1817) was an English author known for her novels which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favorable social standing and economic security. Her best known works include Sense and Sensibility, Pride and Prejudice, Mansfield Park and Emma. Austen's works are part of the transition to 19th-century literary realism, and her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics and scholars.
Reviews-
Starred review from May 28, 2007 Stevenson has read all of Austen’s novels for audiobook, in abridged or unabridged versions, and her experience shows in this delightful production. Though dominated by the intelligent, sweet voice of Anne Elliot—the least favored but most worthy of three daughters in a family with an old name but declining fortunes—Stevenson provides other characters with memorable voices as well. She reads Anne’s haughty father’s lines with a mixture of stuffiness and bluster, and Anne’s sisters are portrayed with a hilariously flighty, breathy register that makes Austen’s contempt for them palpable. Anne’s voice is mostly measured and reasonable—an expression of her strong mind and spirit—but Stevenson imbues her speech with wonderful shades of passion as Anne is reacquainted with Capt. Wentworth, whom she has continued to love despite being forced, years before, to reject him over status issues. Listening to Stevenson, as Anne, describe a sudden encounter with Wentworth, one hardly needs Austen’s description of how Anne grows faint—Stevenson’s perfectly judged and deeply felt reading has already shown that she must have. Even those who have read Austen’s novels will find themselves loving this book all over again with Stevenson’s evocative rendition ringing richly in their ears.
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Cronos Classics
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