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A Test of Wills
Cover of A Test of Wills
A Test of Wills
The First Inspector Ian Rutledge Mystery

"Todd has written a first novel that speaks out, urgently and compassionately, for a long-dead generation....A meticulously wrought puzzle."
—New York Times Book Review

"An intricately plotted mystery. With this remarkable debut, Charles Todd breaks new ground in the historical crime novel."
—Peter Lovesey, author of The Circle

"You're going to love Todd."
—Stephen King, Entertainment Weekly

The first novel to feature war-damaged Scotland Yard inspector Ian Rutledge, A Test of Wills is the book that brought author Charles Todd into the spotlight. This Edgar® and Anthony Award-nominated, New York Times Notable mystery brilliantly evokes post-World War I Great Britain and introduces readers to one of crime fiction's most compelling series protagonists. Here the shell-shocked Rutledge struggles to retain his fragile grip on sanity while investigating the death of a popular army colonel, murdered, it appears, by a decorated war hero with ties to the Royal Family. A phenomenal writer, a twisting puzzle, a character-rich re-creation of an extraordinary time and place...it all adds up to one exceptional read that will delight fans of Elizabeth George, Martha Grimes, Jacqueline Winspear, Ruth Rendell, and other masters of the British procedural.

"Todd has written a first novel that speaks out, urgently and compassionately, for a long-dead generation....A meticulously wrought puzzle."
—New York Times Book Review

"An intricately plotted mystery. With this remarkable debut, Charles Todd breaks new ground in the historical crime novel."
—Peter Lovesey, author of The Circle

"You're going to love Todd."
—Stephen King, Entertainment Weekly

The first novel to feature war-damaged Scotland Yard inspector Ian Rutledge, A Test of Wills is the book that brought author Charles Todd into the spotlight. This Edgar® and Anthony Award-nominated, New York Times Notable mystery brilliantly evokes post-World War I Great Britain and introduces readers to one of crime fiction's most compelling series protagonists. Here the shell-shocked Rutledge struggles to retain his fragile grip on sanity while investigating the death of a popular army colonel, murdered, it appears, by a decorated war hero with ties to the Royal Family. A phenomenal writer, a twisting puzzle, a character-rich re-creation of an extraordinary time and place...it all adds up to one exceptional read that will delight fans of Elizabeth George, Martha Grimes, Jacqueline Winspear, Ruth Rendell, and other masters of the British procedural.

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  • Chapter One

    In this quiet part of Warwickshire death came as frequently as it did anywhere else in England, no stranger to the inhabitants of towns, villages, or countryside. Sons and fathers had died in the Great War; the terrible influenza epidemic had scythed the county—man, woman, and child—just as it had cut down much of Europe; and murder was not unheard of even here in Upper Streetham.

    But one fine June morning, as the early mists rose lazily in the warm sunlight like wraiths in no hurry to be gone, Colonel Harris was killed in cold blood in a meadow fringed with buttercups and cowslips, and his last coherent thought was anger. Savage, wild, black fury ripped through him in one stark instant of realization before oblivion swept it all away, and his body, rigid with it, survived the shotgun blast long enough to dig spurs into the mare's flanks while his hands clenched the reins in a muscular spasm as strong as iron.

    He died hard, unwilling, railing at God, and his ragged cry raised echoes in the quiet woods and sent the rooks flying even as the gun roared.

    In London, where rain dripped from eaves and ran black in the gutters, a man named Bowles, who had never heard of Colonel Harris, came into possession of a piece of information that was the reward of very determined and quite secret probing into the history of a fellow policeman at Scotland Yard.

    He sat at his desk in the grim old brick building and stared at the letter on his blotter. It was written on cheap stationery in heavy ink by a rounded, rather childish hand, but he was almost afraid to touch it. Its value to him was beyond price, and if he had begged whatever gods he believed in to give him the kind of weapon he craved, they couldn't have managed anything sweeter than this.

    He smiled, delight spreading slowly across his fair-skinned face and narrowing the hard, amber-colored eyes.

    If this was true—and he had every reason to believe it was—he had been absolutely right about Ian Rutledge. He, Bowles, was vindicated by six lines of unwittingly damaging girlish scrawl.

    Reading the letter for the last time, he refolded it carefully and replaced it in its envelope, locking it in his desk drawer.

    Now the question was how best to make use of this bit of knowledge without burning himself in the fire he wanted to raise.

    If only those same gods had thought to provide a way...

    But it seemed, after all, that they had.

    Twenty-four hours later, the request for assistance arrived from Warwickshire, and Superintendent Bowles happened, by the merest chance, to be in the right place at the right time to make a simple, apparently constructive suggestion. The gods had been very generous indeed. Bowles was immensely grateful.

    The request for Scotland Yard's help had arrived through the proper channels, couched in the usual terms. What lay behind the formal wording was sheer panic.

    The local police force, stunned by Colonel Harris's vicious murder, had done their best to conduct the investigation quickly and efficiently. But when the statement of one particular witness was taken down and Inspector Forrest understood just where it was going to lead him, the Upper Streetham Constabulary collectively got cold feet.

    At a circumspect conference with higher county authority, it was prudently decided to let Scotland Yard handle this situation—and to stay out of the Yard's way as much as humanly possible. Here was one occasion when metropolitan interference in local police affairs was heartily welcomed. With undisguised relief, Inspector Forrest forwarded his request to London.

    The Yard in its turn faced a serious dilemma. Willy-nilly, they were saddled with a case where discretion, background, and experience were...

About the Author-
  • Charles Todd is the New York Times bestselling author of the Inspector Ian Rutledge mysteries, the Bess Crawford mysteries, and two stand-alone novels. A mother-and-son writing team, Caroline passed away in August 2021 and Charles lives in Florida.

Reviews-
  • Publisher's Weekly

    Starred review from July 29, 1996
    A newcomer returns us to the essential pleasures of the well-crafted puzzle in this debut, the absorbing story of a young British WWI veteran returning from the war to his job as a Scotland Yard inspector. Ian Rutledge has a deep secret to keep: he suffers from shell shock, which manifests itself as Hamish MacLeod, an inner voice articulating Ian's worst fears and suspicions, personal and professional. ``I'm a scar on your bluidy soul,'' Hamish taunts him. Rutledge is sent to the village of Upper Streetham on a case with enough land mines for a battlefield: the murder of retired Col. Charles Harris. Villagers suspect Mavers, a perennial and malicious troublemaker, but circumstances stubbornly point to Capt. Mark Wilton, a war hero who has powerful friends and is engaged to Harris's ward, Lettice Wood. The case is short on evidence and long on questions: What are Wilton and Wood hiding about their relationship? Why does the ``nice'' Harris described by villagers sound unlike the colonel Rutledge remembers seeing during the war? What so traumatized a village child that her intense withdrawal might be fatal? Frustrated at every turn, Rutledge questions a convincing cast of locals and begins to suspect there is ``a conspiracy to hide the truth'' of Harris's death. Or is that just Hamish talking? Readers learn the answers as Todd reveals the war experiences that left Rutledge in the company of Hamish. Todd, an American, depicts the outer and inner worlds of his characters with authority and sympathy as he closes in on his surprising--and convincing--conclusion.

  • Stephen King, Entertainment Weekly

    "You're going to love Todd." — Stephen King, Entertainment Weekly

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