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Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. It's the season that teaches us survival. Here comes Winter the second novel in Ali Smith's shape-shifting quartet of novels.
Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. It's the season that teaches us survival. Here comes Winter the second novel in Ali Smith's shape-shifting quartet of novels.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
November 27, 2017 In the solid second entry in Smith’s seasonally themed quartet of novels (following Booker Prize-finalist Autumn), three estranged relatives and a charming stranger argue their way through Christmas in a manor house in the English countryside. After splitting up with his longtime girlfriend, Art, a copyright specialist turned nature blogger, decides to pay Lux, a girl he meets at a bus stop, to impersonate her during a visit to the home of his difficult mother, Sophia. Complicating matters is the arrival of Iris, Sophia’s activist sister, whose presence dredges up painful memories for Art and Sophia. Interspersed between debates on Brexit, conservationism, and American politics are flashbacks to various episodes from Sophia and Iris’s youth, including poignant scenes of Iris’s nuclear disarmament protest and Sophia’s first encounter with Art’s absent father. Like Autumn, the novel employs a scattered, evocative plot and prose style, reflecting the fractured emotional, intellectual, and political states occupied by its contemporary characters. Though the approach misses more than it hits this time out, it’s still an engaging novel due to the ecstatic energy of Smith’s writing, which is always present on the page. Agent: Andrew Wylie, the Wylie Agency.
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