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GOOD MORNING AMERICA BOOK CLUB PICK • A soul-stirring novel about what we choose to keep from our past and what we choose to leave behind, from the New York Times bestselling author of Wish You Were Here and the bestselling author of She’s Not There Olivia McAfee knows what it feels like to start over. Her picture-perfect life—living in Boston, married to a brilliant cardiothoracic surgeon, raising their beautiful son, Asher—was upended when her husband revealed a darker side. She never imagined that she would end up back in her sleepy New Hampshire hometown, living in the house she grew up in and taking over her father’s beekeeping business.
Lily Campanello is familiar with do-overs, too. When she and her mom relocate to Adams, New Hampshire, for her final year of high school, they both hope it will be a fresh start.
And for just a short while, these new beginnings are exactly what Olivia and Lily need. Their paths cross when Asher falls for the new girl in school, and Lily can’t help but fall for him, too. With Ash, she feels happy for the first time. Yet at times, she wonders if she can trust him completely. . . .
Then one day, Olivia receives a phone call: Lily is dead, and Asher is being questioned by the police. Olivia is adamant that her son is innocent. But she would be lying if she didn’t acknowledge the flashes of his father’s temper in Ash, and as the case against him unfolds, she realizes he’s hidden more than he’s shared with her.
Mad Honey is a riveting novel of suspense, an unforgettable love story, and a moving and powerful exploration of the secrets we keep and the risks we take in order to become ourselves. *Includes a downloadable PDF of recipes from the book
GOOD MORNING AMERICA BOOK CLUB PICK • A soul-stirring novel about what we choose to keep from our past and what we choose to leave behind, from the New York Times bestselling author of Wish You Were Here and the bestselling author of She’s Not There Olivia McAfee knows what it feels like to start over. Her picture-perfect life—living in Boston, married to a brilliant cardiothoracic surgeon, raising their beautiful son, Asher—was upended when her husband revealed a darker side. She never imagined that she would end up back in her sleepy New Hampshire hometown, living in the house she grew up in and taking over her father’s beekeeping business.
Lily Campanello is familiar with do-overs, too. When she and her mom relocate to Adams, New Hampshire, for her final year of high school, they both hope it will be a fresh start.
And for just a short while, these new beginnings are exactly what Olivia and Lily need. Their paths cross when Asher falls for the new girl in school, and Lily can’t help but fall for him, too. With Ash, she feels happy for the first time. Yet at times, she wonders if she can trust him completely. . . .
Then one day, Olivia receives a phone call: Lily is dead, and Asher is being questioned by the police. Olivia is adamant that her son is innocent. But she would be lying if she didn’t acknowledge the flashes of his father’s temper in Ash, and as the case against him unfolds, she realizes he’s hidden more than he’s shared with her.
Mad Honey is a riveting novel of suspense, an unforgettable love story, and a moving and powerful exploration of the secrets we keep and the risks we take in order to become ourselves. *Includes a downloadable PDF of recipes from the book
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
From the moment I knew I was having a baby, I wanted it to be a girl. I wandered the aisles of department stores, touching doll-size dresses and tiny sequined shoes. I pictured us with matching nail polish—me, who’d never had a manicure in my life. I imagined the day her fairy hair was long enough to capture in pigtails, her nose pressed to the glass of a school bus window; I saw her first crush, prom dress, heartbreak. Each vision was a bead on a rosary of future memories; I prayed daily.
As it turned out, I was not a zealot . . . only a martyr.
When I gave birth, and the doctor announced the baby’s sex, I did not believe it at first. I had done such a stellar job of convincing myself of what I wanted that I completely forgot what I needed. But when I held Asher, slippery as a minnow, I was relieved.
Better to have a boy, who would never be someone’s victim.
Most people in Adams, New Hampshire, know me by name, and those who don’t, know to steer clear of my home. It’s often that way for beekeepers—like firefighters, we willingly put ourselves into situations that are the stuff of others’ nightmares. Honeybees are far less vindictive than their yellow jacket cousins, but people can’t often tell the difference, so anything that stings and buzzes comes to be seen as a potential hazard. A few hundred yards past the antique Cape, my colonies form a semicircular rainbow of hives, and most of the spring and summer the bees zip between them and the acres of blossoms they pollinate, humming a warning.
I grew up on a small farm that had been in my father’s family for generations: an apple orchard that, in the fall, sold cider and donuts made by my mother and, in the summer, had pick-your-own strawberry fields. We were land-rich and cash-poor. My father was an apiarist by hobby, as was his father before him, and so on, all the way back to the first McAfee who was an original settler of Adams. It is just far enough away from the White Mountain National Forest to have affordable real estate. The town has one traffic light, one bar, one diner, a post office, a town green that used to be a communal sheep grazing area, and Slade Brook—a creek whose name was misprinted in a 1789 geological survey map, but which stuck. Slate Brook, as it should have been written, was named for the eponymous rock mined from its banks, which was shipped far and wide to become tombstones. Slade was the surname of the local undertaker and village drunk, who had a tendency to wander off when he was on a bender, and who ironically killed himself by drowning in six inches of water in the creek.
When I first brought Braden to meet my parents, I told him that story. He had been driving at the time; his grin flashed like lightning. But who, he’d asked, buried the undertaker?
Back then, we had been living outside of DC, where Braden was a resident in cardiac surgery at Johns Hopkins and I worked at the National Zoo, trying to cobble together enough money for a graduate program in zoology. We’d only been together three months, but I had already moved in with him. We were visiting my parents that weekend because I knew, viscerally, that Braden Fields was the one.
On that first trip back home, I had been so sure of what my future would hold. I was wrong on all counts. I never expected to be an apiarist like my father; I never thought I’d wind up sleeping in my childhood bedroom once again as an adult; I never imagined I’d settle down on a farm my older brother, Jordan, and I once could...
Reviews-
August 15, 2022 Picoult (Wish You Were Here) joins forces with novelist and transgender activist Boylan (Long Black Veil) for a spellbinding yarn involving a teen’s trial for murder. Beekeeper Olivia McAfee fled her abusive husband in Boston for New Hampshire with her six-year-old son, Asher. Twelve years later, Asher is charged with murdering his high school girlfriend, Lily, a newcomer to town. The story unfolds from Olivia and Lily’s viewpoints (Lily’s before the murder), and centers on the budding relationship between Asher and Lily and the subsequent court case against Asher, who is represented by Olivia’s older brother, Jordan, a high-profile defense attorney who has appeared in previous Picoult novels. Both teens have troubled relationships with their fathers, and the authors painstakingly explore the impact of physically and emotionally abusive men on their families. After a big reveal in the second half, the canvas stretches to include a primer on transgender issues, and the shift is mostly seamless though sometimes didactic. More successful is the atmospheric texture provided with depictions of Olivia harvesting honey and the art of beekeeping, and the riveting trial drama. Overall, it’s a fruitful collaboration.
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