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Tales from Earthsea
Cover of Tales from Earthsea
Tales from Earthsea
The tales of this book explore and extend the world established by Ursula K. Le Guin's must-read Earthsea Cycle. "The magic of Earthsea is primal; the lessons of Earthsea remain as potent, as wise, and as necessary as anyone could dream." (Neil Gaiman) This collection contains the novella "The Finder," and the short stories "The Bones of the Earth," "Darkrose and Diamond," "On the High Marsh," and "Dragonfly." It concludes with an account of Earthsea's history, people, languages, literature, and magic. With stories as perennial and universally beloved as The Chronicles of Narnia and The Lord of The Rings—but also unlike anything but themselves—Ursula K. Le Guin's Earthsea novels are some of the most acclaimed and awarded works in literature. They have received accolades such as the National Book Award, a Newbery Honor, the Nebula Award, and many more honors, commemorating their enduring place in the hearts and minds of readers and the literary world alike. Join the millions of fantasy readers who have explored these lands. As The Guardian put it: "Ursula Le Guin's world of Earthsea is a tangled skein of tiny islands cast on a vast sea. The islands' names pull at my heart like no others: Roke, Perilane, Osskil ... "
The tales of this book explore and extend the world established by Ursula K. Le Guin's must-read Earthsea Cycle. "The magic of Earthsea is primal; the lessons of Earthsea remain as potent, as wise, and as necessary as anyone could dream." (Neil Gaiman) This collection contains the novella "The Finder," and the short stories "The Bones of the Earth," "Darkrose and Diamond," "On the High Marsh," and "Dragonfly." It concludes with an account of Earthsea's history, people, languages, literature, and magic. With stories as perennial and universally beloved as The Chronicles of Narnia and The Lord of The Rings—but also unlike anything but themselves—Ursula K. Le Guin's Earthsea novels are some of the most acclaimed and awarded works in literature. They have received accolades such as the National Book Award, a Newbery Honor, the Nebula Award, and many more honors, commemorating their enduring place in the hearts and minds of readers and the literary world alike. Join the millions of fantasy readers who have explored these lands. As The Guardian put it: "Ursula Le Guin's world of Earthsea is a tangled skein of tiny islands cast on a vast sea. The islands' names pull at my heart like no others: Roke, Perilane, Osskil ... "
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  • Publisher's Weekly

    Starred review from March 5, 2001

    In this stellar collection, which includes a number of original stories, Le Guin (The Telling; Four Ways to Forgiveness; etc.) makes a triumphant return to the magic-drenched world of Earthsea. The opening novella, The Finder, set some 300 years before the birth of Ged, the hero of A Wizard of Earthsea
    (1968), details both the origin of the school for wizards on Roke Island and the long-suppressed role that women and women's magic played in the founding of that institution. "The Bones of the Earth" describes Ogion, Ged's first great teacher, when he was a young man, centering on that wizard's loving relationship with his own mentor. "Darkrose and Diamond" is also a love story of sorts, about a young man who'd rather be a musician than a mage and the witch girl he loves. "On the High Marsh," the only story in which Ged himself appears, albeit in a secondary role, is a touching tale of madness and redemption. Finally, in the novella Dragonfly, a tale set immediately after the events related in her Nebula Award–winning novel Tehanu
    (1990), Le Guin tells the story of a young girl who chooses to defy the ban on female mages, tries to enroll in the school on Roke Island and, in doing so, initiates great changes to the world of Earthsea. In her seventies, Le Guin is still at the height of her powers, a superb stylist with a knack for creating characters who are both wise and deeply humane. The publication of this collection is a major event in fantasy literature. (May)FYI:In addition to five Hugo and five Nebula awards, Le Guin has won the Kafka Award, a Pushcart Prize and the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters.

  • AudioFile Magazine Jenny Sterlin narrates this collection of five short stories from iconic fantasy author Le Guin at an unhurried steady pace. Sterlin is an engaged storyteller who takes in stride the various characters ranging in age and social status. In "Dragonfly," which is about a girl intent on studying magic at a school that has been restricted to young men, Sterlin demonstrates this range with the interaction between the young Dragonfly and the masters, some of whom line up in support of her and others of whom who stand steadfastly against her. The masters are differentiated through a combination of tone, tempo, accents, and timbre but in a general contrast to the youth are weighty and ponderous. J.E.M. © AudioFile 2017, Portland, Maine
  • AudioFile Magazine Years after we thought the "Earthsea Trilogy" was complete, Ursula Le Guin has treated her fans to a fresh helping of stories dealing with her fantastic realm of wizards, mages, and dragons. The five stories in this collection are set before and during the original trilogy, and provide background to the events and characters of those novels. Amanda Karr gently reads "The Finder," set years before A Wizard of Earthsea. Gabrielle de Cuir reads "Dragonfly," about a woman's struggle to enter the all-male school of wizardry on the island of Roke. The author adds her own personal touch reading "The Bones of the Earth," another story set before the events of the original trilogy, a touching story of the lonely and stubborn life of a wizard. Scott Brick reads "On the High Marsh," a story with as many characteristics of a good Western as a fantasy. Stefan Rudnicki, who produced the audiobook, also reads a tale, and creative consultant Harlan Ellison provides a slightly silly postscript. S.E.S. (c) AudioFile 2002, Portland, Maine
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    All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.

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