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Neil Gaiman is one of the true gems in the audio industry. He's a great writer who not only reads his own work well, but makes the listener reject any thought of having another narrator in his stead. Gaiman communicates his understanding of his own stories and characters from beginning to end. In this latest of Gaiman's clever, dark fantasies, an orphaned boy is raised by ghosts in the local graveyard. Gaiman gives each specter a different--and wholly appropriate--voice, but he doesn't stop there. He even goes so far as to change a character's accent ever so slightly after she comes back from years and years abroad. Best of all, Gaiman performs a shift of character voice that is an absolute showstopper when he reveals the villain. Really--it made this listener stop dead on her walk home in dreadful anticipation. A.A. Winner of AudioFIle Earphones Award (c) AudioFile 2008, Portland, Maine
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Neil Gaiman fans, rejoice! There are now TWO wonderful versions of THE GRAVEYARD BOOK to listen to. As narrator, Derek Jacobi does the heavy lifting in this full-cast recording, with other cast members voicing characters' dialogue. It all fits together seamlessly as listeners are swept, entranced and intrigued, into the magical story. Robert Madge sounds perfectly wide-eyed, curious, and boyish voicing Bod, the boy raised in a graveyard by ghosts. Miriam Margolyes's considerable talents shine as Bod's nurturing adoptive mother, Mrs. Owens, and as his teacher, Miss Lupescu. And Julian Rhind-Tutt is deliciously grave as Silas, Bod's mysterious guardian. The cast is uniformly excellent, giving broad or subtle performances as appropriate, and the overall effect is to enhance the sense of the graveyard as a community, and of the dangers lurking outside it. J.M.D. Winner of AudioFile Earphones Award © AudioFile 2014, Portland, Maine
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Starred review from September 29, 2008
A lavish middle-grade novel, Gaiman's first since Coraline
, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: “There was a hand in the darkness, and it held a knife.” Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book
, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up.
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Starred review from December 1, 2014
Gr 5 Up-Gaiman's beloved novel gets the full-cast treatment in this new audio edition. Due to ghastly circumstances, the ghosts of a graveyard take in a young toddler whom they name Nobody, or Bod for short. The enigmatic Silas becomes Bod's guardian and makes it his duty to protect the boy from those who intend harm. Bod grows up in the graveyard, and although he is still alive, the Freedom of the Graveyard allows him to see in darkness, fade from view, and slide through walls. As he matures, Bod encounters ghouls, a werewolf, and a witch, but none as terrifying as the man who killed his family and now wishes him dead-Jack. For the first time, listeners can hear the music of the Danse Macabre, the slithering echo of the Sleer, and the transformation of Bod from inquisitive child to self-assured young man. The full cast, including Gaiman, skillfully depicts each character's unique traits and idiosyncrasies. Listeners will also hear some background on the book, read by the author himself, and music by Bela Fleck. A must-have for fans of the original novel and anyone who enjoys engaging fantasy.-Amanda Spino, Ocean County Library, NJ
Copyright 2014 School Library Journal, LLC Used with permission.
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December 9, 2008
A baby survives the killing of his family by a mysterious assassin. He crawls to a nearby graveyard and is adopted by the assortment of spooks who occupy the place, soon to include his own recently murdered parents. There he is christened with a new name: Nobody, or Bod for short. Under the watchful tutelage of the dead, Bod learns reading, writing, history, and a few other useful skills-haunting and "disapparating" [disappearing from a location and reappearing in another]. Why It Is a Best: An elegant combination of Gaiman's masterly storytelling and McKean's lovely drawings, this book also works as a series of independent but connected short stories set two years apart, following Bod from age two to 16. Why It Is for Us: In interviews, Gaiman has said that this book took him years to write, and it was worth the wait. Imagine Kipling's The Jungle Book set among a forest of graves. A complete recording of Gaiman reading the book is available on his web site; see also LJ's video with the author fromBEA 2008.-Angelina Benedetti, King Cty. Lib. Syst., WA
Copyright 2008 Library Journal, LLC Used with permission.
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Starred review from September 15, 2008
While a highly motivated killer murders his family, a baby, ignorant of the horrific goings-on but bent on independence, pulls himself out of his crib and toddles out of the house and into the night. This is most unfortunate for the killer, since the baby was his prime target. Finding his way through the barred fence of an ancient graveyard, the baby is discovered by Mr. and Mrs. Owens, a stable and caring couple with no children of their ownand who just happen to be dead. After much debate with the graveyards rather opinionated denizens, it is decided that the Owenses will take in the child. Under their care and the sponsorship of the mysterious Silas, the baby is named Nobody and raised among the dead to protect him from the killer, who relentlessly pursues him. This is an utterly captivating tale that is cleverly told through an entertaining cast of ghostly characters. There is plenty of darkness, but the novels ultimate message is strong and life affirming. Although marketed to the younger YA set, this is a rich story with broad appeal and is highly recommended for teens of all ages.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)
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January 1, 2009
After fortuitously escaping the murder of his family, a toddler is taken in by the ghostly denizens of a local graveyard. Growing up in this strange setting entails many adventures, leading to a final showdown with the murderer. Occasional art enhances the otherworldly atmosphere with a flowing line and deep grays and blacks. This ghost-story-cum-coming-of-age novel is both bittersweet and action-filled.
(Copyright 2009 by The Horn Book, Incorporated, Boston. All rights reserved.)
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Starred review from November 1, 2008
When a toddler fortuitously escapes the murder of his family by "the man Jack," he is taken in by the ghostly denizens of a local graveyard, renamed Nobody Owens, and ushered through childhood by the kindly Mr. and Mrs. Owens and the enigmatic Silas. (As "Bod" soon learns, there are more kinds of people than just the living and the dead, and Silas falls outside those categories.) Growing up in this strange setting entails many adventures, from getting kidnapped by ghouls, to procuring a headstone for a shunned young woman who was "drownded and burnded" as a witch, to, most dangerous of all, attending school with other living children -- all of which prepare Bod for a final showdown with the man Jack, who has never stopped hunting him. Lucid, evocative prose ("'Look at him smile!' said Mrs. Owens...and with one insubstantial hand she stroked the child's sparse blond hair") and dark fairy-tale motifs imbue the story with a dreamlike quality. Warmly rendered by the author, Bod's ghostly extended family is lovably anachronistic; their mundane, old-fashioned quirks add cheerful color to a genuinely creepy backdrop. McKean's occasional pages and spots of art enhance the otherworldly atmosphere with a flowing line, slightly skewed figures, and plenty of deep grays and blacks. Gaiman's assured plotting is as bittersweet as it is action-filled -- the ending, which is also a beginning, is an unexpected tearjerker -- and makes this ghost-story-cum-coming-of-age-novel as readable as it is accomplished.
(Copyright 2008 by The Horn Book, Incorporated, Boston. All rights reserved.)
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October 1, 2008
Gr 5-8-Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family."Megan Honig, New York Public Library"
Copyright 2008 School Library Journal, LLC Used with permission.