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The Lost Daughter
Cover of The Lost Daughter
The Lost Daughter
Now a major motion picture directed by Maggie Gyllenhaal and starring Olivia Colman, Dakota Johnson, Paul Mescal, and Peter Sarsgaard
Another penetrating Neapolitan story from New York Times–bestselling author of My Brilliant Friend and The Lying Life of Adults.
Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” novel by the author of the New York Times–bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series (Publishers Weekly).
 
“Although much of the drama takes place in [Leda’s] head, Ferrante’s gift for psychological horror renders it immediate and visceral.” —The New Yorker
 
“Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.” —Publishers Weekly
Now a major motion picture directed by Maggie Gyllenhaal and starring Olivia Colman, Dakota Johnson, Paul Mescal, and Peter Sarsgaard
Another penetrating Neapolitan story from New York Times–bestselling author of My Brilliant Friend and The Lying Life of Adults.
Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” novel by the author of the New York Times–bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series (Publishers Weekly).
 
“Although much of the drama takes place in [Leda’s] head, Ferrante’s gift for psychological horror renders it immediate and visceral.” —The New Yorker
 
“Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.” —Publishers Weekly
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  • Publisher's Weekly

    March 10, 2008
    The arresting third novel from pseudonymous Italian novelist Ferrante (Troubling Love
    ) pursues a divorced, 47-year-old academic’s deeply conflicted feelings about motherhood to their frightening core. While on vacation by herself on the Ionian coast, Leda feels contentedly disburdened of her two 20-something daughters, who have moved to their father’s city of Toronto. She’s soon engrossed in watching the daily drama of Nina, a young mother, with her young daughter, Elena (along with Elena’s doll, Nani), at the seashore. Surrounded by proprietary Neapolitan relatives and absorbed in her daughter’s care, Nina at first strikes Leda as the perfect mother, reminding herself of when she was a new and hopeful parent. Leda’s eventual acquaintance with Nina yields a disturbing confession and sets in motion a series of events that threatens to wreck, or save, the integrity of Nina’s family. Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.

  • Alice Sebold, author of The Lovely Bones "Elena Ferrante will blow you away."
  • The Seattle Times "Ferrante has blown the lid off tempestuous parent-child relations."
  • David Kurnick, Public Books "Elena Ferrante's decision to remain biographically unavailable is her greatest gift to readers, and maybe her boldest creative gesture."
  • Eugenia Williamson, The Boston Globe "Everyone should read anything with Ferrante's name on it."
  • Elizabeth Lowry, The Wall Street Journal "Ferrante has written about female identity with a heft and sharpness unmatched by anyone since Doris Lessing."
  • Gina Frangello, Electric Literature "Ferrante has become Italy's best known writer. In our era of social media accessibility, shameless self-promotion, and hot young celebrity culture, this is nothing short of astounding."
  • Joanna Biggs, The London Review of Books "Ferrante's writing seems to say something that hasn't been said before--it isn't easy to specify what this is--in a way so compelling its readers forget where they are, abandon friends and disdain sleep."
  • Jedediah Purdy, The Los Angeles Review of Books "To disagree over the quality of a Ferrante passage is often to run up against what you cannot answer or digest."
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The Lost Daughter
The Lost Daughter
Elena Ferrante
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