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The Space Between Worlds
Cover of The Space Between Worlds
The Space Between Worlds
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NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging.
WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD •Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse
ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot
Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse.
“Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging.
WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD •Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse
ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot
Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse.
“Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)

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  • From the cover Chapter One

    When the multiverse was confirmed, the spiritual and scientific communities both counted it as evidence of their validity.

    The scientists said, Look, we told you there were parallel universes.

    And the spiritual said, See, we’ve always known there was more than one life.


    Even worthless things can become valuable once they become rare. This is the grand lesson of my life.

    I’m at the base of a mountain, looking over a landscape I was never meant to see. On this Earth—number 197—I died at three months old. The file only lists respiratory complications as cause of death, but the address on the certificate is the same one-room shack where I spent most of my life, so I can picture the sheet-metal roof, the concrete floor, and the mattress my mother and I shared on so many different Earths. I know I died warm, sleeping, and inhaling honest dirt off my mother’s skin.

    “Cara, respond. Cara?”

    Dell’s been calling me, but she’s only irritated now and I won’t answer until she’s concerned. Not because I like being difficult—though, there is that—but because her worry over a wasted mission sounds just like worry over me.

    Behind me, information is downloading from a stationary port into a mobile one. When it’s done, I’ll take the mobile back to Earth Zero, our primary Earth, the one the others think of as real. The information I gather is divided up into light data—population, temperature fluctuations, general news—and dark data—what is affecting their stocks that might affect ours, or, if it’s a future world, a full listing of where every stock will close on a given day. The existence of the dark data is a big secret, though I don’t know why anyone would care. Insider trading doesn’t even sound like a crime—not a real one, one with blood.

    “Cara . . .”

    Still just annoyed. I check the download’s progress. Sixty percent.

    “Cara, I need you to answer me.”

    There we go.

    “I’m here.”

    There’s a pause while she resets to apathy, but I heard the panic. For a second, she cared.

    “You don’t always have to leave me waiting.”

    “And you don’t always have to plant me two miles from my download port, but I guess we’re both a little petty, eh Dell?”

    I can hear her smiling but not smiling from 196 worlds away. I’ve dodged the physical training for my job since just after my hiring six years ago. She’s so uptight, you’d think she’d just report me, but forcing me on these long walks is her answer.

    “You’re wanted back. There’s a file on your desk.”

    “I already have my pulls for the week.”

    “Not a pull. A new file.”

    “No, but . . .”

    I put my hand against my chest, expecting to feel a divot, some missing chunk of flesh.

    I want to tell her it can’t be true. I want to tell her I would have known. Instead, I tell her I need an hour and cut the link.

    If I have a new world, it means that particular Earth’s me isn’t using it anymore. I’m dead again, somewhere else, and I didn’t feel a thing.

    I’m not sure how long I sit, staring out at a horizon that’s like mine, but not. The download dings its finish. I could traverse out from here, since there’s no one to see me, but I steal a little time exploring the place fate tried to keep from me.

    Another me is gone. As I walk into the...
Reviews-
  • Publisher's Weekly

    June 29, 2020
    Johnson bursts onto the scene with this thought-provoking, high-concept sci-fi debut that impresses with exceptional worldbuilding and a distinctive protagonist, but suffers under the strain of too much plot. The tale gets off to a strong start, introducing Caramenta, a queer, black woman with a complex family history, who uses tech that grants her access to the multiverse to collect data from alternate Earths that will benefit Earth 0, the “original.” Her exploration has one catch: the technology only allows her to visit Earths where the alternate version of herself has already died. Luckily (or perhaps unluckily) for Caramenta, her alternate selves die quite often, opening up 375 worlds for her to explore—and a discovery she makes on one of them could change the course of history. Though the ambitious plotting becomes difficult to untangle as the timelines, characters, and versions of Earth multiply, Johnson’s meditations on privilege and inequality ring true. Despite occasional melodramatics and some hazy political structures, this immersive, original adventure is sure to please readers looking for smart, diverse science fiction. Johnson is a writer to watch.

  • AudioFile Magazine Nicole Lewis captivates with a velvety voice, dramatic pacing, and vibrant characterizations as she narrates this sci-fi novel. Cara is a traverser who has been brought in from the dangerous Wastes and hired by tech giant Eldridge to travel the multiverse and collect data. Listeners can hear her cunning and her drive to stay alive. Entering a world where your doppelg�nger lives means death, and Cara is able to enter so many other worlds only because her counterparts have died on 372 other Earths. Each universe she travels holds different versions of those she cares for, and those she fears. Lewis brings them all vividly to life. When a crisis unfolds on another Earth, Cara discovers dangerous secrets that upend her worlds completely. E.E.C. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
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The Space Between Worlds
Micaiah Johnson
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