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A Place for Us
Cover of A Place for Us
A Place for Us
A Novel
Borrow Borrow
AN INSTANT NEW YORK TIMES BESTSELLERNATIONAL BOOK AWARD “5 UNDER 35” NOMINEENEW YORK’S “ONE BOOK, ONE NEW YORK” PICK

Named One of the Best Books of the Year: Washington Post • NPR • PeopleRefinery29 • Parade • BuzzFeed

“Mirza writes with a mercy that encompasses all things.”Ron Charles, Washington Post
 
Hailed as “a book for our times” (Christiane Amanpour), A Place for Us is a deeply moving and resonant story of love, identity, and belonging.

As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia: their headstrong, eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister’s footsteps. And lastly, their estranged son, Amar, who returns to the family fold for the first time in three years to take his place as brother of the bride. What secrets and betrayals have caused this close-knit family to fracture? Can Amar find his way back to the people who know and love him best?
A Place for Us takes us back to the beginning of this family’s life: from the bonds that bring them together, to the differences that pull them apart. All the joy and struggle of family life is here, from Rafiq and Layla’s own arrival in America from India, to the years in which their children—each in their own way—tread between two cultures, seeking to find their place in the world, as well as a path home.
A Place for Us is a book for our times: an astonishingly tender-hearted novel of identity and belonging, and a resonant portrait of what it means to be an American family today. It announces Fatima Farheen Mirza as a major new literary talent.
AN INSTANT NEW YORK TIMES BESTSELLERNATIONAL BOOK AWARD “5 UNDER 35” NOMINEENEW YORK’S “ONE BOOK, ONE NEW YORK” PICK

Named One of the Best Books of the Year: Washington Post • NPR • PeopleRefinery29 • Parade • BuzzFeed

“Mirza writes with a mercy that encompasses all things.”Ron Charles, Washington Post
 
Hailed as “a book for our times” (Christiane Amanpour), A Place for Us is a deeply moving and resonant story of love, identity, and belonging.

As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia: their headstrong, eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister’s footsteps. And lastly, their estranged son, Amar, who returns to the family fold for the first time in three years to take his place as brother of the bride. What secrets and betrayals have caused this close-knit family to fracture? Can Amar find his way back to the people who know and love him best?
A Place for Us takes us back to the beginning of this family’s life: from the bonds that bring them together, to the differences that pull them apart. All the joy and struggle of family life is here, from Rafiq and Layla’s own arrival in America from India, to the years in which their children—each in their own way—tread between two cultures, seeking to find their place in the world, as well as a path home.
A Place for Us is a book for our times: an astonishingly tender-hearted novel of identity and belonging, and a resonant portrait of what it means to be an American family today. It announces Fatima Farheen Mirza as a major new literary talent.
Available formats-
  • OverDrive Read
  • EPUB eBook
Subjects-
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
  • Lexile:
    930
  • Interest Level:
  • Text Difficulty:
    4 - 6


Excerpts-
  • From the book

    As Amar watched the hall fill with guests arriving for his sister’s wedding, he promised himself he would stay. It was his duty tonight to greet them. A simple task, one he told himself he could do well, and he took pride in stepping forward to shake the hands of the men or hold his hand over his heart to pay the women respect. He hadn’t expected his smile to mirror those who seemed happy to see him. Nor had he anticipated the startling comfort in the familiarity of their faces. It had really been three years. Had it not been for his sister’s call, he might have allowed years more to pass before mustering the courage it took to return.

    He touched his tie to make sure it was centered. He smoothed down his hair, as if a stray strand would be enough to call attention, give him away. An old family friend called out his name and hugged him. What would he tell them if they asked where he had been, and how he was doing? The sounds of the shenai started up to signal the commencement of Hadia’s wedding. Suddenly the hall was brought to life and there, beneath the golden glow of the chandeliers and surrounded by the bright colors of the women’s dresses, Amar thought maybe he had been right to come. He could convince them all—the familiar faces, his mother who he sensed checking on him as she moved about, his father who maintained his distance—he could even convince himself, that he belonged here, that he could wear the suit and play the part, be who he had been before, assume his role tonight as brother of the bride.

    ***

    It had been Hadia’s decision to invite him. She watched her sister Huda get ready and hoped it had not been a mistake. That morning Hadia had woken with her brother on her mind and all day she willed herself to think as other brides must—that she would be using the word husband when speaking of Tariq now, that after years of wondering if they would make it to this moment, they had arrived. What she had not even dared to believe possible for her was coming true: marrying a man she had chosen for herself.

    Amar had come as she had hoped. But when she was shocked at the sight of him she realized she never actually believed he would. Three years had passed with no news from him. On the day she told her parents she would invite him she had not allowed herself to pray, Please God, have him come, but only, Please God, let my father not deny me this. She had practiced her words until her delivery was so steady and confident any onlooker would think she was a woman who effortlessly declared her wishes.

    Huda finished applying her lipstick and was fastening the pin of her silver hijab. She looked beautiful, dressed in a navy sari stitched with silver beadwork, the same sari that a handful of Hadia’s closest friends would be wearing. There was an excitement about her sister that Hadia could not muster for herself.

    “Will you keep an eye on him tonight?” Hadia asked.

    Huda held her arm up to slip rows of silver bangles over her wrist, each one falling with a click. She turned from the mirror to face Hadia.

    “Why did you call him if you didn’t want him to come?”

    Hadia studied her hands, covered in dark henna. She pressed her fingernails into her arm.    “It’s my wedding day.”          

    An obvious statement, but it was true. It did not matter if she had not heard from her brother in years, she could not imagine this day without him. But relief at the sight of Amar brought with it that old shadow of worry for...

About the Author-
  • FATIMA FARHEEN MIRZA was born in 1991 and raised in California. She is a graduate of the Iowa Writers' Workshop and a recipient of the Michener-Copernicus Fellowship.
Reviews-
  • Kirkus

    April 1, 2018
    An American Muslim family is torn apart in the struggle between tradition and modernity."The wedding was coming together wonderfully. People were arriving on time. There was a table for mango juice and pineapple juice and another for appetizers, replenished as soon as the items were lifted from the platter. White orchids spilled from tall glass vases on every table." But down the hall at the hotel bar, there is an element of this wedding that is not coming together so smoothly--the prodigal brother of the bride. Amar ran away from home years earlier after a series of escalating troubles in high school, rooted in a forbidden romance between him and Amira Ali, the daughter of a prominent local family. Their connection became only more intense when Amira's older brother, a close friend of Amar's, was killed in a car accident. The novel moves back and forth in time to explore the story of parents Layla and Rafiq and their three children, Hadia, Huda, and Amar. The events of 9/11, the temptations of drugs and alcohol, the pressure for academic achievement, and the traditions of arranged marriage all play a role. It is Hadia, the bride, who has reached out to her brother and begged him to attend her wedding, but when he sees his one-time love Amira among the guests, old secrets and betrayals bubble to the surface. Unfortunately, as the story rolls back and forth through the chronology and the perspectives of the different family members, the conflicts are rehashed too many times and at too much length. The debut of 26-year-old Mirza is the first book from Sarah Jessica Parker's imprint at Hogarth; it explores the spiritual lives of its characters with sympathy and passion. The title of the book echoes a song from West Side Story, itself a retelling of Romeo and Juliet. Here the warring forces are not two families but one, split by the tension between reverence and rebellion.The author's passion for her subject shines like the moon in the night sky, a recurrent image in this ardent and powerful novel.

    COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Publisher's Weekly

    April 30, 2018
    Bonds of faith and family strengthen and strangle in this promising but flawed debut, set in a close-knit Indian Muslim community in California. The story opens with the wedding of Hadia, golden child of Layla and Rafiq and older sister to Huda and Amar, skillfully setting up the central tension: why has Amar, the troubled youngest, been absent from the family, and can he be drawn back? The plot then shuffles backward and forward, revisiting plot points with few signposts to let the reader know when exactly key events—an untimely death, the snuffing out of a forbidden relationship, a family-rupturing fight—take place. Perspective alights on various characters, revealing more about some than others; middle child Huda remains nearly opaque, and early references to Rafiq’s violent temper are all but dropped. For the final 80 pages, Rafiq narrates, and the story at last coheres. He delivers a heartrending reflection on his role in his son’s partly self-imposed banishment: “It is in these moments that the fabric of my life reveals itself to be an illusion: thinking that I am fine, we all are, that we could grow around your loss like a tree that bends around a barrier or wound.” Mirza displays a particular talent for rendering her characters’ innermost emotional lives, signaling a writer to watch.

  • School Library Journal

    July 1, 2018

    Layla and Rafiq are traditional Muslim Indians. After their arranged marriage in Hyderabad, young Layla joins Rafiq in northern California, where they immerse themselves in their mosque and its community and start their family. They do their utmost to raise their children in strict adherence to their faith. Mirza writes eloquently about the parents' choices and their children's subsequent struggles to straddle two cultures and assimilate. Daughters Hadia and Huda navigate life with Islamic constrictions much more successfully than their younger brother Amar. For Amar, there are too many contradictions, and from early childhood, he questions and rebels. In turn, his parents ramp up their restrictions and their disapproval, creating a downward spiral for Amar as the family is slowly but surely torn apart by cultural conflicts and misunderstandings. Teen readers will appreciate Hadia and Huda and will empathize, commiserate, and identify with the beleaguered Amar. Written alternately from each character's perspective, the narrative moves back and forth in time (sometimes confusingly), with Hadia's wedding the anchoring event. The writing is delicate, evocative, and intense but accessible. VERDICT Teens who enjoy powerful family dramas such as Mitali Perkins's You Bring the Distant Near and rebellion stories like Erika L. Sanchez's I Am Not Your Perfect Mexican Daughter will love this gripping and bittersweet tale.-Gretchen Crowley, formerly at Alexandria City Public Libraries, VA

    Copyright 2018 School Library Journal, LLC Used with permission.

  • Library Journal

    May 1, 2018

    Hadia is marrying for love, not tradition, and the story of her California-based Indian Muslim family unfolds on the eve of her wedding from the varied perspectives of mother, father, and three siblings. From a debuting Iowa Writers' Workshop grad, this is the inaugural acquisition in Sarah Jessica Parker's new imprint.

    Copyright 2018 Library Journal, LLC Used with permission.

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