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A Pigeon and a Boy
Cover of A Pigeon and a Boy
A Pigeon and a Boy
A Novel
A mesmerizing novel of two love stories, separated by half a century but connected by one enchanting act of devotion—from the internationally acclaimed Israeli writer Meir Shalev. 
During the 1948 War of Independence—a time when pigeons are still used to deliver battlefield messages—a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible. 
Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now—of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it.  In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love.
A mesmerizing novel of two love stories, separated by half a century but connected by one enchanting act of devotion—from the internationally acclaimed Israeli writer Meir Shalev. 
During the 1948 War of Independence—a time when pigeons are still used to deliver battlefield messages—a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible. 
Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now—of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it.  In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love.
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Excerpts-
  • Chapter One Chapter One

    1

    And suddenly," said the elderly American man in the white shirt, "suddenly, a pigeon flew overhead, above that hell."

    Everyone fell silent. His unexpected Hebrew and the pigeon that had alighted from his mouth surprised all present, even those who could not understand what he was saying.

    "A pigeon? What pigeon?"

    The man—stout and suntanned as only Americans can be, with moccasins on his feet and a mane of white hair on his head—pointed to the turret of the monastery. Many years had passed, but there were a few things he still remembered about the terrible battle that had taken place here. "And forgetting them," he declared, "is something I'll never be able to do." Not only the fatigue and the horror, not only the victory—"A victory that took both sides by surprise," he noted—but also the minor details, the ones whose importance becomes apparent only later: for one, the stray bullets—or perhaps they were intentional—that struck the bell of the monastery on occasion—"Right here, this very bell"—and then the bell would ring sharply, an odd sound that sank, then abated, but continued to resound in the darkness for a long while.

    "And the pigeon?"

    "A strange sound. Sharp at first, and high-pitched, like even the bell was surprised; then it got weaker, in pain but not dead, until the next shot hit it. One of our wounded guys said, 'Bells are used to getting hit from the inside, not the outside.'"

    He smiled to himself as though he had only just understood. His teeth were bared, and even those were terribly white, as only elderly American teeth can be.

    "But what about the pigeon? What kind of a pigeon was it?"

    "I'm ninety-nine percent sure it was a homing pigeon, a Palmach carrier pigeon. We'd been fighting all night, and in the morning, two or three hours after sunrise, we saw it suddenly lifting off."

    This Hebrew he had unleashed, without prior warning, was good—in spite of his accent—but his use of the term homing pigeon in English sounded more pleasant and proper than its Hebrew equivalent, even if the bird in question did belong to the Palmach.

    "How could you be sure?"

    "A pigeon handler was assigned to us, a pigeon expert with a little dovecote—that's what it was called—on his back. Maybe he managed to dispatch the bird before he was killed, or maybe the dovecote busted and the bird flew away."

    "He was killed? How?"

    "How? There was no lack of how to get killed here—all you had to do was choose: by a bullet or shrapnel, in the head or the stomach or that major artery in your thigh. Sometimes it was right away and sometimes it was real slow, a few hours after you got hit."

    His yellow eyes pierced me. "Amazing, isn't it?" he said, chuckling. "We went to battle with homing pigeons, like in ancient Greece."

    2

    And suddenly, above that hell, the fighters saw a pigeon. Born from bulbs of smoke, delivered from shrouds of dust, the pigeon rose, she soared. Above the grunts and the shouts, above the whisper of shrapnel in the chill of the air, above the invisible paths of bullets, above the exploding grenades and the barking rifles and the pounding cannons.

    A plain-looking pigeon: bluish-gray with scarlet legs and two dark stripes like those of a prayer shawl adorning the wings. A pigeon like a thousand others, like any other pigeon. Only an expert's ears could pick up on the power of those beating wings, double...

About the Author-
  • One of Israel's most celebrated novelists, MEIR SHALEV was born in 1948 on Nahalal, Israel's first moshav. His books have been translated into more than twenty-five languages and his honors include the National Jewish Book Award and Israel's Brenner Prize for A Pigeon and a Boy. He died in 2023.
    EVAN FALLENBERG (www.evanfallenberg.com) translates fiction by well-known and upcoming Israeli writers. He teachs creative writing at Bar Ilan University in Israel and is the author of Light Fell, a novel.
Reviews-
  • Publisher's Weekly

    Starred review from July 23, 2007
    In this stunning tale, Shalev masterfully interweaves two remarkable personal stories. Yair Mendelsohn, a middle-aged Israeli tour guide favored with bird watchers, learns that one of his new American clients fought in the Palmach, a clandestine military force in Israel’s 1948 war of independence. The American recounts a day when a homing pigeon handler, nicknamed “the Baby” for his childlike features, was killed in that war and, in his final moments, sent off one last pigeon. Yair is familiar with the American’s story and listens with wistfulness. As Yair slowly tells of his present and his past, Shalev patiently builds tension around the Baby’s final dispatch, giving vivid detail on homing pigeons and conveying the unique relationship between the birds and their keepers—which echoes the touching care with which the Baby and his true love, “the Girl,” treat one another. The dark, stocky Yair, whose marriage is threatened by his burgeoning relationship with childhood friend Tirzah, makes a sympathetic protagonist. This gem of a story about the power of love, which won Israel’s Brenner Prize, brims with luminous originality.

  • Publishers Weekly (starred review) "[A] stunning tale... This gem of a story about the power of love, which won Israel's Brenner Prize, brims with luminous originality."
  • Hatzofeh (Tel Aviv) "An excellent book [that]touches and breaks your heart and leaves you deep in thought about what was and what could have been."
  • Elle "Meir Shalev, the Woody Allen of the desert, is an Israeli author one absolutely has to read!"
  • The New York Times Book Review "Shalev creates a world that has the richness of invention and obsessiveness of dreams. He delivers both startling imagery and passionate, original characters whose destinies we follow through love, loss, laughter, and death."
  • The Daily Telegraph (London) "It is as though the Song of Solomon had been rewritten by Gabriel Garcia Marquez... You get a master class in the storyteller's art."
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A Novel
Meir Shalev
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