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The Hacienda
Cover of The Hacienda
The Hacienda
Borrow Borrow
Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches...

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost.
 
But Hacienda San Isidro is not the sanctuary she imagined.
When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark the doorway with strange symbols? What really happened to the first Doña Solórzano?
Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will save her.
Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness.
Far from a refuge, San Isidro may be Beatriz’s doom.
Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches...

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost.
 
But Hacienda San Isidro is not the sanctuary she imagined.
When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark the doorway with strange symbols? What really happened to the first Doña Solórzano?
Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will save her.
Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness.
Far from a refuge, San Isidro may be Beatriz’s doom.
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  • From the cover

    1

     

    AndrÉs

     

    Hacienda San Isidro

     

    Noviembre 1823

     

    The low sweep of the southern horizon was a perfect line, unmarred by even the smudge of horses tossing their heads in the distance. The road yawned empty.

     

    The carriage was gone.

     

    I stood with my back to the gates of Hacienda San Isidro. Behind me, high white stucco walls rose like the bones of a long-dead beast jutting from dark, cracked earth. Beyond the walls, beyond the main house and the freshly dug graves behind the capilla, the tlachiqueros took their machetes to the sharp fields of maguey. Wandering the fields as a boy taught me agave flesh does not give like man's; the tlachiqueros lift their machetes and bring them down again, and again, each dull thud seeking the heart's sweet sap, each man becoming more intimately acquainted with the give of meat beneath metal, with the harvesting of hearts.

     

    A breeze snaked into the valley from the dark hills, its dry chill stinging my cheeks and the wet in my eyes. It was time to turn back. To return to my life as it was. Yet the idea of turning, of gazing up at San Isidro's heavy wooden doors alone, slicked my palms with sweat.

     

    There was a reason I had once set my jaw and crossed San Isidro's threshold, a reason why I passed through its gates like a reckless youth from legends of journeys to the underworlds.

     

    That reason was gone.

     

    And still I stood in the center of the dirt road that led away from San Isidro, away from Apan, my eyes fixed on the horizon with the fervor of a sinner before their saint. As if the force of my grief alone could transcend the will of God and return that carriage. Return the woman who had been taken from me. The echo of retreating hoofbeats and the clouds of dust they left curled in the air like copal incense, mocking me.

     

    It is said that mortal life is empty without the love of God. That the ache of loneliness's wounds is assuaged by obedience to Him, for in serving God we encounter perfect love and are made whole.

     

    But if God is the Father, Son, and Holy Spirit, if He is three in one in the Trinity, then God knows nothing of loneliness.

     

    God knows nothing of standing with his back to a gray morning, of dropping to his knees in the dust. Of his shoulders slumping beneath the new weight of knowing what it meant not to be alone, and an acute awareness of his chest's own emptiness.

     

    God knows nothing of loneliness, because God has never tasted companionship as mortals do: clinging to one another in darkness so complete and sharp it scrapes flesh from bone, trusting one another even as the Devil's breath blooms hot on their napes.

     

    Sharp pebbles dug into my kneecaps through my worn trousers as I knelt, my breathing labored, too exhausted to sob. I knew what the maguey felt. I knew the whine of the machete. I knew how my chest gave beneath the weight of its fall. I knew how it felt to have my heart harvested, sweet aguamiel carving winding wet tracks down my hollowed chest. My wounds sinful stigmata, flinching and festering in the sun.

     

    God knows nothing of being alone.

     

    Alone is kneeling in dust, gazing at an empty horizon.

     

    In the end, it was not the ink-slick shadows and echoing, dissonant laughter of San Isidro that broke me. It was not fear that carved my chest open.

     

    It was losing her.

     

    2

     

    Beatriz

     

    Septiembre 1823

     

    Two months...

About the Author-
  • Isabel Cañas is a Mexican-American speculative fiction writer. After having lived in Mexico, Scotland, Egypt, and Turkey, among other places, she has settled (for now) in New York City, where she works on her PhD dissertation in medieval Islamic literature and writes fiction inspired by her research and her heritage.
Reviews-
  • Publisher's Weekly

    Starred review from December 20, 2021
    Mexican Gothic meets Rebecca in Cañas’s stunning debut. After Beatriz’s mestizo father, General Hernandez, is betrayed and murdered in Mexico’s War of Independence, Beatriz marries mysterious widower Don Rodolfo Solórzano, as his estate, the Hacienda San Isidro, seems the perfect escape for Beatriz and her mother. Beatriz’s first sign that something’s off is the housekeeper, who refuses to work without burning copal incense and chalking glyphs on the kitchen door. Then Beatriz is plagued by bad dreams and mysterious, bloody visions. Her sister-in-law, Juana, who shares the estate, insists these are signs that Beatriz is going mad. Beatriz, however, comes to believe that her husband’s first wife was murdered and is haunting the house, and she finds an ally in Mestizo priest Padre Andrés, who’s torn between the folk beliefs of his childhood and his Catholic teachings. To exorcise the house, the pair digs into a past deliberately obscured by those who would kill them if the truth comes out. Cañas clearly knows the genre, alternately deploying and subverting haunted house tropes. The result is a brilliant contribution to the new wave of postcolonial Gothics. Readers won’t want to miss this. Agent: Kari Sutherland, Bradford Literary.

  • Library Journal

    September 1, 2022

    Blending Mexican folklore with haunted house tropes, Ca�as skillfully builds the tension and fear to an almost unbearable level in her debut novel. After Beatriz's father is murdered during the Mexican War of Independence, she weds much older Don Rodolfo for security. He brings her to his country estate, the Hacienda San Isidro, and promptly leaves her there. The only friendly face belongs to Padre Andr�s, upon whom she increasingly relies as more and more frightening things happen. The house itself is a character--malicious, haunted, and evil. Beatriz tries to find out what happened to Rodolfo's first wife and sets in motion a series of terrible events. Narrator Victoria Villarreal portrays the initially hopeful, then frightened, and finally fierce Beatriz with great skill. The bewilderment in her voice as she narrates the events in the story is painful to hear. Occasional chapters are narrated by Padre Andr�s, voiced by Lee Osorio. He capably conveys the conflict of the young Padre, who is torn between the Catholic Church and his more folkloric practices. VERDICT The audio production of this stellar debut adds to the innate tension of the book and belongs in every public library collection.--B. Allison Gray

    Copyright 2022 Library Journal, LLC Used with permission.

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