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When some of the top thriller writers in the world came together in Thriller: Stories to Keep You Up All Night, they became a part of one of the most successful short-story anthologies ever published. The highly anticipated Thriller 2: Stories You Just Can't Put Down is even bigger. From Jeffery Deaver's tale of international terrorism to Lisa Jackson's dysfunctional family in the California wine country to Ridley Pearson's horrifying serial killer, this collection has something for everyone. Twenty-three bestselling and hot new authors in the genre have submitted original stories to make up this unforgettable blockbuster.
When some of the top thriller writers in the world came together in Thriller: Stories to Keep You Up All Night, they became a part of one of the most successful short-story anthologies ever published. The highly anticipated Thriller 2: Stories You Just Can't Put Down is even bigger. From Jeffery Deaver's tale of international terrorism to Lisa Jackson's dysfunctional family in the California wine country to Ridley Pearson's horrifying serial killer, this collection has something for everyone. Twenty-three bestselling and hot new authors in the genre have submitted original stories to make up this unforgettable blockbuster.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the book
Monday
"A new weapon."
The slim man in a conservative suit eased forward and lowered his voice. "Something terrible. And our sources are certain it will be used this coming Saturday morning. They're certain of that."
"Four days," said retired Colonel James J. Peterson, his voice grave. It was now 5:00 p.m. on Monday.
The two men sat in Peterson's nondescript office, in a nondescript building in the suburban town of Reston, Virginia, about twenty-five miles from Washington, D.C. There's a misconception that national security operations are conducted in high-tech bunkers filled with sweeping steel and structural concrete, video screens ten feet high and attractive boys and babes dressed by Armani.
This place, on the other hand, looked like an insurance agency.
The skinny man, who worked for the government, added, "We don't know if we're talking conventional, nuke or something altogether new. Probably mass destruction, we've heard. It can do quote 'significant' damage.'"
"Who's behind this weapon? Al-Qaeda? The Koreans? Iranians?"
"One of our enemies. That's all we know at this point...So, we need you to find out about it. Money is no object, of course."
"Any leads?"
"Yes, a good one--an Algerian who knows who formulated the weapon. He met with them last week in Tunis. He's a professor and journalist."
"Terrorist?"
"He doesn't seem to be. His writings have been moderate in nature. He's not openly militant. But our local sources are convinced he's had contact with the people who created the weapon and plan to use it."
"You have a picture?"
A photograph appeared as if by magic from the slim man's briefcase and slid across the desk like a lizard.
Colonel Peterson leaned forward.
Tuesday
Chabbi music drifted from a nearby café, lost intermittently in the sounds of trucks and scooters charging frantically along this commercial street of Algiers.
The driver of the white van, a swarthy local, stifled a sour face when the music changed to American rock. Not that he actually preferred the old-fashioned, melodramatic chabbi tunes or thought they were more politically or religiously correct than Western music. He just didn't like Britney Spears.
Then the big man stiffened and tapped the shoulder of the man next to him, an American. Their attention swung immediately out the front window to a curly-haired man in his thirties, wearing a light-colored suit, walking out of the main entrance of the Al-Jazier School for Cultural Thought.
The man in the passenger seat nodded. The driver called "Ready" in English and then repeated the command in Berber-accented Arabic. The two men in the back responded affirmatively.
The van, a battered Ford that sported Arabic letters boasting of the city's best plumbing services, eased forward, trailing the man in the light suit. The driver had no trouble moving slowly without being conspicuous. Such was the nature of traffic here in the old portion of this city, near the harbor.
As they approached a chaotic intersection, the passenger spoke into a cell phone. "Now."
The driver pulled nearly even with the man they followed, just as a second van, dark blue, in the oncoming lane, suddenly leapt the curb and slammed directly into the glass window of an empty storefront, sending a shower of glass onto the sidewalk as bystanders gaped and came running.
By the time the crowds on rue Ahmed Bourzina helped the driver of the blue van extricate his vehicle from the...
About the Author-
Sandra Brown is the author of fifty-seven New York Times bestsellers, including SMOKE SCREEN (Simon & Schuster 2008). Brown began her writing career in 1981 and since then has published over seventy novels, most of which remain in print. As of 1990, when Mirror Image made The New York Times bestseller list, each subsequent novel, including reprints of earlier books, have become Times bestsellers.
Sandra and her husband Michael Brown live in Arlington, Tx.
Reviews-
March 23, 2009 Jeffery Deaver’s “The Weapon,” about the limitations of torture, and Ridley Pearson’s “Boldt’s Broken Angel,” which features a race to prevent a cop’s death, provide solid bookends to this nifty all-original anthology, the sequel to 2006’s Thriller: Stories to Keep You Up All Night . The 23 selections—all by members of International Thriller Writers Inc.—score hits more often than misses. One of the few non-Americans, Spaniard Javier Sierra, might claim the blue ribbon with his tale of impending apocalypse, “The Fifth World.” Lisa Jackson’s “Vintage Death” keeps the reader guessing and on tenterhooks from start to finish. Marcus Sakey’s “The Desert Here and the Desert Far Away” tests the strength of the bonds forged in the current Iraq War when comrades return home. Other contributors include Robert Ferrigno, David Hewson, Jon Land, Carla Neggers and R.L. Stine. In addition to a brief general introduction, Cussler supplies intros to the individual stories.
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MIRA Books
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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