Close cookie details

This site uses cookies. Learn more about cookies.

OverDrive would like to use cookies to store information on your computer to improve your user experience at our Website. One of the cookies we use is critical for certain aspects of the site to operate and has already been set. You may delete and block all cookies from this site, but this could affect certain features or services of the site. To find out more about the cookies we use and how to delete them, click here to see our Privacy Policy.

If you do not wish to continue, please click here to exit this site.

Hide notification

  Main Nav
The Man Who Could Move Clouds
Cover of The Man Who Could Move Clouds
The Man Who Could Move Clouds
A Memoir
Borrow Borrow
A TIME BEST BOOK OF THE SUMMER  
From the author of the “original, politically daring and passionately written” (Vogue) novel Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
*Includes a downloadable PDF of the author’s personal photographs of family members, scenes, and mementos, from the printed book
A TIME BEST BOOK OF THE SUMMER  
From the author of the “original, politically daring and passionately written” (Vogue) novel Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.
This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”
In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often hilarious guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.
Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
*Includes a downloadable PDF of the author’s personal photographs of family members, scenes, and mementos, from the printed book
Available formats-
  • OverDrive Listen
  • OverDrive MP3 Audiobook
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
  • Lexile:
  • Interest Level:
  • Text Difficulty:


 
Awards-
Excerpts-
  • From the cover 1

    The Secrets

    They say the accident that left me with temporary amnesia is my inheritance. No house or piece of land or chest of letters, just a few weeks of oblivion.

    Mami had temporary amnesia as well, except: where she was eight years old, I was twenty-three. Where she fell down an empty well, I crashed my bicycle into an opening car door. Where she nearly bled to death in Ocaña, Colombia, in darkness, thirty feet below the earth, I got to my feet seemingly unharmed and wandered around Chicago on a sunny winter afternoon. Where she didn’t know who she was for eight months, I couldn’t remember who I was for eight weeks.

    They say the amnesias were a door to gifts we were supposed to have, which Mami’s father, Nono, neglected to pass.

    Nono was a curandero. His gifts were instructions for talking to the dead, telling the future, healing the ill, and moving the clouds. We were a brown people, mestizo. European men had arrived on the continent and violated Indigenous women, and that was our origin: neither Native or Spanish, but a wound. We called the gifts secrets. In the mountains of Santander, the fathers had passed the secrets to the sons, who passed the secrets to the sons, who passed the secrets to the sons. But none of his sons, Nono said, had the testículos required to be a real curandero. Only Mami, strong-willed, unafraid, more of a man than most men in his eyes, whom he liked to call mi animal de monte, could have housed the gifts. But Mami was a woman, and such things were forbidden. If a woman came to possess the secrets, it was said that misfortune would soon follow.

    Yet, as eight-year-old Mami recovered from her injuries after falling down the well, and as her memories returned, it so happened that, from wherever her mind had gone, she brought back the ability to see ghosts and hear disembodied voices.

    The family says Mami was destined for the secrets, and since Nono couldn’t teach them to her, the secrets had come directly to her.

    Four decades later, when I suffered my accident and lost my memory, the family was thrilled. Tías poured drinks, told one another with an air of festivity: There it goes again! The snake biting its own tail!

    And then they waited to see how, exactly, the secrets would manifest in me.

    This is a story that happens in Spanish, where Mami and the tías call each other vos, the archaic “thou,” but they use tú with me, the informal, tender “you.” Theirs is the way of speaking in Ocaña, where our family is from, and where language can sound like a colonial fossil. In Spanish, our stories are slow then fast, and we cackle, constantly.

    Mami and I are spooked by the way our lives echo each other’s, so we don’t often discuss our amnesias. But, increasingly, this is an itch I must scratch. I scrape and scald at its touch, only to want to probe into it again.

    The tías ask me to tell them what it was like to live without a memory. I focus on trying to communicate how surreal it was, how cinematic. The tías roll their eyes at me, but they do so while looking at one another, like I am a bad television show they are watching and can safely comment on. Such a gringa this one, no? What they really want to know is what I dreamt.

    For Mami and for me, during our bouts of amnesia, our waking lives were punctuated by a constant state of confusion—but our dreams were grounding. Mami’s dreams were sequential, and in her dreams she was a ghost. In mine, I had no body, and as I say this to the tías out loud, I realize: I, too, believed I was a...
About the Author-
  • INGRID ROJAS CONTRERAS was born and raised in Bogotá, Colombia. Her debut novel Fruit of the Drunken Tree was the silver medal winner in First Fiction from the California Book Awards, and a New York Times editor's choice. Her essays and short stories have appeared in the New York Times Magazine, The Believer, and Zyzzyva, among others. She lives in California.
Reviews-
  • Publisher's Weekly

    May 2, 2022
    Novelist Rojas Contreras (Fruit of the Drunken Tree) returns with a lyrical meditation on her family’s history and the legacy of colonialism in Colombia. Though guerrilla and drug warfare forced Rojas Contreras’s family to leave Colombia in 1998 when she was 14, the specters of their past remained present. After a bicycle accident in Chicago nine years later rendered Rojas Contreras amnesiac for eight weeks, she slowly recovered her memory with the help of her family. “They say the amnesias were a door to gifts we were supposed to have,” Rojas Contreras muses as she offers readers a gift of another kind, recounting in mesmerizing prose family stories of magic and survival, starting with that of her grandfather, Nono, a curandero who could tell the future, heal the sick, and change the weather. While his powers were passed down to his children, Rojas Contreras writes, they were diluted by the inherited traumas of Colombia’s brutal colonial history: “We were a damned people, and not by God but by white people.” In grappling with the violence embedded in her family’s DNA, Rojas Contreras affectingly reveals how darkness can only be vanquished when it’s brought to the light. Fusing the personal and political, this rings out as a bold case against forgetting in a forward-facing age.

  • AudioFile Magazine Marisol Ramirez's beautifully expressive narration pairs perfectly with author Ingrid Rojas Contreras's compelling exploration of the powerful connections between memory and family. From a vibrant, tumultuous Colombian childhood to a new beginning abroad, the author's connection with Nono, her grandfather, remained central. Ramirez expresses the complexity of emotions contained within these stories of the author's maternal grandparents and extended family as she travels with her mother back to Colombia in order to fulfill a dream-inspired imperative to exhume Nono's body. Ramirez's keen characterizations, especially for Mami and Rojas Contreras, are full of warmth and heart. Together, they give weight and texture to the forms that memory takes on. An incredible journey listeners will not soon forget. J.R.T. © AudioFile 2022, Portland, Maine
Title Information+
  • Publisher
    Books on Tape
  • OverDrive Listen
    Release date:
  • OverDrive MP3 Audiobook
    Release date:
Digital Rights Information+
  • OverDrive MP3 Audiobook
    Burn to CD: 
    Permitted
    Transfer to device: 
    Permitted
    Transfer to Apple® device: 
    Permitted
    Public performance: 
    Not permitted
    File-sharing: 
    Not permitted
    Peer-to-peer usage: 
    Not permitted
    All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.

Status bar:

You've reached your checkout limit.

Visit your Checkouts page to manage your titles.

Close

You already have this title checked out.

Want to go to your Checkouts?

Close

Recommendation Limit Reached.

You've reached the maximum number of titles you can recommend at this time. You can recommend up to 0 titles every 0 day(s).

Close

Sign in to recommend this title.

Recommend your library consider adding this title to the Digital Collection.

Close

Enhanced Details

Close
Close

Limited availability

Availability can change throughout the month based on the library's budget.

is available for days.

Once playback starts, you have hours to view the title.

Close

Permissions

Close

The OverDrive Read format of this eBook has professional narration that plays while you read in your browser. Learn more here.

Close

Holds

Total holds:


Close

Restricted

Some format options have been disabled. You may see additional download options outside of this network.

Close

MP3 audiobooks are only supported on macOS 10.6 (Snow Leopard) through 10.14 (Mojave). Learn more about MP3 audiobook support on Macs.

Close

Please update to the latest version of the OverDrive app to stream videos.

Close

Device Compatibility Notice

The OverDrive app is required for this format on your current device.

Close

Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen

Close

You've reached your library's checkout limit for digital titles.

To make room for more checkouts, you may be able to return titles from your Checkouts page.

Close

Excessive Checkout Limit Reached.

There have been too many titles checked out and returned by your account within a short period of time.

Try again in several days. If you are still not able to check out titles after 7 days, please contact Support.

Close

You have already checked out this title. To access it, return to your Checkouts page.

Close

This title is not available for your card type. If you think this is an error contact support.

Close

An unexpected error has occurred.

If this problem persists, please contact support.

Close

Close

NOTE: Barnes and Noble® may change this list of devices at any time.

Close
Buy it now
and help our library WIN!
The Man Who Could Move Clouds
The Man Who Could Move Clouds
A Memoir
Ingrid Rojas Contreras
Choose a retail partner below to buy this title for yourself.
A portion of this purchase goes to support your library.
Close
Close

There are no copies of this issue left to borrow. Please try to borrow this title again when a new issue is released.

Close
Barnes & Noble Sign In |   Sign In

You will be prompted to sign into your library account on the next page.

If this is your first time selecting “Send to NOOK,” you will then be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."

The first time you select “Send to NOOK,” you will be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."

You can read periodicals on any NOOK tablet or in the free NOOK reading app for iOS, Android or Windows 8.

Accept to ContinueCancel