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Beautiful Lies
Cover of Beautiful Lies
Beautiful Lies
Borrow Borrow
If Ridley Jones had slept ten minutes later or had taken the subway instead of waiting for a cab, she would still be living the beautiful lie she used to call her life. She would still be the privileged daughter of a doting father and a loving mother. Her life would still be perfect—with only the tiny cracks of an angry junkie for a brother and a charming drunk with shady underworld connections for an uncle to mar the otherwise flawless whole.
But that’s not what happened. Instead, those inconsequential decisions lead her to perform a good deed that puts her in the right place at the right time to unleash a chain of events that brings a mysterious package to her door—a package which informs her that her entire world is a lie.
Suddenly forced to question everything she knows about herself and her family, Ridley wanders into dark territory she never knew existed, where everyone in her life seems like a stranger. She has no idea who’s on her side and who has something to hide—even, and maybe especially, her new lover, Jake, who appears to have secrets of his own.
Sexy and fast-paced, Beautiful Lies is a true literary thriller with one of the freshest voices and heroines to arrive in years. Lisa Unger takes us on a breathtaking ride in which every choice Ridley makes creates a whirlwind of consequences that are impossible to imagine . . . .
If Ridley Jones had slept ten minutes later or had taken the subway instead of waiting for a cab, she would still be living the beautiful lie she used to call her life. She would still be the privileged daughter of a doting father and a loving mother. Her life would still be perfect—with only the tiny cracks of an angry junkie for a brother and a charming drunk with shady underworld connections for an uncle to mar the otherwise flawless whole.
But that’s not what happened. Instead, those inconsequential decisions lead her to perform a good deed that puts her in the right place at the right time to unleash a chain of events that brings a mysterious package to her door—a package which informs her that her entire world is a lie.
Suddenly forced to question everything she knows about herself and her family, Ridley wanders into dark territory she never knew existed, where everyone in her life seems like a stranger. She has no idea who’s on her side and who has something to hide—even, and maybe especially, her new lover, Jake, who appears to have secrets of his own.
Sexy and fast-paced, Beautiful Lies is a true literary thriller with one of the freshest voices and heroines to arrive in years. Lisa Unger takes us on a breathtaking ride in which every choice Ridley makes creates a whirlwind of consequences that are impossible to imagine . . . .
Available formats-
  • OverDrive Read
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Languages:-
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  • Library copies:
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Levels-
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Excerpts-
  • Chapter One Chapter One


    It's dark in that awful way that allows you to make out objects but not the black spaces behind them. My breathing comes ragged from exertion and fear. The only person I trust in the world lies on the floor beside me. I lean into him and hear that he's still breathing but it's shallow and hard won. He's hurt, I know. But I can't see how badly. I whisper his name in his ear but he doesn't respond. I feel his body but there's no blood that I can tell. The sound of his body hitting the floor minutes before was the worst thing I've ever heard.

    I feel the floor around him, looking for his gun. After a few seconds I feel the cool metal beneath my fingertips and I almost weep with relief. But there's no time for that now.

    I can hear the rain falling outside the burned-out building, its loud, heavy drops smacking on canvas. It's falling inside, too, trickling in through gaping holes in the roof down through floors of rotted wood and broken staircases. He moves and issues a low groan. I hear him say my name and I lean in close to him again.

    "It's okay. We're going to be okay," I tell him, even though I don't have any reason to believe this is true. Somewhere outside or up above us a man I thought I loved, along with other men whom I couldn't identify, are trying to kill us, to protect an awful truth that I've discovered. I am hurt myself, in so much pain that I might pass out if I didn't know it meant dying here in this condemned building on the Lower East Side of Manhattan. There's something embedded in my right thigh. It's possibly a bullet, or a large spike of wood, or maybe a nail. It's so dark I can just barely see the large hole in my jeans, and the denim is black with my blood. I'm dizzy, the world tilting, but I'm holding on.

    I hear them up above us now, see the beams of their flashlights crossing in the dark through the holes in the floors. I try to control my breathing, which to my own ears sounds as loud as an oncoming train. I hear one of the men say to the others, "I think they fell through. They're on the bottom." There was no answer but I can hear them making their way down over creaking wood.

    He stirs. "They're coming," he says, his voice little more than a rasp. "Get out of here, Ridley."

    I don't answer him. We both know I'm not leaving. I pull at him and he tries to get up, but the pain registers on his face louder than the scream I know he suppressed to protect us for a few minutes more. If we're not walking out of here together, we're not walking out at all. I drag him, even though I know I shouldn't be moving him, over behind an old moldy couch that lies on its back by the wall. It's not far but I can see his face white and gritted in terrible pain. As I move him, he loses consciousness again and in an instant feels fifty pounds heavier. But I've seen all four of his limbs move and that's something. I realize that I'm praying as I pull him, my leg on fire, my strength waning. Please God, please God, please God, over and over again like a mantra.

    The way the couch is lying, it forms a crawl space against the wall just big enough for the two of us. I pull him in there and lie on my belly beside him. I pull an old crate over toward the edge of the couch and look through the wooden slats. They're closer now and I'm sure they've heard us because they've stopped talking and turned their flashlights off. I hold the gun in both hands and wait. I've never fired a gun before and I don't know how many bullets are left in this one. I think...

About the Author-
  • Lisa Unger is an award-winning New York Times and international bestselling author. Her novels have sold over 1 million copies in the U.S. and have been translated into 26 different languages.
Reviews-
  • Publisher's Weekly

    Starred review from January 2, 2006
    After an act of heroism garners instant fame for 30-something New York freelancer Ridley Jones, she receives a faded photo of a man, a familiar-looking woman and a little girl along with a note asking, "Are you my daughter?" Shaken, she confronts her parents, who affirm she is theirs by birth; that same day, however, hot new neighbor Jake enters her life, and he's less sure. With breathless speed, Unger is off on an action-packed journey of treachery and intrigue—and sex and romance. Jake turns out to have just as much at stake in discovering Ridley's past as she, but in the way are Ridley's controlling parents; her drug-addicted brother, Ace; her intrusive former boyfriend, pediatrician Zack; and the people protecting the legacy of her Uncle Max, a real estate mogul who used his influence to fund rescue houses for abused women and children. Following leads garnered from scrutinizing the operations of places Max's foundation supports, Ridley and Jake uncover a chilling scheme for taking infants and toddlers from violent homes; their relationship heats up, and Ridley's family gets very edgy. The premise—that there is a dark side to the safe haven law—is deep as well as clever, and Unger plays it out thrillingly. $150,000 ad/promo; 10-city tour
    .

  • Booklist

    Starred review from March 1, 2006
    Unless readers scan the biographical information first, they will never guess that Unger is a first novelist. Her ability to generate spine-tingling suspense while evoking the danger and glamour of New York City is matched by her skill in creating memorable, realistic characters. Most notable is protagonist Ridley Scott, a freelance writer whose life changes when she rescues a toddler who wanders into traffic. Her heroic act delights a city of cynical New Yorkers and leads to weeks of newspaper and TV publicity. While enjoying her 15 minutes of fame, Ridley receives a strange message from someone claiming to be her father--but she already has a father. Her parents dismiss the note as the work of a crackpot, but Ridley senses they are lying. Perhaps the only one who knows the truth is her brother, Ace, estranged from the family as a result of his drug addiction. Just as Ridley starts to investigate her own past, she meets Jake, a handsome new neighbor who quickly becomes involved in her quest. When it turns out Jake might be connected to her investigation, Ridley feels betrayed--is he using her? Unger takes readers on a pulse-pounding ride through the Big Apple in this outstanding debut that will please both pace-obsessed thriller fans and those who want to savor the more subtle aspects of character development.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)

  • Publisher's Weekly

    June 5, 2006
    Unger's well-crafted, suspenseful debut fiction, in which a bright, resourceful young woman finds her everyday world turned upside down in true Harlan Coben–thriller fashion, is done no favors by this off-kilter audio rendition. The main problem is that reader Lamia sounds a decade younger than the novel's narrator, Ridley Jones. As the book's heroine drifts into and out of jeopardy, fearlessly searching for the truth about her birth and parentage while defying powerful adversaries determined to keep a particularly evil secret, the mood should be noir. Lamia's sound is strictly YA, more girly than gritty. Her performance isn't one note; she makes all the right emotional choices. But she is not vocally versatile enough to do justice to the novel's cast of characters. Asking her to convey the audio image of a rotund, sinister lawyer issuing dire threats, to take one example, is a little like hiring Paris Hilton to stand in for Orson Welles. Not her fault, exactly, if she falls short of the mark. Simultaneous release with the Crown hardcover (Reviews, Jan. 2).

  • Lisa Gardner, author of Alone

    "A stunning, powerful novel! Lisa Unger's taut prose grabs the reader from word one and never lets go. In this tantalizing tale of family suspense, beware of who you trust and be forewarned about what might happen next."

  • John Connolly, author of The Black Angel "A tense exploration of what lies beneath the white picket fence of ordinary life. Harlan Coben has a new rival for his thriller crown."
  • Jeff Abbott, author of Panic "Beautiful Lies is a heartfelt thriller full of twists, turns, and truths. . . . Lisa Unger writes with precision and insight--she's a welcome new voice in suspense fiction."
  • Margaret coel, author of Eye of the Wolf "At last, a riveting suspense novel filled with psychological insight and amazing wisdom. Lisa Unger is a literate, savvy writer, and Beautiful Lies is a find! Read it now!"
  • Lee Child, author of One Shot "Suspenseful, sensitive, sexy, subtle . . . The best nail-biter I have read for ages. Highly recommended."
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