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This short-story collection Welcome to the Monkey House (1968) incorporates almost completely Vonnegut's 1961 "Canary in a Cathouse," which appeared within a few months of Slaughterhouse-Five and capitalized upon that breakthrough novel and the enormous attention it suddenly brought.
Drawn from both specialized science fiction magazines and the big-circulation general magazines (Saturday Evening Post, Colliers, etc.) which Vonnegut had been one of the few science writers to sell, the collection includes some of his most accomplished work. The title story may be his most famous—a diabolical government asserts control through compulsory technology removing orgasm from sex—but Vonnegut's bitterness and wit, not in his earlier work as poisonous or unshielded as it later became, is well demonstrated.
Two early stories from Galaxy science fiction magazine and one from Fantasy & Science Fiction(the famous "Harrison Bergeron") show Vonnegut's careful command of a genre about which he was always ambivalent, stories like "More Stately Mansions" or "The Foster Portfolio" the confines and formula of a popular fiction of which he was always suspicious. Vonnegut's affection for humanity and bewilderment as its corruption are manifest in these early works.
Several of these stories (those which appeared in Collier's) were commissioned by Vonnegut's Cornell classmate and great supporter Knox Burger, also born in 1922.
This short-story collection Welcome to the Monkey House (1968) incorporates almost completely Vonnegut's 1961 "Canary in a Cathouse," which appeared within a few months of Slaughterhouse-Five and capitalized upon that breakthrough novel and the enormous attention it suddenly brought.
Drawn from both specialized science fiction magazines and the big-circulation general magazines (Saturday Evening Post, Colliers, etc.) which Vonnegut had been one of the few science writers to sell, the collection includes some of his most accomplished work. The title story may be his most famous—a diabolical government asserts control through compulsory technology removing orgasm from sex—but Vonnegut's bitterness and wit, not in his earlier work as poisonous or unshielded as it later became, is well demonstrated.
Two early stories from Galaxy science fiction magazine and one from Fantasy & Science Fiction(the famous "Harrison Bergeron") show Vonnegut's careful command of a genre about which he was always ambivalent, stories like "More Stately Mansions" or "The Foster Portfolio" the confines and formula of a popular fiction of which he was always suspicious. Vonnegut's affection for humanity and bewilderment as its corruption are manifest in these early works.
Several of these stories (those which appeared in Collier's) were commissioned by Vonnegut's Cornell classmate and great supporter Knox Burger, also born in 1922.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.
Vonnegut began his career as a science fiction writer, and his early novels—Player Piano and The Sirens of Titan—were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.
Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
Reviews-
Starred review from August 7, 2006 Listeners are in for a treat as a masterful cast animates many of Vonnegut's finest short pieces. Vonnegut colors his oft-wondrous works with memorable characters, fantastic realities, pitch-perfect dialogue and heapings of satire and humor—a tall order for any audio actor. But this group of narrators are veterans of screen and stage, each with a unique voice as malleable as clay. It's hard to find fault with this production. Occasionally, Tucci and Irwin oversoften their voices, and listeners may find themselves reaching for the volume. Otherwise, there are very few blemishes. Baker is outstanding in "All the King's Horses" and "The Hyannis Port Story." Strathairn shines on "Tom Edison's Shaggy Dog" and "The Lie." Tucci handles with ease the predominantly male pieces "Go Back to Your Precious Wife and Son" and "Manned Missiles." Irwin inhabits every character. The robust Roberts is both commanding and wry. Given the fertile material and the collective talent of the cast, listeners should expect nothing less than excellence here. They won't be disappointed. Available in paperback from Dell.
October 9, 2006 Seventeen-year-old Matthew Walsh narrates this account of his tumultuous South Boston childhood with one of literature's most despicable mothers: Nikki is 34 when the book opens—pretty, reckless and dangerously manipulative. Through the course of Werlin's (Double Helix ) taut story, Matt and his sisters, Callie and Emmy, tiptoe around her mercurial behavior in a calculated effort to survive into adulthood—hiding in their rooms when she brings strange men home, saying whatever they believe she wants to hear, doing whatever they must to avoid a violent outburst. The children's father and unmarried aunt know the kids are in danger, but their fear of Nikki outweighs their willingness to act. The novel unfolds as a letter Matt is writing to Emmy as he heads off to college. He possesses the insight of a teen who has rocketed into adulthood out of necessity. If some readers find his maturity implausible, Werlin deflects attention from his nearly dispassionate recollection with short chapters and a thread of palpable tension that will easily carry readers along to the hopeful ending. Ages 12-up. (Sept.) Agent: Curtis Brown Ltd.
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