OverDrive would like to use cookies to store information on your computer to improve your user experience at our Website. One of the cookies we use is critical for certain aspects of the site to operate and has already been set. You may delete and block all cookies from this site, but this could affect certain features or services of the site. To find out more about the cookies we use and how to delete them, click here to see our Privacy Policy.
AN INSTANT NEW YORK TIMES BESTSELLER! “This Golden Girls meets James Bond thriller is a journey you want to be part of.” -Buzzfeed Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.
AN INSTANT NEW YORK TIMES BESTSELLER! “This Golden Girls meets James Bond thriller is a journey you want to be part of.” -Buzzfeed Older women often feel invisible, but sometimes that’s their secret weapon. They’ve spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can’t just retire – it’s kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to teach the Board what it really means to be a woman—and a killer—of a certain age.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the cover
Chapter One
November 1979
"My mother always says it's common as pig tracks to go around with a run in your stocking," Helen says, eyeing Billie's ripped hosiery critically.
Billie rolls her eyes. "Helen, it's murder, not cotillion."
"It's not murder," Helen corrects. "It's an assassination, and you can make an effort to look nice. Besides, they're supposed to believe we're stewardesses and no stewardess would be caught dead with torn pantyhose." Helen brandishes a familiar plastic egg. "I brought spares. Please go change while you still have time. I'll start the coffee."
The run is so tiny only Helen would have noticed it. Billie opens her mouth to argue and closes it again when she sees the tightness around Helen's lips. Helen is nervous and that means her eye for detail is hyperfocused, searching out things to worry about. Better for her to fuss about snagged pantyhose than any of the thousand other things that could go wrong on their first mission, Billie decides.
"Mary Alice is on coffee detail. You go check on Nat," Billie says, plucking the egg from Helen's hand. She pops into the lavatory just long enough to strip off her ruined hose and shimmy into a fresh pair, emerging to hear the conversation from the cockpit. Movies again-of course. When Gilchrist and Sweeney aren't debating the odds of getting Goldie Hawn into bed, they are trying to stump each other with film quotes.
"'A deer has to be taken with one shot. I try to tell people that, but they don't listen.'" The pilot waits while his copilot pauses the preflight check, screwing up his eyes in thought.
"Monty Python and the Holy Grail?" he guesses.
The pilot rolls his eyes. "Jesus, Sweeney, no, it's not Monty Python. Did that line sound funny to you?"
Sweeney shrugs. "It could be." The copilot jerks his head towards the galley. "Skirt!" he calls.
Billie steps into the doorway of the cockpit.
"Yes, Sweeney?" she asks.
He pulls his mouth to the side, doing his best Bogart as he looks her up and down. "She missed being beautiful by just a hair, but the voice more than made up for it. It was low and smoky, the sort of voice that ordered whiskey neat and told the bartender to keep the change."
"I don't remember that in The Maltese Falcon," she says.
His expression is outraged. "It's original! Come on, I make a great Sam Spade."
"Don't quit your day job. What did you ring for?"
Sweeney repeats the quote. "What movie is it from? Vance just threw that one out and acted like I'd punched his grandmother when I didn't know it."
"The Deer Hunter," she tells Sweeney. She points to the pilot. "And his next line will be from The Godfather."
The pilot grins. "How do you know that?"
"Every other one of your quotes is from The Godfather," she says. She pauses and the pilot gives her an assessing look. She is perfectly turned out, from the crisp, uncreased uniform to the smooth, dark blond hair tucked into a neat French pleat. Her hands don't shake and her eyes don't dart around. But she is nervous-or excited. Something is thrumming under her skin, he can almost smell it. And it is his job to settle her down.
"You got this, Billie," he says in a low voice. "You and the others are good or they wouldn't have given you the job."
She smiles. "Thanks, Gilchrist."
He shrugs. "I've given you a lot of shit in training, but the four of you are alright-provided you make it through tonight," he adds with a heartless grin.
"That's comforting," she tells him as Sweeney laughs.
"Just remember the mission and you'll be fine," Gilchrist assures her. "Sweeney and I will be...
About the Author-
Deanna Raybourn is the New York Times bestselling author of the Edgar Award–nominated Veronica Speedwell Mysteries, as well as the Lady Julia Grey series and several stand-alone works.
Reviews-
Starred review from August 1, 2022 Edgar finalist Raybourn (the Speedwell series) makes a dazzling excursion out of the Victorian era with this uproarious contemporary thriller. Billie, Mary Alice, Natalie, and Helen have been a cozy quartet of “avenging goddesses” for more than 40 years, one of the “most elite assassin squads on earth,” recruited in late 1978 by an “extra governmental” organization called the Museum. Soon after they’re forced to go on an all-expenses-paid retirement cruise in the Caribbean, they discover they’ve apparently been targeted for death by the Museum board. They immediately go into investigative overdrive, relying on their expert training and experiences to uncover the means and motives behind their potential demise. Flashbacks to several of their high-profile cases, including a Zanzibar hit on an aging baroness that comes back to haunt Billie, keep the reader guessing. Colorful regional details and vividly portrayed secondary characters flesh out this rollicking tale. Fans of Helen Tursten and Richard Osman will relish watching these badass women in their 60s (“no one notices you unless you want them to,” Billie observes) swing into action. Raybourn has outdone herself. Agent: Pamela Hopkins, Hopkins Literary Assoc.
Fans of Raybourn's historical mystery series featuring the feisty Veronica Speedwell (An Impossible Impostor) will relish this contemporary thriller about an all-woman assassination squad confronting an unexpected mission as they near retirement. The Museum, a global covert organization, recruited Billie, Helen, Mary Alice, and Natalie in the late 1970s to dispose of any remaining Nazis, and, later, other evildoers (e.g., arms dealers, drug lords, dictators). The Museum honors their service with an all-expenses-paid cruise on which they quickly learn they've been double-crossed and are now assassination targets themselves. The majority of the narrative comes from Billie's perspective, which Jane Oppenheimer delivers with spot-on emotion and energy. She suspensefully relays the team's furious quest for answers and empathetically conveys the joys and regrets shared by these resourceful women who, as elite global assassins, understandably struggled with work-life balance and now feel cast aside in a youth-obsessed society. With her beautiful, deep voice, Christina Delaine reads the non-Billie chapters with verve. Each narrator also shows perfect timing, presenting the story's many laugh-out-loud moments. VERDICT Featuring two great performances, Raybourn's latest is recommended for mystery lovers of all ages, as well as anyone (assassin or not) trying to balance their professional and personal lives.--Beth Farrell
Copyright 2022 Library Journal, LLC Used with permission.
Title Information+
Publisher
Books on Tape
OverDrive Listen
Release date:
OverDrive MP3 Audiobook
Release date:
Digital Rights Information+
OverDrive MP3 Audiobook
Burn to CD:
Permitted
Transfer to device:
Permitted
Transfer to Apple® device:
Permitted
Public performance:
Not permitted
File-sharing:
Not permitted
Peer-to-peer usage:
Not permitted
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.
Please update to the latest version of the OverDrive app to stream videos.
Device Compatibility Notice
The OverDrive app is required for this format on your current device.
Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
You've reached your library's checkout limit for digital titles.
To make room for more checkouts, you may be able to return titles from your Checkouts page.
Excessive Checkout Limit Reached.
There have been too many titles checked out and returned by your account within a short period of time.
Try again in several days. If you are still not able to check out titles after 7 days, please contact Support.
You have already checked out this title. To access it, return to your Checkouts page.
This title is not available for your card type. If you think this is an error contact support.
There are no copies of this issue left to borrow. Please try to borrow this title again when a new issue is released.
| Sign In
You will be prompted to sign into your library account on the next page.
If this is your first time selecting “Send to NOOK,” you will then be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."
The first time you select “Send to NOOK,” you will be taken to a Barnes & Noble page to sign into (or create) your NOOK account. You should only have to sign into your NOOK account once to link it to your library account. After this one-time step, periodicals will be automatically sent to your NOOK account when you select "Send to NOOK."
You can read periodicals on any NOOK tablet or in the free NOOK reading app for iOS, Android or Windows 8.
Completely enjoyable performances by Jane Oppenheimer and Christina Delaine add sparkle to this delightful audiobook. For 40 years, Billie, MaryAlice, Helen, and Natalie have worked as assassins for an ultra-secret organization called The Museum. The women, now in their 60s, are enjoying a free luxury retirement cruise, courtesy of their former employer, when they become entangled in an assassination attempt--on them. Oppenheimer is tough yet soft as Billie shares her personal observations, while Delaine's third-person chapters add gravitas, thanks to her sensual husky voice. Oppenheimer and Delaine skillfully develop the story's two timelines, recounting exploits throughout the women's careers and capturing the nonstop roller-coaster ride as they try to identify who's out to kill them. So much fun. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine
