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Internationally bestselling husband and wife Jonathan and Faye Kellerman team up for a powerful one-two punch with Capital Crimes, a gripping pair of original crime thrillers. MY SISTER’S KEEPER: BERKELEY Some of progressive state representative Davida Grayson’s views have made her unpopular. Although her foes are numerous no one suspects that any buttons Davida might push could evoke deadly force. But now Davida lies brutally murdered in her office, and Berkeley homicide detectives Will Barnes and Amanda Isis must unravel Davida’s complex, before the killer pulls off a repeat performance. MUSIC CITY BREAKDOWN: NASHVILLE Baker Southerby was a child prodigy performer. But something leads him to become a Nashville cop. His partner, Lamar Van Gundy, is a would-be studio bassist who earned himself a detective’s badge. As part of Nashville PD's elite Murder Squad, they catch a homicide that’s high-profile even for a city where musical celebrity is routine. Capital Crimes is page-turning, psychologically resonant suspense–just what we’ve come to expect from two of the world’s most successful crime writers.
Internationally bestselling husband and wife Jonathan and Faye Kellerman team up for a powerful one-two punch with Capital Crimes, a gripping pair of original crime thrillers. MY SISTER’S KEEPER: BERKELEY Some of progressive state representative Davida Grayson’s views have made her unpopular. Although her foes are numerous no one suspects that any buttons Davida might push could evoke deadly force. But now Davida lies brutally murdered in her office, and Berkeley homicide detectives Will Barnes and Amanda Isis must unravel Davida’s complex, before the killer pulls off a repeat performance. MUSIC CITY BREAKDOWN: NASHVILLE Baker Southerby was a child prodigy performer. But something leads him to become a Nashville cop. His partner, Lamar Van Gundy, is a would-be studio bassist who earned himself a detective’s badge. As part of Nashville PD's elite Murder Squad, they catch a homicide that’s high-profile even for a city where musical celebrity is routine. Capital Crimes is page-turning, psychologically resonant suspense–just what we’ve come to expect from two of the world’s most successful crime writers.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
The Woman’s Association of Northern California, Conquistadores Chapter Number XVI, was housed in a sumptuous turn-of-the-century, Beaux-Arts-touched-by-Gothic castle topped by crenellations and turrets, and constructed of massive blocks of mauve-gray Deer Isle granite from a long-dead quarry in Maine. The interior was predictable: somber and dark save for stained-glass windows featuring historical Gold Rush scenes that blew jeweled patches on the walls when the sun shone through. Antique Persian rugs softened well-worn walnut floors, the staircase banister gleamed from decades of polish, thirty-foot ceilings were coffered and rimmed with gold. The ground floor of the building held all the public rooms, the two floors above contained sleeping chambers for the members.
Mother had been a member of the Association for more than fifty years and sometimes slept over in a room far too modest for her. But the fees were nominal, and nostalgia was worth something. Her dinners at the club were frequent. They made her feel special.
They made Davida feel like a freak but she gritted her teeth and indulged Mother’s preferences because the woman was a not-too-healthy eighty.
Most dinners meant Mother and various selections of dear friends, each one of them more than a step out of time. The entire concept of the Association with its genteel Gatsby pretensions would have been anachronistic anywhere. Nowhere was it more absurd than here in Berkeley.
A stroll from the club was the People’s Park, originally conceived as a monument to free speech but reduced to a square block of homeless encampments and ad hoc soup kitchens. Good intentions in the abstract, but the brown rectangle reeked of unwashed bodies and decaying food and on hot days anyone not blessed by nasal congestion kept a wide berth.
Not far from the park was the Gourmet Ghetto, the foodie mecca that typified Berkeley’s mix of hedonism and idealism. And dominating it all, the UC. It was these contrasts that gave the city a unique character, with everything blanketed by a definite Point of View.
Davida loved the city with all its strengths and its foibles. Leftist and proud, she was now part of the system, duly elected state representative from District 14. She loved her district and she loved her constituents. She loved the energy and the electricity of a town stoked by people who cared about issues. So different from her hometown, Sacramento, where dishing dirt was respectable recreation.
And yet, here she was commuting back to the capital.
All for a good cause.
Tonight the dome-roofed, hush-hush dining room was dense with tables dressed with starched linen and sparkling silver and crystal, but shy on diners. Members were dying off and very few women elected to follow in their mothers’ footsteps. Davida had joined the Association a few years back because it was politically smart to do so. She knew most of the members as friends of her mother and they enjoyed the attention she paid them. Their monetary contributions were stingy compared to their assets, but at least they gave—more than Davida could say about a lot of her own allegedly altruistic pals.
Tonight, it was just Davida and Mother. Their server handed them menus and Davida and her mother silently scanned tonight’s choices. The entrées, once biased toward steaks and chops, had conceded to present-day realities with more chicken and fish. The food was excellent, Davida had to grant that. In Berkeley, bad food was almost as serious an iniquity as being a Republican.
Mother insisted on flirting...
About the Author-
About the Authors Jonathan Kellerman has brought his expertise as a clinical psychologist to numerous New York Times bestselling tales of suspense, including the Alex Delaware novels. His most recent novel, Gone, was a #1 New York Times bestseller. He has won the Goldwyn, Edgar, and Anthony awards, and has been nominated for a Shamus Award. Faye Kellerman is the New York Times bestselling author of the Peter Decker/Rina Lazarus novels, as well as the historical thrillers The Quality of Mercy and Straight Into Darkness and the short-story anthology The Garden of Eden. She has won the Macavity Award and has been nominated for a Shamus. Visit the authors’ websites at www.jonathankellerman.com and www.fayekellerman.net
Reviews-
October 16, 2006 The second collaboration by bestsellers Jonathan and Faye Kellerman (after Double Homicide ) offers two thin novellas that dedicated fans will most appreciate. In the first, My Sister's Keeper , Faye Kellerman's LAPD detective Peter Decker makes an extended cameo role in an inquiry into the murder of an activist lesbian California state representative, Davida Grayson. Grayson, who was the focus of threats from politicians and members of the radical right opposed to her support for stem-cell research, is found shot to death in her Berkeley office; an uninspired pair of local police find that the dead woman's personal relationships, rather than her politics, may have motivated the killer. The second story, Music City Breakdown , gives Jonathan Kellerman's consulting psychologist, Alex Delaware, a little more to do after Nashville detectives probing the stabbing murder of recording artist Jack Jeffries learn that Delaware had been treating the dead man. The solution is as unsurprising as that of My Sister's Keeper .
November 15, 2006 In their second joint volume of novellas (after Double Homicide), the Kellermans allow cameo appearances by their series characters Detective Peter Decker (Faye's LAPD hero) and Dr. Alex Delaware (Jonathan's consulting psychologist). In "My Sister's Keeper," the murder of California state legislator Davida Grayson has numerous suspects, including those opposed to her sexual orientation and her advocacy of stem-cell research. With wit and wry humor, a pair of unconventional partners cracks the case. Nashville is the scene of "Music City Breakdown," in which detectives must determine who had the motive and opportunity to murder a hard-living, has-been 1960s icon. While the sleuths on this case are less engaging, the plotting still works until the final chapters, where the culprit's behavior and tone don't fit with this character's first appearance in the story. This is a better collection than the Kellermans' first joint mystery. Both novellas exhibit a strong sense of place, fast plotting, solid character development, and good dialog; the first piece is the stronger of the two. Neither story is definitively attributed to either writer. Recommended for all public libraries. [See Prepub Alert, LJ 8/06.]Amy Brozio-Andrews, Albany P.L.
Copyright 2006 Library Journal, LLC Used with permission.
November 1, 2006 The Kellermans have been writing together and separately for decades. Their latest collaboration seems thrown together and listless compared with the high suspense they are capable of generating. This book houses two novellas set in two different state capitals. Each has a different writing style, grating in its own way. The first novella, "My Sister's Keeper," takes the high-romance road toward inflated writing. Set in Berkeley, California, the story centers on the murder of Congresswoman Davida Grayson in her office. Berkeley Police Detective William Barnes, who has known Grayson for years, takes the case, which, naturally presents a host of suspects including Davida's partner, who announces dramatically (and unnecessarily in 2006): "I'm Minette. Her lover." Hackeneyed plot with stilted dialogue. The second novella, "Music City Breakdown," swings the other way, with self-consciously tough-guy prose and a formulaic plot focusing on the murder of an L.A. singer transplanted to Nashville. The dialogue sounds forced throughout, the plot plods along, barely overcoming nearly indigestible chunks of backstory. The Kellermans' track record ensures demand for this distinctly lesser effort, but even devoted fans are likely to be disappointed.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)
- PEOPLE Magazine
"Rock icon Jack Jeffries seems to have no enemies. Lesbian politician Davida Grayson has no lack of them, most recently whoever pelted her with eggs at the California statehouse. And yet both end up equally dead in Capital Crimes, the new pair of agreeably perplexing mystery novellas by bestselling spouses Jonathan and Faye Kellerman (joining forces for the second time). The deaths are disparate: Jeffries climbs the stairway to heaven in Nashville in the more moving tale, Music City Breakdown, while Grayson dies in her Berkeley office in My Sister's Keeper. But shared themes, including the role of family, help to make these old-school whodunits--solved through knowledge of character and diligent detective work--satisfying."
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