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The Guncle
Cover of The Guncle
The Guncle
Winner of the Thurber Prize for American Humor
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller
An NPR Book of the Year
Finalist for the 2021 Goodreads Choice Awards
From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed.
So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of "Guncle Rules" ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled acting career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn't solved with treats and jokes, Patrick's eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you're unfailingly human.
With the humor and heart we've come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.
Winner of the Thurber Prize for American Humor
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller
An NPR Book of the Year
Finalist for the 2021 Goodreads Choice Awards
From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed.
So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of "Guncle Rules" ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled acting career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn't solved with treats and jokes, Patrick's eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you're unfailingly human.
With the humor and heart we've come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.
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  • From the book

    ONE

    At 8:38 a.m., the temperature was already hovering in the high eighties, on its way north of one hundred-unusual perhaps for May, but not unheard of. The desert sky was cloudless, a vibrant cobalt blue you wouldn't believe was real until you spent enough time underneath it to ensure it wasn't some sort of Hollywood effect. Patrick O'Hara stood curbside in front of the small airport, lost. The mountains surrounding Palm Springs were herculean; they worked overtime to hold back all kinds of weather-clouds, rain, humidity-everything except for wind, which accounted for the majestic windmills that stood like palace guards at the entrance to the Coachella Valley. The palm trees waved gently in the breeze, but did not so much as bend. In this moment, Patrick wished he had even a fraction of their strength.

    An old Chevrolet convertible in robin's egg blue eased past him, pausing at the speed bump, the driver taking extra care not to scrape the automobile's low carriage. It hiccuped over the barrier, and then resumed a reasonable speed around the corner away from the terminal, following a line of dignified palm trees toward the airport exit like it was driving into an antiquarian postcard. It's something Patrick loved about Palm Springs, the city's timelessness. The days were long, and so clean with sunlight it was impossible to distinguish one from the next. For four years now he'd been holed up in his midcentury desert estate, the one he'd purchased with his TV money (handsome compensation for costarring in nine humiliating seasons of The People Upstairs, plus syndication, plus streaming, plus a surprisingly robust run in France), in the aptly named Movie Colony neighborhood south of Tamarisk Road. It wasn't his intent to cut himself off from the world so completely, but the city invited it. In the old studio days, actors who were under contract were not allowed to travel more than one hundred miles from Los Angeles in case a picture needed them on short notice. Palm Springs sat exactly on that line, one hundred miles as the crow flies; it became an escape-as far away as actors dared go.

    When he first relocated, Patrick invited friends to visit, people in the industry mostly-oddballs he'd collected over a decade and a half in Hollywood. Sara once brought the kids for a week and they laughed and splashed in the pool like no time had passed; she made fun of him and his celebrity in the way only old friends could. Then, slowly over time, he stopped reaching out. And people stopped coming. Sara had legitimate reasons, but others just seemed to forget he existed at all. Those who observed his trickling visitors, like JED, the gay throuple who lived in the house behind his, went so far as to call him a recluse. John, Eduardo, and Dwayne would pop their grinning faces over the wall that divided their properties with friendly (but barbed) taunts, like a Snap, Crackle, and Pop who fucked. His housekeeper, Rosa, encouraged him to meet someone. "Mr. Patrick. Why you have this house all alone?" The answer was complicated and he skirted around it, knowing if he moped she would feel sorry for him and make his favorite ceviche. But to Patrick, his situation wasn't that dire. He was simply . . . done. For nine years he had given a side of himself to the world, and what he had left he owed no one.

    Patrick slung his baseball cap low over his eyes as a man pulled his Lexus into a white zone, hopped out of his idling car, and said goodbye to a friend or business associate with a hearty handshake. Patrick nodded to the friend as he walked past, and was rewarded with a smack from the man's three-racket Wilson tennis bag as he slung it over his...

Reviews-
  • Library Journal

    December 1, 2020

    Author of Lily and the Octopus, a national best seller and LibraryReads pick, as well as The Editor, Rowley introduces us to Gay Uncle Patrick, as he is known. A formerly famous sitcom star mourning a decamped lover, Patrick becomes temporary guardian of his beloved niece and nephew when their mother dies and their father, Patrick's brother, falls ill.

    Copyright 2020 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    March 22, 2021
    In this heartwarming, hilarious novel from Rowley (The Editor), an erstwhile sitcom star ends up taking care of his niece and nephew. Patrick O’Hara is four years out of the limelight and living in Palm Springs, Calif., when he learns his best friend and sister-in-law, Sara, has died after a long illness. While Patrick is in Connecticut for the funeral, widower Greg confesses he’s developed an addiction to painkillers. Patrick agrees to watch over Greg’s children, Maise and Grant, nine and six, while Greg spends a few months in rehab. As Patrick navigates his grief and responsibilities for the children, who call him their “Guncle” (or “GUP,” for gay uncle Patrick), he contemplates a comeback. Fortunately, he has help from a new agent; the “throuple” of three men next door; and his sister, Clara, despite Clara’s skepticism over the value of Patrick’s screwball antics for the children. Rowley finds humor and poignancy in the snappy narrative, ordered by a series of “Guncle Rules” (“number five,” applying to the adult content in Patrick’s apps: “If a gay man hands you his phone, look only at what he’s showing you”) and deepened by lessons the grief-stricken children learn via Patrick from generations of gay life. Readers will find this delightful and illuminating. Agent: Rob Weisbach, Rob Weisbach Creative Management.

  • Kirkus

    March 15, 2021
    A Hollywood star banishes himself to Palm Springs only to be thrust back into the limelight by, of all people, his young "niblings," or niece and nephew. The children, Grant and Maisie, are 6 and 9, respectively, spending the summer with their Uncle Patrick, or GUP as they call him: Gay Uncle Patrick. One of the stars of the beloved TV sitcom The People Upstairs (think Friends), Patrick has for four years marooned himself in the desert, tetchy about his fame, his career, and his unresolved grief over the loss of his partner, Joe, the victim of a drunk driver. "He was so afraid people wouldn't laugh if everyone knew how twisted he looked on the inside," Rowley writes about Patrick. Self-critical but charming, suave yet insecure, Patrick is a memorable character, and it's genuinely thrilling to read screenwriter-turned-novelist Rowley's take on the mechanics of stardom, especially about a star who's no longer young. Grant and Maisie are in Palm Springs because their mother has recently died and their father, Patrick's brother, is near Palm Springs rehabbing from a drug addiction; Patrick becomes the niblings' de-facto parent and therapist for the summer. The tension between Patrick and the kids initially manifests because their uncle doesn't follow the same routines as their parents did, but it becomes clear that the maladjustment stems from a deeper wellspring of emotional turmoil. Patrick, meanwhile, hides his vulnerability and grief behind an armor of wit. He must learn to reveal his feelings and rejoin the world, and the children will help him do so. Although some of the plot is predictable (for example, the relationship between Patrick and young actor Emory), there's true insight here into the psychology of gay men, Hollywood, and parenting. A novel with some real depth beneath all its witty froth.

    COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    April 1, 2021
    No longer the star of a hit TV series, Patrick O'Hara could not have imagined that his next leading role would be as caretaker of his brother's young children, but when Greg checks into rehab following the death of his wife, Sara, there seems no one better suited to help Maisie and Grant process the loss of their mother than the man who had been her closest friend. Culture shock doesn't begin to address the adjustments the kids must make when they spend the summer away from their Connecticut neighborhood and in Patrick's opulent Palm Springs home. And Maisie and Grant aren't the only ones facing changes. As a single gay man, Patrick had no parenting experience. What he does know, however, is how to give the children room to explore their feelings and offer sage advice as he becomes their dear ol' GUP (Gay Uncle Patrick). Its somewhat dire premise notwithstanding, Rowley's (The Editor, 2019) sensitive and witty exploration of grief and healing soothes with a delectable lightness and cunning charm.

    COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.

  • Library Journal

    April 1, 2021

    It has been several years since Patrick O'Hara left his TV sitcom and retired to Palm Springs. All is peaceful routine for Patrick, who is gay, until his sister-in-law (and bosom friend) dies and his brother checks himself into rehab, leaving Patrick in charge of his nine-year-old niece and six-year-old nephew. Maisie and Grant know their uncle is gay, thus the moniker guncle. In the tradition of Auntie Mame and Travels with My Aunt, this latest from Rowley (Lily and the Octopus) explores the relationships between young and old, grief and acceptance, stagnation and growth--all while challenging the expectations of convention. Under Patrick's unorthodox tutelage, the children are exposed to an entirely new way of looking at life, while Patrick, through the agency of his niece and nephew, finally comes to grips with his own grief. Influenced by comic dialogue that would make Neil Simon jealous, the novel's serious undercurrent of loss gives way, in the end, to a warmth that will make readers smile. VERDICT A funny, gentle tale of family and friends, and a salve for the wounds they often cause.--Michael Russo, Louisiana State Univ., Baton Rouge

    Copyright 2021 Library Journal, LLC Used with permission.

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