by Anne Tyler
“Absorbing and deeply satisfying.” —Entertainment Weekly
"It was a beautiful, breezy, yellow-and-green afternoon ...” This is how Abby Whitshank always describes the day she fell in love with Red in July 1959.
From Red’s parents, newly arrived in Baltimore in the 1920s, to the grandchildren carrying the Whitshank legacy boisterously into the twenty-first century, the Whitshanks are one of those families that radiate an indefinable kind of specialness, but like all families, their stories reveal only part of the picture: Abby and Red and their four grown children have accumulated not only tender moments, laughter, and celebrations, but also jealousies, disappointments, and carefully guarded secrets.
“Absorbing and deeply satisfying.” —Entertainment Weekly
"It was a beautiful, breezy, yellow-and-green afternoon ...” This is how Abby Whitshank always describes the day she fell in love with Red in July 1959.
From Red’s parents, newly arrived in Baltimore in the 1920s, to the grandchildren carrying the Whitshank legacy boisterously into the twenty-first century, the Whitshanks are one of those families that radiate an indefinable kind of specialness, but like all families, their stories reveal only part of the picture: Abby and Red and their four grown children have accumulated not only tender moments, laughter, and celebrations, but also jealousies, disappointments, and carefully guarded secrets.
Reviews-
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December 1, 2014
Thoroughly enjoyable but incohesive, Tyler’s latest chronicles the Whitshank family through several generations in Baltimore, Md. The narrative initially tackles the mounting tensions among the grown Whitshank siblings as their aging parents, Red and Abby, need looking after. The youngest son, Stem, adopted as a toddler, moves back into the family house to help care for Abby, who has spells of forgetfulness. This causes resentment in Denny, the family’s eldest biological son, who is capricious and has been known to drift in and out of their lives. As matters come to a head in Abby’s life and the lives of her children, the story suddenly switches to an in-depth exploration of Red’s parents and Red and Abby’s courtship, delving into Whitshank family lore. The interlude proves jarring for the reader, who at this point has invested plenty of interest in the siblings. Despite this, Tyler does tie these sections together, showing once again that she’s a gifted and engrossing storyteller. Announced first printing of 125,000 copies. -
Starred review from November 15, 2014
Tyler's 20th novel (The Beginner's Goodbye, 2012, etc.) again centers on family life in Baltimore, still a fresh and compelling subject in the hands of this gifted veteran.She opens in 1994, with Red and Abby Whitshank angsting over a phone call from their 19-year-old son, Denny. In a few sharp pages we get the family dynamic: Red can be critical, Abby can be smothering, and Denny reacts to any criticism by dropping out of sight. But as Part 1 unfolds, primarily from 2012 on, we see Denny has a history of wandering in and out of the Whitshank home on Bouton Road just often enough to keep his family guessing about the jobs and relationships he acquires and discards (" 'Boring' seemed to be his favorite word") while resenting his siblings' assumption that he can't be relied on. This becomes an increasingly fraught issue after Red has a heart attack and Abby begins to have "mind skips"; Tyler sensitively depicts the conflicts about how to deal with their aging parents among take-charge Amanda, underappreciated Jeannie and low-key Stem, whose unfailing good nature and designation as heir to Whitshank Construction infuriate Denny. A sudden death sends Tyler back in time to explore the truth behind several oft-recounted Whitshank stories, including the day Abby fell in love with Red and the origins of Junior, the patriarch who built the Bouton Road home in 1936. We see a pattern of scheming to appropriate things that belong to others and of slowly recognizing unglamorous, trying true love-but that's only a schematic approximation of the lovely insights Tyler gives us into an ordinary family who, "like most families...imagined they were special." They will be special to readers thanks to the extraordinary richness and delicacy with which Tyler limns complex interactions and mixed feelings familiar to us all and yet marvelously particular to the empathetically rendered members of the Whitshank clan. The texture of everyday experience transmuted into art.COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from December 1, 2014
In her twentieth gleaming novel, Tyler is as fleet and graceful as a skater, her prose as transparent as ice, dazzling qualities that distract us, initially, from just how profoundly dimensional a tale this is. We get swept up in the spin of conversations, the slipstream of consciousness, and the glide and dip of domestic life, then feel the sting of Tyler's quick and cutting insights into unjust assumptions about class, gender, age, and race. Abby and Red Whitshank worry about Denny, their ever-mysterious son. Their other, more accountable grown offspring live nearby with their children, and Jeannie and the son nicknamed Stem work for Red, who carried forward his father Junior's construction company. Retired social worker Abby and Red still live in the handsome, obsessively well-constructed house Junior built for a wealthy client, then slyly managed to make his own. During chaotic family gatherings, disorienting crises, and abrupt domestic reconfigurations (all subtly laced with motifs of blue and Wizard of Oz allusions), simmering resentments and secrets bubble up. Tyler then whirls back in time to tell Abby's story and, most strikingly, that of Linnie Mae, her deceptively serene mother-in-law. Junior's fervent respect for wood and craftsmanship reflects Tyler's long dedication to language and story, an artistic practice made perfect in this charming, funny, and shrewd novel of the paradoxes of self, family, and home. HIGH-DEMAND BACKSTORY: A substantial first printing, national media appearances, and an expansive online campaign will steer readers to the latest from beloved, best-selling novelist Tyler.(Reprinted with permission of Booklist, copyright 2014, American Library Association.) -
Starred review from February 1, 2015
Three generations of Whitshanks have lived in the family home in Baltimore since the 1920s, in which they have loved, squabbled, protected secrets, had children, and, in some cases, led inauthentic lives. Using her signature gifts for brilliant dialog and for intricately framing the complex messiness of parental and spousal relationships, Tyler beautifully untangles the threads that bind and sometimes choke all of them, especially Red and Abby, the last Whitshank homestead occupants. In 2012, Red and Abby are in their late 70s, and their fractious children rally to the modern dilemma of the sandwich generation--caring for aging resistant parents in their home safely, while raising their own children. VERDICT It's been half a century since Tyler debuted with If Morning Ever Comes, and her writing has lost none of the freshness and timelessness that has earned her countless awards and accolades. Now 73, she continues to dazzle with this multigenerational saga, which glides back and forth in time with humor and heart and a pragmatic wisdom that comforts and instructs. [See Prepub Alert, 8/4/14.]--Beth Andersen, formerly with Ann Arbor Dist. Lib., MI
Copyright 2015 Library Journal, LLC Used with permission.
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September 1, 2014
Gathered on the porch with her children, grandchild, and faithful dog, Abby Whitshank once more relates how she fell in love with Red on a glorious "yellow-and-green afternoon" in July 1959, and readers will know that they're in Tyler territory. Even as the family considers how best to care for Abby and Red, stories and secrets spill out from everyone. Another heart brimmer.
Copyright 2014 Library Journal, LLC Used with permission.
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February 1, 2015
Three generations of Whitshanks have lived in the family home in Baltimore since the 1920s, in which they have loved, squabbled, protected secrets, had children, and, in some cases, led inauthentic lives. Using her signature gifts for brilliant dialog and for intricately framing the complex messiness of parental and spousal relationships, Tyler beautifully untangles the threads that bind and sometimes choke all of them, especially Red and Abby, the last Whitshank homestead occupants. In 2012, Red and Abby are in their late 70s, and their fractious children rally to the modern dilemma of the sandwich generation--caring for aging resistant parents in their home safely, while raising their own children. VERDICT It's been half a century since Tyler debuted with If Morning Ever Comes, and her writing has lost none of the freshness and timelessness that has earned her countless awards and accolades. Now 73, she continues to dazzle with this multigenerational saga, which glides back and forth in time with humor and heart and a pragmatic wisdom that comforts and instructs. [See Prepub Alert, 8/4/14.]--Beth Andersen, formerly with Ann Arbor Dist. Lib., MI
Copyright 2015 Library Journal, LLC Used with permission.
- New York Times Book Review "Graceful and capacious . . . Quintessential Anne Tyler, as well as quintessential American comedy. Tyler has a knack for turning sitcom situations into something far deeper and more moving. Her great gift is playing against the American dream, the dark side of which is the falsehood at its heart: that given hard work and good intentions, any family can attain the Norman Rockwell ideal of happiness . . . She's a comic novelist, and a wise one."
- Francine Prose, The New York Review of Books "Anne Tyler's novels are invitations to spend time in the houses of the Baltimore neighborhood that she has built--house by house, block by block, word by word--over her long and bright career."
- Los Angeles Times "Tyler has proved again and again that a chronicle of middle-class family life in Baltimore can illuminate the human condition as acutely as any novel of ideas, albeit with a more modest demeanor . . . The Whitshanks [are] rendered with such immediacy and texture that they might be our next-door neighbors."
- Wall Street Journal "Happily, A Spool of Blue Thread is a throwback to the meaty family dramas with which Tyler won her popularity in the 1980s . . . As in the best of her novels, she here extends her warmest affection to the erring, the inconstant, and the mismatched--the people who are 'like anybody else,' in Red's words."
- Washington Post "An act of literary enchantment . . . How can it be so wonderful? . . . Tyler remains among the best chroniclers of family life this country has ever produced . . . Some of the most lovely and loving writing Tyler has ever done."
- Newsday "It's been a long time since I read a book I wished would not end, purposely slowing my progress to save a bit for later. A Spool of Blue Thread was that kind of book . . . The Whitshanks are us, in a way, and this makes them endlessly interesting to watch, as well as very touching."
- NPR.org "Well-built, homey and unpretentious . . . Readers of any age should have no trouble relating . . . We can only hope that Tyler will continue spooling out her colorful Baltimore tales for a long time to come."
- Baltimore Sun "Among her finest . . . There's no novelist living today who writes more insightfully (and often humorously) than Tyler does about the fictions and frictions of family life."
- Christian Science Monitor "A Spool of Blue Thread deserves to stand among Tyler's best writing."
- Buffalo News "Tyler is easily the closest we have to an American Chekhov . . . [Her] books will outlive us all . . . Tyler has rarely been given credit as subversive, because her style is so simple, direct, and sincere. But the stories she tells often detonate their own structure, and resonate long after many more superficially dazzling novels have faded . . . No one has been doing it longer, and by now no one does it better."
- The New Yorker "In warm, lucid prose, Tyler skips back and forth through the twentieth century to depict the Whitshanks."
- Seattle Times "Fifty years, and Tyler's still got it . . . [She] is a master at creating clans; at crafting groups of diverse characters who nonetheless belong together, who seem vulnerable and honest and real . . . I couldn't put A Spool of Blue Thread down."
- The Guardian "The extraordinary thing about all her writing is the extent to which she makes one believe every word, deed, and breath. A Spool of Blue Thread is no exception. [It keeps] one as absorbed as if it were one's own family she were describing, and as if what happened to them were necessary reading . . . What she has that neither Marilynne Robinson nor Alice Munro possess to the same degree is an irrepressible sense of the comedy beneath even the most melancholy surface . . . Such a joy."
- Associated Press "Deeply moving . . . A Spool of Blue Thread is a miracle of sorts, a tender, touching and funny story about three generations of an ordinary American family who are, of course, anything but . . . Tyler's accomplishment in this understated masterpiece is to convince us not only that the Whitshanks are remarkable but also that every family--no matter how seemingly ordinary--is in its own way special."
- Boston Globe "Tyler's genius as a novelist involves her ability to withhol
